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- Genre: Masters Thesis
Description
American Primitive is a composition written for wind ensemble with an instrumentation of flute, oboe, clarinet, bass clarinet, alto, tenor, and baritone saxophones, trumpet, horn, trombone, euphonium, tuba, piano, and percussion. The piece is approximately twelve minutes in duration and was written September - December 2013. American Primitive is absolute music (i.e. it does not follow a specific narrative) comprising blocks of distinct, contrasting gestures which bookend a central region of delicate textural layering and minimal gestural contrast. Though three gestures (a descending interval followed by a smaller ascending interval, a dynamic swell, and a chordal "chop") were consciously employed throughout, it is the first gesture of the three that creates a sense of unification and overall coherence to the work. Additionally, the work challenges listeners' expectations of traditional wind ensemble music by featuring the trumpet as a quasi-soloist whose material is predominately inspired by transcriptions of jazz solos. This jazz-inspired material is at times mimicked and further developed by the ensemble, also often in a soloistic manner while the trumpet maintains its role throughout. This interplay of dialogue between the "soloists" and the "ensemble" further skews listeners' conceptions of traditional wind ensemble music by featuring almost every instrument in the ensemble. Though the term "American Primitive" is usually associated with the "naïve art" movement, it bears no association to the music presented in this work. Instead, the term refers to the author's own compositional attitudes, education, and aesthetic interests.
ContributorsJandreau, Joshua (Composer) / Rockmaker, Jody D (Thesis advisor) / Rogers, Rodney I (Committee member) / Demars, James R (Committee member) / Arizona State University (Publisher)
Created2014
Description
Phantom Sun is a ten-minute piece in three sections, and is composed for flute, clarinet in b-flat, violin, cello, and percussion. The three-part structure for this work is a representation of the atmospheric phenomenon after which the composition is named. A phantom sun, also called a parhelion or sundog, is a weather-related phenomenon caused by the horizontal refraction of sunlight in the upper atmosphere. This refraction creates the illusion of three suns above the horizon, and is often accompanied by a bright halo called the circumzenithal arc. The halo is caused by light bending at 22° as it passes through hexagonal ice crystals. Consequently, the numbers six and 22 are important figures, and have been encoded into this piece in various ways.
The first section, marked “With concentrated intensity,” is characterized by the juxtaposition of tonal ambiguity and tonal affirmation, as well as the use of polymetric counterpoint (often 7/8 against 4/4 or 7/8 against 3/4). The middle section, marked “Crystalline,” provides contrast in its use of unmetered sections and independent tempos. The refraction of light is represented in this movement by a 22-note row based on a hexachord (B-flat, F, C, G, A, E) introduced in measure 164 of the first section. The third section, marked “With frenetic energy,” begins without pause on an arresting entrance of the drums playing an additive rhythmic pattern. This pattern (5+7+9+1) amounts to 22 eighth-note pulses and informs much of the motivic and structural considerations for the remainder of the piece.
The first section, marked “With concentrated intensity,” is characterized by the juxtaposition of tonal ambiguity and tonal affirmation, as well as the use of polymetric counterpoint (often 7/8 against 4/4 or 7/8 against 3/4). The middle section, marked “Crystalline,” provides contrast in its use of unmetered sections and independent tempos. The refraction of light is represented in this movement by a 22-note row based on a hexachord (B-flat, F, C, G, A, E) introduced in measure 164 of the first section. The third section, marked “With frenetic energy,” begins without pause on an arresting entrance of the drums playing an additive rhythmic pattern. This pattern (5+7+9+1) amounts to 22 eighth-note pulses and informs much of the motivic and structural considerations for the remainder of the piece.
