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Description
In order to cope with the decreasing availability of symphony jobs and collegiate faculty positions, many musicians are starting to pursue less traditional career paths. Also, to combat declining audiences, musicians are exploring ways to cultivate new and enthusiastic listeners through relevant and engaging performances. Due to these challenges, many

In order to cope with the decreasing availability of symphony jobs and collegiate faculty positions, many musicians are starting to pursue less traditional career paths. Also, to combat declining audiences, musicians are exploring ways to cultivate new and enthusiastic listeners through relevant and engaging performances. Due to these challenges, many community-based chamber music ensembles have been formed throughout the United States. These groups not only focus on performing classical music, but serve the needs of their communities as well. The problem, however, is that many musicians have not learned the business skills necessary to create these career opportunities. In this document I discuss the steps ensembles must take to develop sustainable careers. I first analyze how groups build a strong foundation through getting to know their communities and creating core values. I then discuss branding and marketing so ensembles can develop a public image and learn how to publicize themselves. This is followed by an investigation of how ensembles make and organize their money. I then examine the ways groups ensure long-lasting relationships with their communities and within the ensemble. I end by presenting three case studies of professional ensembles to show how groups create and maintain successful careers. Ensembles must develop entrepreneurship skills in addition to cultivating their artistry. These business concepts are crucial to the longevity of chamber groups. Through interviews of successful ensemble members and my own personal experiences in the Tetra String Quartet, I provide a guide for musicians to use when creating a community-based ensemble.
ContributorsDalbey, Jenna (Author) / Landschoot, Thomas (Thesis advisor) / McLin, Katherine (Committee member) / Ryan, Russell (Committee member) / Solis, Theodore (Committee member) / Spring, Robert (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsMcLin, Katherine (Performer) / Buck, Nancy (Performer) / Campbell, Andrew (Pianist) (Performer) / Jiang, Danwen (Performer) / Landschoot, Thomas (Performer) / Spring, Robert (Performer) / Swartz, Jonathan (Performer) / ASU Library. Music Library (Publisher)
Created2003-09-19
ContributorsLandschoot, Thomas (Performer) / Sellheim, Eckart (Performer) / Spring, Robert (Performer) / Starling, Jana (Performer) / Campbell, Andrew (Pianist) (Performer) / Jiang, Danwen (Performer) / Hamilton, Robert, 1937- (Performer) / Meir, Baruch (Performer) / McLin, Katherine (Performer) / ASU Library. Music Library (Publisher)
Created2007-09-14
ContributorsPrabhakar, Vijaya (Performer) / May, Judy (Performer) / McLin, Katherine (Performer) / Landschoot, Thomas (Performer) / Williamson, Madeline J. (Performer) / ASU Library. Music Library (Publisher)
Created2002-02-15
ContributorsSkoldberg, Phyllis (Performer) / Atsumi, Takayori (Performer) / McLin, Katherine (Performer) / Campbell, Andrew (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created1997-11-02
ContributorsEricson, John Q. (John Quincy), 1962- (Performer) / McLin, Katherine (Performer) / Sellheim, Eckart (Performer) / ASU Library. Music Library (Publisher)
Created2003-02-27
Description

In this creative project, I created arrangements for string quartet of two very common pop songs that are frequently requested at wedding gigs, "Perfect" by Ed Sheeran and "Purpose" by Justin Bieber. However, to meet the demands of the dynamic gigging environment and context for string musicians, I created string

In this creative project, I created arrangements for string quartet of two very common pop songs that are frequently requested at wedding gigs, "Perfect" by Ed Sheeran and "Purpose" by Justin Bieber. However, to meet the demands of the dynamic gigging environment and context for string musicians, I created string quartet arrangements that could be adapted and condensed into string trio or duo by eliminating one or two parts from the full quartet arrangement. As such, this project not only shares the adaptable arrangements I created, but also shares the tips and tricks I gathered throughout the course of the project, both from engaging in the creative aspect of the arranging process and also through my own personal experience.

ContributorsWills, Grace (Author) / McLin, Katherine (Thesis director) / Meyer, Jeffery (Committee member) / Barrett, The Honors College (Contributor) / Edson College of Nursing and Health Innovation (Contributor) / Economics Program in CLAS (Contributor) / School of Music, Dance and Theatre (Contributor)
Created2021-12
ContributorsMicklich, Albie (Performer) / Schuring, Martin (Performer) / McLin, Katherine (Performer) / ASU Library. Music Library (Publisher)
Created2016-11-06
ContributorsCampbell, Andrew (Pianist) (Performer) / FitzPatrick, Carole (Performer) / McLin, Katherine (Performer) / Buck, Elizabeth (Performer) / Schuring, Martin (Performer) / Spring, Robert (Performer) / Ericson, John Q. (John Quincy), 1962- (Performer) / Micklich, Albie (Performer) / Dreyfoos, Dale (Narrator) / Peterman, Jeremy (Graphic technician deprecated, use Artist)) / ASU Library. Music Library (Publisher)
Created2013-01-30