Matching Items (658)
Filtering by
- All Subjects: Songs (High voice) with piano
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
Description
Impact cratering and volcanism are two fundamental processes that alter the surfaces of the terrestrial planets. Though well studied through laboratory experiments and terrestrial analogs, many questions remain regarding how these processes operate across the Solar System. Little is known about the formation of large impact basins (>300 km in diameter) and the degree to which they modify planetary surfaces. On the Moon, large impact basins dominate the terrain and are relatively well preserved. Because the lunar geologic timescale is largely derived from basin stratigraphic relations, it is crucial that we are able to identify and characterize materials emplaced as a result of the formation of the basins, such as light plains. Using high-resolution images under consistent illumination conditions and topography from the Lunar Reconnaissance Orbiter Camera (LROC), a new global map of light plains is presented at an unprecedented scale, revealing critical details of lunar stratigraphy and providing insight into the erosive power of large impacts. This work demonstrates that large basins significantly alter the lunar surface out to at least 4 radii from the rim, two times farther than previously thought. Further, the effect of pre-existing topography on the degradation of impact craters is unclear, despite their use in the age dating of surfaces. Crater measurements made over large regions of consistent coverage using LROC images and slopes derived from LROC topography show that pre-existing topography affects crater abundances and absolute model ages for craters up to at least 4 km in diameter.
On Mars, small volcanic edifices can provide valuable insight into the evolution of the crust and interior, but a lack of superposed craters and heavy mantling by dust make them difficult to age date. On Earth, morphometry can be used to determine the ages of cinder cone volcanoes in the absence of dated samples. Comparisons of high-resolution topography from the Context Imager (CTX) and a two-dimensional nonlinear diffusion model show that the forms observed on Mars could have been created through Earth-like processes, and with future work, it may be possible to derive an age estimate for these features in the absence of superposed craters or samples.
On Mars, small volcanic edifices can provide valuable insight into the evolution of the crust and interior, but a lack of superposed craters and heavy mantling by dust make them difficult to age date. On Earth, morphometry can be used to determine the ages of cinder cone volcanoes in the absence of dated samples. Comparisons of high-resolution topography from the Context Imager (CTX) and a two-dimensional nonlinear diffusion model show that the forms observed on Mars could have been created through Earth-like processes, and with future work, it may be possible to derive an age estimate for these features in the absence of superposed craters or samples.
ContributorsMeyer, Heather (Author) / Robinson, Mark S (Thesis advisor) / Bell, Jim (Thesis advisor) / Denevi, Brett (Committee member) / Clarke, Amanda (Committee member) / Asphaug, Erik (Committee member) / Arizona State University (Publisher)
Created2018
ContributorsMartorana, Gabrielle (Performer) / Olarte, Aida (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-20
ContributorsBan, Banlingyu (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-10