ContributorsMitton, Stephen LeRoy (Author) / DeMars, James (Thesis advisor) / Norton, Kay (Committee member) / Rogers, Rodney (Committee member) / Arizona State University (Publisher)
Created2017
Description
Concentrating Solar Power (CSP) plant technology can produce reliable and dispatchable electric power from an intermittent solar resource. Recent advances in thermochemical energy storage (TCES) can offer further improvements to increase off-sun operating hours, improve system efficiency, and the reduce cost of delivered electricity. This work describes a 111.7 MWe CSP plant with TCES using a mixed ionic-electronic conducting metal oxide, CAM28, as both the heat transfer and thermal energy storage media. Turbine inlet temperatures reach 1200 °C in the combined cycle power block. A techno-economic model of the CSP system is developed to evaluate design considerations to meet targets for low-cost and renewable power with 6-14 hours of dispatchable storage for off-sun power generation. Hourly solar insolation data is used for Barstow, California, USA. Baseline design parameters include a 6-hour storage capacity and a 1.8 solar multiple. Sensitivity analyses are performed to evaluate the effect of engineering parameters on total installed cost, generation capacity, and levelized cost of electricity (LCOE). Calculated results indicate a full-scale 111.7 MWe system at $274 million in installed cost can generate 507 GWh per year at a levelized cost of $0.071 per kWh. Expected improvements to design, performance, and costs illustrate options to reduce energy costs to less than $0.06 per kWh.
ContributorsLopes, Mariana (Author) / Johnson, Nathan G (Thesis advisor) / Stechel, Ellen B (Committee member) / Westerhoff, Paul (Committee member) / Arizona State University (Publisher)
Created2017
Description
A Compact Linear Fresnel Reflector (CLFR) is a simple, cost-effective, and scalable option for generating solar power by concentrating the sun rays. To make a most feasible application, design parameters of the CLFR, such as solar concentrator design parameters, receiver design parameters, heat transfer, power block parameters, etc., should be optimized to achieve optimum efficiency. Many researchers have carried out modeling and optimization of CLFR with various numerical or analytical methods. However, often computational time and cost are significant in these existing approaches. This research attempts to address this issue by proposing a novel computational approach with the help of increased computational efficiency and machine learning. The approach consists of two parts: the algorithm and the machine learning model. The algorithm has been created to fulfill the requirement of the Monte Carlo Ray tracing method for CLFR collector simulation, which is a simplified version of the conventional ray-tracing method. For various configurations of the CLFR system, optical losses and optical efficiency are calculated by employing these design parameters, such as the number of mirrors, mirror length, mirror width, space between adjacent mirrors, and orientation angle of the CLFR system. Further, to reduce the computational time, a machine learning method is used to predict the optical efficiency for the various configurations of the CLFR system. This entire method is validated using an existing approach (SolTrace) for the optical losses and optical efficiency of a CLFR system. It is observed that the program requires 6.63 CPU-hours of computational time are required by the program to calculate efficiency. In contrast, the novel machine learning approach took only seconds to predict the optical efficiency with great accuracy. Therefore, this method can be used to optimize a CLFR system based on the location and land configuration with reduced computational time. This will be beneficial for CLFR to be a potential candidate for concentrating solar power option.
