Matching Items (59)
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- All Subjects: Organ music
- All Subjects: performing arts
- Creators: Marshall, Kimberly
Description
Throughout the history of Western art music, political and religious institutions have exerted powerful influence through their patronage and censorship. This is especially relevant to the organ, an elaborate and expensive instrument which has always depended on institutional support. The fascinating story of Polish organ culture, which has existed since the Middle Ages, reflects the dramatic changes in Polish politics throughout the centuries. An understanding of this country's history helps to construct a comprehensive view of how politics influenced the developments in organ building and organ playing. This paper describes the dynamics of the Church, government and art institutions in Poland during the years 1945-2012. A brief summary of the history of Polish organ culture sets the stage for the changes occurring after WWII. The constant struggle between the Church and the communist regime affected music making and organ culture in Poland from 1945-1989. The political détente that occurred after 1989 led to a flowering of new instruments, restorations and performance opportunities for organists. By exploring the relationship between Polish organ culture and prevailing agendas in the 20th century, the author demonstrates how a centuries-old tradition adapted to survive political and economic hardships.
ContributorsKubiaczyk-Adler, Ilona (Author) / Marshall, Kimberly (Thesis advisor) / Micklich, Albie (Committee member) / Rockmaker, Jody (Committee member) / Rogers, Rodney (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2012
ContributorsMarshall, Kimberly (Performer) / Meszler, Alexander (Performer) / Yatso, Toby (Narrator) / ASU Library. Music Library (Publisher)
Created2018-09-16
Description
This creative project provides an adaptation of J. S. Bach’s Goldberg Variations, BWV 988, for the Fritts Organ at Arizona State University. This organ was designed and built by Paul Fritts and Co. in 1992, and is in the style of the high-Baroque instruments of Northern Europe. Along with the musical score of the adaptation, this document discusses the registration choices included as well as relevant historical and performance practice details about the piece. A link to the recording of the author’s April 2017 performance of this edition of the Goldberg Variations on the ASU Fritts Organ is included with the project.
ContributorsLie, Siu Yin (Author) / Cosand, Walter (Thesis advisor) / Holbrook, Amy (Committee member) / Marshall, Kimberly (Committee member) / Arizona State University (Publisher)
Created2017
ContributorsMarshall, Kimberly (Performer) / ASU Library. Music Library (Publisher)
Created2019-03-17
ContributorsMarshall, Kimberly (Performer) / ASU Library. Music Library (Publisher)
Created2007-03-11
ContributorsMarshall, Kimberly (Performer) / Cook, L. Keith (Performer) / Zweiback, Adam J (Performer) / ASU Library. Music Library (Publisher)
Created2000-02-06
ContributorsMarshall, Kimberly (Performer) / ASU Library. Music Library (Publisher)
Created2008-03-09
ContributorsMarshall, Kimberly (Performer) / ASU Library. Music Library (Publisher)
Created2011-03-06
ContributorsHolton, Kristin (Performer) / ASU Library. Music Library (Publisher)
Created2010-11-02
ContributorsMarshall, Kimberly (Performer) / ASU Library. Music Library (Publisher)
Created2004-11-07