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Description
This thesis explores the role of film industry boosterism in Arizona from 1911 to 2014; it argues that boosters consistently employed film as a promotional tool toward building state identity for Arizona. These boosters harnessed a variety of strategies catered specifically to a combination of personal interests and historical circumstances. Consequently, their efforts produced a variety of identities for Arizona that changed over time as new generations of boosters addressed different concerns. These state identities that boosters wanted to build relied heavily on the power of perception, often attempting to overcome or reinforce stereotypical imagery and iconography associated with Arizona. Over time, boosters used the film industry to project Arizona as: a modern and progressive state that had outgrown its frontier past; an ideal setting to make films that relived the mythical Wild West; a film-friendly place of business ideally suited for Hollywood production; and a cultural haven for filmic sophistication. Textual analysis of primary sources comprises the methodology of this thesis. Primary sources include historical newspapers, such as the Arizona Republican, and archival records of Arizona's past governors, including Governors Jack R. Williams and Raul H. Castro. These sources constitute valuable documentation created by boosters in the course of their day-to-day activities promoting Arizona, providing a window into their aspirations, worldviews and strategies. Personal interviews with active and retired members of Arizona's film boosting community are also included as primary source material, intended to capture firsthand accounts of filmic activity in the state. Using these sources as its foundation, this thesis fills a gap in the historiography by analyzing the relationship between the film industry and Arizona's state identity. While a handful of scholarly works have discussed Arizona's film history to a minor extent, they tend to take a pure narrative approach, or offer a "behind-the-scenes" look that focuses on the production aspects of films shot in Arizona. No other work focuses explicitly on boosterism or explores the statewide meaning of Arizona's film history over such a comprehensive period of time. Thus, this thesis offers a previously neglected history of both film and Arizona.
ContributorsEhrfurth, Ryan (Author) / Thompson, Victoria (Thesis advisor) / Vandermeer, Philip (Committee member) / Smith, Karen (Committee member) / Arizona State University (Publisher)
Created2014
Description
This dissertation uses the narrative practice of chorography as a genre for assessing the history of placemaking in the Salt and Gila River region of central Arizona from the late seventeenth century through the mid-nineteenth century. Chorography concerns the descriptive representation of places in the world, usually of regions associated with a particular nation. Traditionally, chorography has served as a written method for describing geographical places as they existed historically. By integrating descriptions of natural features with descriptions of built features, such as ancient ruins, chorography infuses the physical landscape with cultural and historical meaning. This dissertation relies on a body of Spanish- and English-language chorographies produced across three centuries to interpret how Euro-American descriptions of Hohokam ruins in the Salt and Gila River valleys shaped local placemaking. Importantly, the disparate chorographic texts produced during the late-seventeenth, eighteenth, and early nineteenth centuries reflect ‘discursive continuity’—a continuity of thought spanning a long and frequently disregarded period in the history of central Arizona, in which ruminations about the ruins of ancient cities and irrigation canals formed the basis for what people knew, or thought they knew, about the little-known region. When settlers arrived in the newly-formed Arizona Territory in the 1860s to establish permanent settlement in the Salt and Gila River valleys, they brought with them a familiarity with these writings, maps, and other chorographical materials. On one hand, Arizonans viewed the ancient ruins as literal evidence for the region’s agricultural possibilities. On the other hand, Aztec and Cíbola myths associated with the ruins, told and retold by Europeans and Americans during the sixteenth through nineteenth centuries, offered an imaginative context for the establishment and promotion of American settlement in central Arizona.
ContributorsCaproni, Linnéa Katherine Elizabeth (Author) / Thompson, Victoria (Thesis advisor) / Vandermeer, Philip (Committee member) / Timothy, Dallen (Committee member) / Arizona State University (Publisher)
Created2017
Description
Historians typically view the postwar suburban metropolis from one of two vantages: from the vantage of urban capital as it flowed out of central cities into new automobile suburbs, where a new suburban culture emerged and flourished after 1945, or from the vantage of central cities, which become progressively hollowed out, leaving behind badly deteriorated inner-city services and facilities. Rarely, however, do historians view the postwar suburban metropolis from the vantage of peripheral small towns and rural countrysides. This study looks at the “metropolitan revolution” from the outside in, as the metropolis approached and then absorbed a landscape of farms and ranches centered on a small farm-service town. As a case study, it focuses on Tempe, Arizona, a town and rural countryside eight miles east of Phoenix.
During the postwar period, Tempe became part of the Phoenix metropolitan area. Agricultural production in Tempe yielded to suburban development, as a producer-oriented landscape of farms and ranches became a consumer-oriented landscape of residential subdivisions and university buildings. Intangible goods such as higher education eclipsed tangible goods such as grain, dairy, and cotton. Single-family houses supplanted farmland; shopping centers with parking lots undermined main street businesses; irrigation water became domestic water; and International-style university buildings displaced vernacular neighborhoods rooted in the early history of the settlement. In Tempe, the rural agricultural landscape gave way to a suburban landscape. But in important ways, the former shaped the latter, as the suburban metropolis inherited the underlying form and spatial relationships of farms and ranches.
During the postwar period, Tempe became part of the Phoenix metropolitan area. Agricultural production in Tempe yielded to suburban development, as a producer-oriented landscape of farms and ranches became a consumer-oriented landscape of residential subdivisions and university buildings. Intangible goods such as higher education eclipsed tangible goods such as grain, dairy, and cotton. Single-family houses supplanted farmland; shopping centers with parking lots undermined main street businesses; irrigation water became domestic water; and International-style university buildings displaced vernacular neighborhoods rooted in the early history of the settlement. In Tempe, the rural agricultural landscape gave way to a suburban landscape. But in important ways, the former shaped the latter, as the suburban metropolis inherited the underlying form and spatial relationships of farms and ranches.
ContributorsHallam, Nathan (Author) / Vandermeer, Philip (Thesis advisor) / Smith, Karen (Committee member) / Thompson, Victoria (Committee member) / Arizona State University (Publisher)
Created2016