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- All Subjects: Songs (High voice) with piano
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
Description
This dissertation describes an investigation of four students' ways of thinking about functions of two variables and rate of change of those two-variable functions. Most secondary, introductory algebra, pre-calculus, and first and second semester calculus courses do not require students to think about functions of more than one variable. Yet vector calculus, calculus on manifolds, linear algebra, and differential equations all rest upon the idea of functions of two (or more) variables. This dissertation contributes to understanding productive ways of thinking that can support students in thinking about functions of two or more variables as they describe complex systems with multiple variables interacting. This dissertation focuses on modeling the way of thinking of four students who participated in a specific instructional sequence designed to explore the limits of their ways of thinking and in turn, develop a robust model that could explain, describe, and predict students' actions relative to specific tasks. The data was collected using a teaching experiment methodology, and the tasks within the teaching experiment leveraged quantitative reasoning and covariation as foundations of students developing a coherent understanding of two-variable functions and their rates of change. The findings of this study indicated that I could characterize students' ways of thinking about two-variable functions by focusing on their use of novice and/or expert shape thinking, and the students' ways of thinking about rate of change by focusing on their quantitative reasoning. The findings suggested that quantitative and covariational reasoning were foundational to a student's ability to generalize their understanding of a single-variable function to two or more variables, and their conception of rate of change to rate of change at a point in space. These results created a need to better understand how experts in the field, such as mathematicians and mathematics educators, thinking about multivariable functions and their rates of change.
ContributorsWeber, Eric David (Author) / Thompson, Patrick (Thesis advisor) / Middleton, James (Committee member) / Carlson, Marilyn (Committee member) / Saldanha, Luis (Committee member) / Milner, Fabio (Committee member) / Van de Sande, Carla (Committee member) / Arizona State University (Publisher)
Created2012
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
ContributorsMartorana, Gabrielle (Performer) / Olarte, Aida (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-20
Description
Researchers have documented the importance of seeing a graph as an emergent trace of how two quantities’ values vary simultaneously in order to reason about the graph in terms of quantitative relationships. If a student does not see a graph as a representation of how quantities change together then the student is limited to reasoning about perceptual features of the shape of the graph.
This dissertation reports results of an investigation into the ways of thinking that support and inhibit students from constructing and reasoning about graphs in terms of covarying quantities. I collected data by engaging three university precalculus students in asynchronous teaching experiments. I designed the instructional sequence to support students in making three constructions: first imagine representing quantities’ magnitudes along the axes, then simultaneously represent these magnitudes with a correspondence point in the plane, and finally anticipate tracking the correspondence point to track how the two quantities’ attributes change simultaneously.
Findings from this investigation provide insights into how students come to engage in covariational reasoning and re-present their imagery in their graphing actions. The data presented here suggests that it is nontrivial for students to coordinate their images of two varying quantities. This is significant because without a way to coordinate two quantities’ variation the student is limited to engaging in static shape thinking.
I describe three types of imagery: a correspondence point, Tinker Bell and her pixie dust, and an actor taking baby steps, that supported students in developing ways to coordinate quantities’ variation. I discuss the figurative aspects of the students’ coordination in order to account for the difficulties students had (1) constructing a multiplicative object that persisted under variation, (2) reconstructing their acts of covariation in other graphing tasks, and (3) generalizing these acts of covariation to reason about formulas in terms of covarying quantities.
This dissertation reports results of an investigation into the ways of thinking that support and inhibit students from constructing and reasoning about graphs in terms of covarying quantities. I collected data by engaging three university precalculus students in asynchronous teaching experiments. I designed the instructional sequence to support students in making three constructions: first imagine representing quantities’ magnitudes along the axes, then simultaneously represent these magnitudes with a correspondence point in the plane, and finally anticipate tracking the correspondence point to track how the two quantities’ attributes change simultaneously.
Findings from this investigation provide insights into how students come to engage in covariational reasoning and re-present their imagery in their graphing actions. The data presented here suggests that it is nontrivial for students to coordinate their images of two varying quantities. This is significant because without a way to coordinate two quantities’ variation the student is limited to engaging in static shape thinking.
I describe three types of imagery: a correspondence point, Tinker Bell and her pixie dust, and an actor taking baby steps, that supported students in developing ways to coordinate quantities’ variation. I discuss the figurative aspects of the students’ coordination in order to account for the difficulties students had (1) constructing a multiplicative object that persisted under variation, (2) reconstructing their acts of covariation in other graphing tasks, and (3) generalizing these acts of covariation to reason about formulas in terms of covarying quantities.
ContributorsFrank, Kristin Marianna (Author) / Thompson, Patrick W (Thesis advisor) / Carlson, Marilyn P (Thesis advisor) / Milner, Fabio (Committee member) / Roh, Kyeong Hah (Committee member) / Zandieh, Michelle (Committee member) / Arizona State University (Publisher)
Created2017