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Description
There are a significant number of musical compositions for violin by composers who used folk songs and dances of various cultures in their music, including works by George Enescu, Béla Bartók and György Ligeti. Less known are pieces that draw on the plethora of melodies and rhythms from Turkey. The purpose of this paper is to help performers become more familiar with two such compositions: Fazil Say's Sonata for Violin and Piano and Cleopatra for Solo Violin. Fazil Say (b. 1970) is considered to be a significant, contemporary Turkish composer. Both of the works discussed in this document simulate traditional "Eastern" instruments, such as the kemenҫe, the baðlama, the kanun and the ud. Additionally, both pieces use themes from folk melodies of Turkey, Turkish dance rhythms and Arabian scales, all framed within traditional structural techniques, such as ostinato bass and the fughetta. Both the Sonata for Violin and Piano and Cleopatra are enormously expressive and musically interesting works, demanding virtuosity and a wide technical range. Although this document does not purport to be a full theoretical analysis, by providing biographical information, analytical descriptions, notes regarding interpretation, and suggestions to assist performers in overcoming technical obstacles, the writer hopes to inspire other violinists to consider learning and performing these works.
ContributorsKalantzi, Panagiota (Author) / Jiang, Danwen (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsMcLin, Katherine (Performer) / Buck, Nancy (Performer) / Campbell, Andrew (Pianist) (Performer) / Jiang, Danwen (Performer) / Landschoot, Thomas (Performer) / Spring, Robert (Performer) / Swartz, Jonathan (Performer) / ASU Library. Music Library (Publisher)
Created2003-09-19
ContributorsLandschoot, Thomas (Performer) / Sellheim, Eckart (Performer) / Spring, Robert (Performer) / Starling, Jana (Performer) / Campbell, Andrew (Pianist) (Performer) / Jiang, Danwen (Performer) / Hamilton, Robert, 1937- (Performer) / Meir, Baruch (Performer) / McLin, Katherine (Performer) / ASU Library. Music Library (Publisher)
Created2007-09-14
ContributorsSchuring, Martin (Performer) / Swartz, Jonathan (Performer) / Jiang, Danwen (Performer) / Buck, Nancy (Performer) / Landschoot, Thomas (Performer) / Swaim, Daniel (Performer) / Campbell, Andrew (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2005-04-08
ContributorsJiang, Danwen (Performer) / Spring, Robert (Performer) / Landschoot, Thomas (Performer) / Sellheim, Eckart (Performer) / ASU Library. Music Library (Publisher)
Created2008-01-23
ContributorsNarucki, Susan (Performer) / Hill, Gary W. (Conductor) (Conductor) / McLin, Katherine (Performer) / Jiang, Danwen (Performer) / Buck, Nancy (Performer) / Landschoot, Thomas (Performer) / Spring, Robert (Performer) / Buck, Elizabeth (Performer) / Schuring, Martin (Performer) / Campbell, Andrew (Pianist) (Performer) / Tescarollo, Hamilton (Performer) / Smith, J. B., 1957- (Performer) / ASU Library. Music Library (Publisher)
Created2005-03-20
Description
An integral part of the avant-garde movement in 1920s Paris, the American composer George Antheil collaborated with writers Ezra Pound and James Joyce, violinist Olga Rudge, and befriended the likes of Pablo Picasso, Man Ray, and many others. In Paris, Antheil found great success as the provocateur of riots and scandal at his concerts, with a purposefully controversial compositional style. This document explores, in detail, his three violin sonatas composed between 1923 and 1924 at the behest of Ezra Pound for his violinist friend Rudge. The violin sonatas provide a fascinating perspective on Antheil's musical and personal life during his first years in Paris. The historical and personal contexts of the sonatas are examined, in addition to their musical repercussions for Antheil's compositional style. This document relies primarily on unpublished letters, writings and other memorabilia from collections held at The Library of Congress, New York Public Library, Columbia University, Princeton University, Yale University, and Indiana University. Antheil's published scores and autobiography, Linda Whitesitt's biography of Antheil and other literature pertaining to the period and person are also consulted. While a fair amount has been written on Antheil's more famous work Ballet Mécanique, which stylistically followed the violin sonatas, the lesser-known sonatas have received minimal attention or exploration. This document places these three works into their rightful context, as cornerstones of Antheil's musical style during his most avant-garde years in Paris.
ContributorsLeland, Hannah Christina (Author) / McLin, Katherine (Thesis advisor) / Feisst, Sabine (Committee member) / Jiang, Danwen (Committee member) / Arizona State University (Publisher)
Created2015
ContributorsMeir, Baruch (Performer) / Barefield, Robert (Performer) / Buck, Nancy (Performer) / Jiang, Danwen (Performer) / Swartz, Jonathan (Performer) / Tescarollo, Hamilton (Performer) / ASU Library. Music Library (Publisher)
Created2004-02-15
ContributorsBuck, Elizabeth (Performer) / Schuring, Martin (Performer) / Montilla, Jorge (Performer) / Lyman, Jeff (Performer) / Ericson, John Q. (John Quincy), 1962- (Performer) / Swartz, Jonathan (Performer) / Jiang, Danwen (Performer) / Buck, Nancy (Performer) / Landschoot, Thomas (Performer) / Sellheim, Eckart (Performer) / ASU Library. Music Library (Publisher)
Created2005-02-18
ContributorsBuck, Nancy (Performer) / Campbell, Andrew (Pianist) (Performer) / Jiang, Danwen (Performer) / Montilla, Jorge (Performer) / Sellheim, Eckart (Performer) / ASU Library. Music Library (Publisher)
Created2005-11-06