Matching Items (657)
Filtering by
- All Subjects: Songs (High voice) with piano
- Status: Published
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
Description
When the United States’ Central Intelligence Agency recently declassified documents relating to the 1953 Coup in Iran, it was discovered that American involvement was much deeper than previously known. In fact, the CIA had orchestrated the coup against democratically-elected Mohammed Mossadegh. This action was sold to the United States public as being essential to democracy, which seems contradictory to its actual purpose. U.S. political leaders justified the coup by linking it to what Charles Mills calls “racial liberalism,” a longstanding ideological tradition in America that elevates the white citizen to a place of power and protection while making the racial noncitizens “others” in the political system. Political leaders in the United States relied on bribing the American media to portray the Shah as the white citizen and Mossadegh as a racial other, the white citizen was restored to power and the racial other was overthrown.
ContributorsAnderson, Kira C (Author) / Forrest, M. David (Thesis advisor) / Murphy Erfani, Julie (Committee member) / Behl, Natasha (Committee member) / Arizona State University (Publisher)
Created2016
Description
The concept of Velayat-e Faqih as a type of Shi’ite Islamic government gained popularity three decades ago, after the Islamic revolution in Iran. The new constitution of the Islamic Republic of Iran was based on Velayat-e Fagih, proposed by the Imam Khomeini many consider him as the leader of the Islamic Revolution and the founder of the Iranian Islamic Republic. What is Velayat-e Faqih? Who can be the Vali Faqih? Why wasn't this idea proposed before Islamic Revolution in 1979? Did all the Shi’ite religious scholars endorse this idea or the Vali Faqih himself? All of these questions ultimately lead us to ask whether this concept has been drawn from Shi’ite Islamic discourses or it may perhaps be considered a novelty: a secularization of religion. These questions are increasingly discussed in academia and in the large public arena. Moreover, this discourse has divided Shi’ite Muslims into three groups: supporters of the Velayat-e Faqih, its opponents, and the silent group. It is important to analyze the position of all those groups including the silent group who did not publicly endorse or reject the theory. The theory of Velayat-e Faqih has emerged from the Imamate doctrine, which constitutes a cornerstone of Shi'ite sect of Islam. It is necessary to understand this political doctrine in relation to the context within which this concept of leadership had emerged. In order to overcome the ambiguities surrounding the relationship between Velayat-e Faqih and the position of Islamic jurist as a source of guidance and imitation (Marje Taqleed), it is necessary to discuss the various dimension of guardianship in the absence of the infallible Imam. Furthermore, the focus of this research is to review whether the concept of Velayat-e Faqih was innovated after the Islamic Revolution of Iran or existed within the Shi’ite tradition.
ContributorsRezai, Ali Siyar (Author) / Gallab, Abdullahi (Thesis advisor) / Talebi, Shahla (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2016
ContributorsMartorana, Gabrielle (Performer) / Olarte, Aida (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-20