Matching Items (3)
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Description
In the 1930s, with the rise of Nazism, many artists in Europe had to flee their homelands and sought refuge in the United States. Austrian composer Hanns Eisler who had risen to prominence as a significant composer during the Weimar era was among them. A Jew, an ardent Marxist and

In the 1930s, with the rise of Nazism, many artists in Europe had to flee their homelands and sought refuge in the United States. Austrian composer Hanns Eisler who had risen to prominence as a significant composer during the Weimar era was among them. A Jew, an ardent Marxist and composer devoted to musical modernism, he had established himself as a writer of film music and Kampflieder, fighting songs, for the European workers' movement. After two visits of the United States in the mid-1930s, Eisler settled in America where he spent a decade (1938-1948), composed a considerable number of musical works, including important film scores, instrumental music and songs, and, in collaboration with Theodor W. Adorno, penned the influential treatise Composing for the Films. Yet despite his substantial contributions to American culture American scholarship on Eisler has remained sparse, perhaps due to his reputation as the "Karl Marx in Music." In this study I examine Eisler's American exile and argue that Eisler, through his roles as a musician and a teacher, actively sought to enrich American culture. I will present background for his exile years, a detailed overview of his American career as well as analyses and close readings of several of his American works, including three of his American film scores, Pete Roleum and His Cousins (1939), Hangmen Also Die (1943), and None But the Lonely Heart (1944), and the String Quartet (1940), Third Piano Sonata (1943), Woodbury Liederbüchlein (1941), and Hollywood Songbook (1942-7). This thesis builds upon unpublished correspondence and documents available only in special collections at the University of Southern California (USC), as well as film scores in archives at USC and the University of California, Los Angeles. It also draws on Eisler studies by such European scholars as Albrecht Betz, Jürgen Schebera, and Horst Weber, as well as on research of film music scholars Sally Bick and Claudia Gorbman. As there is little written on the particulars of Eisler's American years, this thesis presents new facts and new perspectives and aims at a better understanding of the artistic achievements of this composer.
ContributorsBoyd, Caleb (Author) / Feisst, Sabine (Thesis advisor) / Levy, Benjamin (Committee member) / Oldani, Robert (Committee member) / Arizona State University (Publisher)
Created2013
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Description
The purpose of this thesis is to outline the different and often contentious arguments that surround the ideological outcome of the Cuban Revolution. Especially now that United States policy makers and diplomats are considering renegotiating trade and political agreements with Cuba, it is important to have a clearer idea as

The purpose of this thesis is to outline the different and often contentious arguments that surround the ideological outcome of the Cuban Revolution. Especially now that United States policy makers and diplomats are considering renegotiating trade and political agreements with Cuba, it is important to have a clearer idea as to whether Fidel Castro was an idealist or opportunist, and which of these profiles American diplomats should base their assumptions of Cuban leadership on. My thesis proposes the following argument: That much of the controversy surrounding Castro's personality is contentious and falls within extremes. He is neither devil nor angel; that is, he is neither purely idealistic nor wholly opportunistic. Assessments of his personality fall somewhere in between these two positions. Further, diplomatic strategies formulated by American policy makers should take into account the subtleties in determining whom the figure Fidel Castro really is. And, any proposed changes in policy must take into account the complexities of Castro's leadership style and of the way this style forms the legacy and context in what current and future Cuban leadership will approach negotiations between the United States over political and trade relations.
ContributorsBreeden, Mary Margaret (Author) / Mitchell, Michael (Thesis director) / Hinojosa, Magda (Committee member) / Barrett, The Honors College (Contributor) / School of Politics and Global Studies (Contributor) / School of Social Transformation (Contributor) / School of Public Affairs (Contributor)
Created2014-05
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Description
A collection of poems centered around identifying the humanitarian an economic issues with capitalism. Drawing on several resources, including economic research papers, articles, and peer reviewed material, the collection presents a critique on our current economic system and a platform for future reform. Twelve total pieces with diverse mediums and

A collection of poems centered around identifying the humanitarian an economic issues with capitalism. Drawing on several resources, including economic research papers, articles, and peer reviewed material, the collection presents a critique on our current economic system and a platform for future reform. Twelve total pieces with diverse mediums and structure to provide an engaging and digestible form of economic ideas and their consequences.
ContributorsGoin, David (Author) / Dombrowski, Rosemarie (Thesis director) / Orion, Shawnte (Committee member) / Barrett, The Honors College (Contributor) / Department of Economics (Contributor)
Created2022-05