Matching Items (611)
Filtering by
- All Subjects: Clarinet and piano music
Description
Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
Description
This dissertation explores the interrelationships between periods of rapid social change and regional-scale social identities. Using archaeological data from the Cibola region of the U.S. Southwest, I examine changes in the nature and scale of social identification across a period of demographic and social upheaval (A.D. 1150-1325) marked by a shift from dispersed hamlets, to clustered villages, and eventually, to a small number of large nucleated towns. This transformation in settlement organization entailed a fundamental reconfiguration of the relationships among households and communities across an area of over 45,000 km2. This study draws on contemporary social theory focused on political mobilization and social movements to investigate how changes in the process of social identification can influence the potential for such widespread and rapid transformations. This framework suggests that social identification can be divided into two primary modes; relational identification based on networks of interaction among individuals, and categorical identification based on active expressions of affiliation with social roles or groups to which one can belong. Importantly, trajectories of social transformations are closely tied to the interrelationships between these two modes of identification. This study has three components: Social transformation, indicated by rapid demographic and settlement transitions, is documented through settlement studies drawing on a massive, regional database including over 1,500 sites. Relational identities, indicated by networks of interaction, are documented through ceramic compositional analyses of over 2,100 potsherds, technological characterizations of over 2,000 utilitarian ceramic vessels, and the distributions of different types of domestic architectural features across the region. Categorical identities are documented through stylistic comparisons of a large sample of polychrome ceramic vessels and characterizations of public architectural spaces. Contrary to assumptions underlying traditional approaches to social identity in archaeology, this study demonstrates that relational and categorical identities are not necessarily coterminous. Importantly, however, the strongest patterns of relational connections prior to the period of social transformation in the Cibola region largely predict the scale and structure of changes associated with that transformation. This suggests that the social transformation in the Cibola region, despite occurring in a non-state setting, was governed by similar dynamics to well-documented contemporary examples.
ContributorsPeeples, Matthew A. (Author) / Kintigh, Keith W. (Thesis advisor) / Hegmon, Michelle (Thesis advisor) / Spielmann, Katherine A. (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsBurton, Charlotte (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-08
ContributorsDruesedow, Elizabeth (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsClements, Katrina (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-15
ContributorsClifton-Armenta, Tyler (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-16
ContributorsMoonitz, Olivia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-13
Description
In the proposed project I simultaneously and reflexively identify and characterize social boundaries in the archaeological record by examining material culture distributions in novel ways to re-assess the scale of the Verde Confederacy, a proposed regional-scale multi-settlement alliance in Late Prehistoric central Arizona. I focus on boundaries between entities larger than villages, but smaller than regions or culture areas. I propose three innovations to better accomplish these goals. First, unlike previous conceptualizations of social boundaries as monolithic, I argue that they are better conceived of as a heterogeneous, multi-faceted phenomenon. Second, I investigate social boundaries by examining multiple lines of evidence. Previous researchers have tended to focus on one category of data at the expense of others. Third, I associate boundaries with relational and categorical collective social identification. An alliance requires regular collective actions including communication and coordinated action between large groups. These actions are most likely to emerge among groups integrated by relational networks who share a high degree of categorical homogeneity.
I propose a plain ware ceramic provenance model. Seven reference groups represent ceramic production in specific geographic areas. The reference groups are mineralogically and geochemically distinct, and can be visually differentiated. With this provenance model, I reconstruct the organization of utilitarian ceramic production and exchange, and argue that plain ware distribution is a proxy for networks of socially proximate friends and relatives. The plain ware data are compared to boundaries derived from settlement patterns, rock art, public architecture, and painted ceramics to characterize the overall nature of social boundaries in Late Prehistoric central Arizona.
Three regions in the study area are strongly integrated by relational networks and categorical commonality. If alliances existed in Late Prehistoric central Arizona, they were most likely to emerge at this scale. A fourth region is identified as a frontier zone, where internal connections and shared identities were weaker. As seen among the League of the Iroquois, smaller integrated entities do not preclude the existence of larger social constructs, and I conclude this study with proposals to further test the Verde Confederacy model by searching for integration at a broader spatial scale.
I propose a plain ware ceramic provenance model. Seven reference groups represent ceramic production in specific geographic areas. The reference groups are mineralogically and geochemically distinct, and can be visually differentiated. With this provenance model, I reconstruct the organization of utilitarian ceramic production and exchange, and argue that plain ware distribution is a proxy for networks of socially proximate friends and relatives. The plain ware data are compared to boundaries derived from settlement patterns, rock art, public architecture, and painted ceramics to characterize the overall nature of social boundaries in Late Prehistoric central Arizona.
Three regions in the study area are strongly integrated by relational networks and categorical commonality. If alliances existed in Late Prehistoric central Arizona, they were most likely to emerge at this scale. A fourth region is identified as a frontier zone, where internal connections and shared identities were weaker. As seen among the League of the Iroquois, smaller integrated entities do not preclude the existence of larger social constructs, and I conclude this study with proposals to further test the Verde Confederacy model by searching for integration at a broader spatial scale.
ContributorsWatkins, Christopher N., 1978- (Author) / Abbott, David R. (Thesis advisor) / Michelaki, Konstantina-Eleni (Committee member) / Simon, Arleyn W (Committee member) / Arizona State University (Publisher)
Created2016