ContributorsLunagariya, Shyam (Author) / Phelan, Patrick (Thesis advisor) / Kwon, Beomjin (Committee member) / Zhuang, Houlong (Committee member) / Arizona State University (Publisher)
Created2021
Description
Fluids such as steam, oils, and molten salts are commonly used to store and transfer heat in a concentrating solar power (CSP) system. Metal oxide materials have received increasing attention for their reversible reduction-oxidation (redox) reaction that permits receiving, storing, and releasing energy through sensible and chemical potential. This study investigates the performance of a 111.7 MWe CSP system coupled with a thermochemical energy storage system (TCES) that uses a redox active metal oxide acting as the heat transfer fluid. A one-dimensional thermodynamic model is introduced for the novel CSP system design, with detailed designs of the underlying nine components developed from first principles and empirical data of the heat transfer media. The model is used to (a) size components, (b) examine intraday operational behaviors of the system against varying solar insolation, (c) calculate annual productivity and performance characteristics over a simulated year, and (d) evaluate factors that affect system performance using sensitivity analysis. Time series simulations use hourly direct normal irradiance (DNI) data for Barstow, California, USA. The nominal system design uses a solar multiple of 1.8 with a storage capacity of six hours for off-sun power generation. The mass of particles to achieve six hours of storage weighs 5,140 metric tonnes. Capacity factor increases by 3.55% for an increase in storage capacity to eight hours which requires an increase in storage volume by 33% or 737 m3, or plant design can be improved by decreasing solar multiple to 1.6 to increase the ratio of annual capacity factor to solar multiple. The solar reduction receiver is the focal point for the concentrated solar energy for inducing an endothermic reaction in the particles under low partial pressure of oxygen, and the reoxidation reactor induces the opposite exothermic reaction by mixing the particles with air to power an air Brayton engine. Stream flow data indicate the solar receiver experiences the largest thermal loss of any component, excluding the solar field. Design and sensitivity analysis of thermal insulation layers for the solar receiver show that additional RSLE-57 insulation material achieves the greatest increase in energetic efficiency of the five materials investigated.
ContributorsGorman, Brandon Tom (Author) / Johnson, Nathan G (Thesis advisor) / Stechel, Ellen B (Committee member) / Chester, Mikhail V (Committee member) / Arizona State University (Publisher)
Created2017
Description
A New Home is a multi-movement musical composition written for a chamber orchestra of flute, oboe, clarinet in B-flat, bassoon, horn in F, trumpet in C, trombone, bass trombone, percussion (1), pianoforte, and strings. The duration of the entire piece is approximately fourteen minutes (movement 1: four minutes; mvt. 2: four minutes and thirty seconds; mvt. 3: five minutes and thirty seconds). As an exercise in compositional experimentation, some of the musical techniques explored throughout the piece are harmonic planing or parallelism, ostinati, modality, chromatic dissonance, thematic transformation, mixed meter, and syncopation, as well as issues of orchestral blend, balance, and color.
The first movement, ironically titled “Don’t Panic,” highlights my initial anxieties on experimentation by creating hectic textures. The movement is structured around two main alternating sections of chromatic, chordal dissonance with more modal, melodic syncopation in addition to a developmental section, but a sense of rhythmic groove is prominent throughout. The second movement, “Still Here,” is a darker, more sensitive music as it explores various settings of its main thematic material interspersed with march-like episodes and a related secondary theme. The themes are organized around a diatonic scale that omits one pitch to comprise a six-note scale. The third movement, “Change of State,” recalls the modality and rhythmic liveliness of the first movement, and it bears a thematic relationship to the second movement. Much of the material also revolves around scales and mediant relationships to comprise an opening theme, a groove section, and an ethereal, glassy texture which ends the movement. Essentially, the piece closes with a calmer music in contrast to the brute force that opened the piece.
The first movement, ironically titled “Don’t Panic,” highlights my initial anxieties on experimentation by creating hectic textures. The movement is structured around two main alternating sections of chromatic, chordal dissonance with more modal, melodic syncopation in addition to a developmental section, but a sense of rhythmic groove is prominent throughout. The second movement, “Still Here,” is a darker, more sensitive music as it explores various settings of its main thematic material interspersed with march-like episodes and a related secondary theme. The themes are organized around a diatonic scale that omits one pitch to comprise a six-note scale. The third movement, “Change of State,” recalls the modality and rhythmic liveliness of the first movement, and it bears a thematic relationship to the second movement. Much of the material also revolves around scales and mediant relationships to comprise an opening theme, a groove section, and an ethereal, glassy texture which ends the movement. Essentially, the piece closes with a calmer music in contrast to the brute force that opened the piece.
ContributorsJones, Zachary William (Author) / Rogers, Rodney (Thesis advisor) / Feisst, Sabine (Committee member) / Rockmaker, Jody (Committee member) / Arizona State University (Publisher)
Created2016