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Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from

Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The

This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for

The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
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Description
The Tamari lattices have been intensely studied since they first appeared in Dov Tamari’s thesis around 1952. He defined the n-th Tamari lattice T(n) on bracketings of a set of n+1 objects, with a cover relation based on the associativity rule in one direction. Despite their interesting aspects and the

The Tamari lattices have been intensely studied since they first appeared in Dov Tamari’s thesis around 1952. He defined the n-th Tamari lattice T(n) on bracketings of a set of n+1 objects, with a cover relation based on the associativity rule in one direction. Despite their interesting aspects and the attention they have received, a formula for the number of maximal chains in the Tamari lattices is still unknown. The purpose of this thesis is to convey my results on progress toward the solution of this problem and to discuss future work.

A few years ago, Bergeron and Préville-Ratelle generalized the Tamari lattices to the m-Tamari lattices. The original Tamari lattices T(n) are the case m=1. I establish a bijection between maximum length chains in the m-Tamari lattices and standard m-shifted Young tableaux. Using Thrall’s formula, I thus derive the formula for the number of maximum length chains in T(n).

For each i greater or equal to -1 and for all n greater or equal to 1, I define C(i,n) to be the set of maximal chains of length n+i in T(n). I establish several properties of maximal chains (treated as tableaux) and identify a particularly special property: each maximal chain may or may not possess a plus-full-set. I show, surprisingly, that for all n greater or equal to 2i+4, each member of C(i,n) contains a plus-full-set. Utilizing this fact and a collection of maps, I obtain a recursion for the number of elements in C(i,n) and an explicit formula based on predetermined initial values. The formula is a polynomial in n of degree 3i+3. For example, the number of maximal chains of length n in T(n) is n choose 3.

I discuss current work and future plans involving certain equivalence classes of maximal chains in the Tamari lattices. If a maximal chain may be obtained from another by swapping a pair of consecutive edges with another pair in the Hasse diagram, the two maximal chains are said to differ by a square move. Two maximal chains are said to be in the same equivalence class if one may be obtained from the other by making a set of square moves.
ContributorsNelson, Luke (Author) / Fishel, Susanna (Thesis advisor) / Czygrinow, Andrzej (Committee member) / Jones, John (Committee member) / Kierstead, Henry (Committee member) / Spielberg, John (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsGeorges, Julia (Performer) / Moustafa, Sherin (Performer) / DeBoer, Andrew (Performer) / Gardner, Joshua (Performer) / Miracle, Matthew (Performer) / ASU Library. Music Library (Publisher)
Created2011-03-26
ContributorsGardner, Joshua (Performer) / Forsthoff, Kyle (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2006-04-14
ContributorsHarger, Stefanie (Performer) / Novak, Gail (Pianist) (Performer) / Gardner, Joshua (Performer) / ASU Library. Music Library (Publisher)
Created2009-03-21
ContributorsVon Haugg, Michele (Performer) / Novak, Gail (Pianist) (Performer) / Gersony, Alyssa (Performer) / Jones, Jessica (Performer) / Harger-Gardner, Stephanie (Performer) / Gardner, Joshua (Performer) / Miracle, Matthew (Performer) / Percussion Ensemble (Performer) / ASU Library. Music Library (Publisher)
Created2010-04-30
ContributorsGardner, Joshua (Performer) / Novak, Gail (Pianist) (Performer) / Gardner, Stefanie (Performer) / Spring, Robert (Performer) / Pan, Tiffany (Performer) / Murphy, Patrick (Performer) / Kluesener, Joseph (Performer) / Egide Duo (Performer) / Paradise Winds (Performer) / ASU Library. Music Library (Publisher)
Created2023-09-10
ContributorsSpring, Robert (Performer) / Mancuso, Simone (Performer) / Wier, Alex (Performer) / Gudaitis, Amber (Performer) / Miracle, Matthew (Performer) / Campbell, Andrew (Pianist) (Performer) / Gardner, Joshua (Performer) / ASU Library. Music Library (Publisher)
Created2014-09-21