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A Strategic Analysis on the Effectiveness of Russian Information Warfare

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Though information warfare has been around for centuries, the advent of the Information Age has made this type of warfare increasingly utilized by both state and non-state actors to varying

Though information warfare has been around for centuries, the advent of the Information Age has made this type of warfare increasingly utilized by both state and non-state actors to varying effects in conflicts across the world. Technological advances have ignited increases in computing power, information computerization, the proliferation of powerful information technology, and communication speeds. This study investigates Russian information warfare doctrine- specifically, the tactics employed in information warfare campaigns and the effects of such campaigns. The Russian hybrid warfare campaigns in Ukraine and Syria will serve as the focal case studies. I argue that Russian information warfare doctrine is inelastic, in that the core tactics used do not change in different conflicts. This study will dissect Russian information warfare principles, provide an overview of the Russian political objectives in both battlespaces, analyze the effectiveness of information warfare tactics when applied in two different engagement spheres, and will explore the reasons why the same tactics had different effects. The study finds that doctrinally identical information warfare tactics were used in both Ukraine and Syria. To provide further significance, the study discusses the policy implications that static Russian information warfare doctrine has regarding the future of information warfare in conflict.

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  • 2017-05

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A conductor's guide to Myroslav Skoryk's Carpathian concerto

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This study presents a conductor's guide to the Carpathian Concerto by Myroslav Skoryk. As a Deputy Head of the National Composers Association of Ukraine, a professor at the Tchaikovsky National

This study presents a conductor's guide to the Carpathian Concerto by Myroslav Skoryk. As a Deputy Head of the National Composers Association of Ukraine, a professor at the Tchaikovsky National Academy of Music and the Music Artistic Director of the National Opera of Ukraine, Skoryk continues to be active as a composer, teacher, and conductor. The Carpathian Concerto was composed in 1972 and was inspired by the culture and folklore of the west region of Ukraine, the Carpathian Mountains. Over the years the Carpathian Concerto has become standard repertoire for many symphony orchestras in the Ukraine. The author, himself from the Ukraine, performed this work in 2002, as a member of the Tchaikovsky National Academy of Music Symphony Orchestra, with the composer present. That experience was the inspiration for this study. This guide is intended as a score study supplementary from a conductor to a conductor, to aid in preparing a performance of the paper. The commentary focuses on issue of conducting, suggestions for score study, suggestions for interpretation and instructions to performers in connection with the rhythm, intonation, balance and orchestra placement. Programming ideas conclude this project, with short program notes provided for each program, in which Carpathian Concerto would contribute toward building a "theme" concert.

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  • 2012

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Stefania Turkevych's Heart of Oksana (1969): A Critical Edition of a Lost Ukrainian Opera

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It is no secret that the Soviet Union silenced the voices of many artists, but pieces of this history are still emerging—including the story of Ukraine's first female composer to

It is no secret that the Soviet Union silenced the voices of many artists, but pieces of this history are still emerging—including the story of Ukraine's first female composer to achieve professional renown: Stefania Turkevych (1898-1977). Although the quantity and quality of Turkevych's compositional output should have established her as a major international figure, most of her work remains unpublished. Turkevych is absent from both Grove Music and Die Musik in Geschichte und Gegenwart (MGG Online). There is a clear need for English-language biographical materials about Turkevych and for publication of her works.

This document represents the first critical edition of Turkevych’s three-act chamber opera, Серце Оксани (The Heart of Oksana), commissioned in 1969 for the 100th anniversary of the creation of Canada’s Province of Manitoba (and its subsequent settlement by members of the Ukrainian diasporic community). The score is prefaced by brief introductions to both Turkevych and Серце Оксани as well as an explanation of editorial procedure and a critical report.

Lost Soviet-era voices carry particular social and political weight as present-day Ukraine reclaims an identity that moves beyond reductive “Russian vs. European” dichotomies, and solidifying that identity seems even more urgent against the backdrop of the current Donbass War (2013-present). This project represents the first step in a much longer-term effort to unearth and share Turkevych’s story and overlooked contributions as a composer, teacher, and lifelong advocate of Ukraine’s language and culture.

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  • 2020