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- Genre: Academic theses
Description
The discussion board is a facet of online education that continues to confound students, educators, and researchers alike. Currently, the majority of research insists that instructors should structure and control online discussions as well as evaluate such discussions. However, the existing literature has yet to compare the various strategies that instructors have identified and employed to facilitate discussion board participation. How should instructors communicate their expectations online? Should instructors create detailed instructions that outline and model exactly how students should participate, or should generalized instructions be communicated? An experiment was conducted in an online course for undergraduate students at Arizona State University. Three variations of instructional conditions were developed for use in the experiment: (1) detailed, (2) general, and (3) limited. The results of the experiment indentified a pedagogically valuable finding that should positively influence the design of future online courses that utilize discussion boards.
ContributorsButler, Nicholas Dale (Author) / Waldron, Vincent (Thesis advisor) / Kassing, Jeffrey (Committee member) / Wise, John (Committee member) / Arizona State University (Publisher)
Created2012
Description
Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The work was commissioned by violinist Lev Polyakin, who specifically requested some short pieces that could be performed in a local jazz establishment named Night Town in Cleveland, Ohio. The result is a work that is approximately fifteen minutes in length. Schoenfeld is a respected composer in the contemporary classical music community, whose Café Music (1986) for piano trio has recently become a staple of the standard chamber music repertoire. Many of his other works, however, remain in relative obscurity. It is the focus of this document to shed light on at least one other notable composition; Four Souvenirs for Violin and Piano. Among the topics to be discussed regarding this piece are a brief history behind the genesis of this composition, a structural summary of the entire work and each of its movements, and an appended practice guide based on interview and coaching sessions with the composer himself. With this project, I hope to provide a better understanding and appreciation of this work.
ContributorsJanczyk, Kristie Annette (Author) / Ryan, Russell (Thesis advisor) / Campbell, Andrew (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2015
Description
Samuel Máynez Prince (1886-1966), was a prolific and important Mexican musician. Prince’s musical style followed the trends of the nineteenth-century salon music genre. His compositions include lullabies, songs, dances, marches, mazurkas, waltzes, and revolutionary anthems. Prince’s social status and performances in the famed Café Colón in Mexico City increased his popularity among high-ranking political figures during the time of the Mexican Revolution as well as his status in the Mexican music scene.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
ContributorsEkenes, Spencer Arvin (Author) / McLin, Katherine (Thesis advisor) / Feisst, Sabine (Committee member) / Jiang, Danwen (Committee member) / Arizona State University (Publisher)
Created2016
Description
Online learning communities have changed the way users learn due to the technological affordances web 2.0 has offered. This shift has produced different kinds of learning communities like massive open online courses (MOOCs), learning management systems (LMS) and question and answer based learning communities. Question and answer based communities are an important part of social information seeking. Thousands of users participate in question and answer based communities on the web like Stack Overflow, Yahoo Answers and Wiki Answers. Research in user participation in different online communities identifies a universal phenomenon that a few users are responsible for answering a high percentage of questions and thus promoting the sustenance of a learning community. This principle implies two major categories of user participation, people who ask questions and those who answer questions. In this research, I try to look beyond this traditional view, identify multiple subtler user participation categories. Identification of multiple categories of users helps to provide specific support by treating each of these groups of users separately, in order to maintain the sustenance of the community.
In this thesis, participation behavior of users in an open and learning based question and answer community called OpenStudy has been analyzed. Initially, users were grouped into different categories based on the number of questions they have answered like non participators, sample participators, low, medium and high participators. In further steps, users were compared across several features which reflect temporal, content and question/thread specific dimensions of user participation including those suggestive of learning in OpenStudy.
The goal of this thesis is to analyze user participation in three steps:
a. Inter group participation analysis: compare pre assumed user groups across the participation features extracted from OpenStudy data.
b. Intra group participation analysis: Identify sub groups in each category and examine how participation differs within each group with help of unsupervised learning techniques.
c. With these grouping insights, suggest what interventions might support the categories of users for the benefit of users and community.
This thesis presents new insights into participation because of the broad range of
features extracted and their significance in understanding the behavior of users in this learning community.
In this thesis, participation behavior of users in an open and learning based question and answer community called OpenStudy has been analyzed. Initially, users were grouped into different categories based on the number of questions they have answered like non participators, sample participators, low, medium and high participators. In further steps, users were compared across several features which reflect temporal, content and question/thread specific dimensions of user participation including those suggestive of learning in OpenStudy.
The goal of this thesis is to analyze user participation in three steps:
a. Inter group participation analysis: compare pre assumed user groups across the participation features extracted from OpenStudy data.
b. Intra group participation analysis: Identify sub groups in each category and examine how participation differs within each group with help of unsupervised learning techniques.
c. With these grouping insights, suggest what interventions might support the categories of users for the benefit of users and community.
This thesis presents new insights into participation because of the broad range of
features extracted and their significance in understanding the behavior of users in this learning community.
ContributorsSamala, Ritesh Reddy (Author) / Walker, Erin (Thesis advisor) / VanLehn, Kurt (Committee member) / Hsieh, Gary (Committee member) / Wetzel, Jon (Committee member) / Arizona State University (Publisher)
Created2015