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- All Subjects: Songs (High voice) with piano
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
Description
This dissertation investigates socio-economic strategies adopted by a small craftworking community situated on the edge of one of the earliest, largest and most complex cities in Mesoamerica. The focus of investigation is San Jose 520, a hamlet located on the southeastern margin of Teotihuacan and occupied primarily during the Tlamimilolpa and Xolalpan phases (ca. A.D. 200-500). Its inhabitants were potters of low socio-economic status living in small, architecturally simple residential structures. The investigation complements much more numerous studies of higher-status groups residing in Teotihuacan's famous apartment compounds, much larger and architecturally more formal structures clustered primarily within built-up parts of the city. The founding residents of San Jose 520 might have initially been immigrants, arriving at Teotihuacan after most of the city was already filled in and occupied, and therefore settling in a spatially marginal area with limited potential for farming. Archaeological field and lab investigations demonstrate that they adopted ceramic production as a strategy of economic survival in a competitive urban system. They specialized in the manufacture of the outcurving bowl--a vessel widely used at Teotihuacan for food service and certain ritual activities. At smaller scales of production, these potters also made other types of serving and ritual vessels and figurines. Evidence relating to mortuary and domestic rituals indicates participation in a number of the rituals typical of other sectors of Teotihuacan society, but not all. The most general goal of this investigation is to improve understanding of how socially and spatially marginal peoples possessing low economic status developed and exploited viable economic niches in pre-industrial urban systems. The San Jose 520 potters appear dynamic in their economic adjustment--in part by enhancing their production system over time through the adoption of various specialized pot-making tools (some as yet undocumented for Teotihuacan), and to some extent by modifying their product line, they survived for many generations. Nevertheless, they never succeeded in significantly raising their economic status; at the time of their apparent disappearance sometime in the Xolalpan phase, these potters and their households continued to constitute a case study of urban poverty in a massive pre-industrial city.
ContributorsCabrera Cortes, Mercedes Oralia (Author) / Stark, Barbara L. (Thesis advisor) / Cowgill, George L. (Thesis advisor) / Falconer, Steven E. (Committee member) / Spielmann, Katherine A. (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
Description
This research focuses upon the intersection of social complexity and leadership among commoners in complex societies as expressed through mortuary ritual. I study how ideology, materialized through treatment of the deceased body, was a potential source of power among commoners in ancient Maya society and how this materialization changed through time. Mortuary data are drawn from mid-level settlements of the Belize River Valley, located in western Belize within the eastern Maya lowlands. The primary research question addresses whether mid-level leaders in the Belize River Valley targeted certain human bodies for ancestral veneration through tomb re-entry and ritual interaction with skeletal remains. The ritual-political strategy of mid-level leaders is measured using archaeothanatology, an analysis of grave taphonomy based on forensic data, to reconstruct cultural beliefs about death based on treatment of deceased bodies, radiogenic strontium isotope analysis to reconstruct residential history, and analysis of dental metrics to assess biological kinship. While preservation of osseous material was poor, results indicate that the frequency of disarticulated and secondary burials was higher in eastern structures than in other locales, although eastern structures were not the only loci of these types of deposits. Overall, it does not seem like secondary burials were regularly and purposefully created for use as ritual objects or display. Radiogenic strontium isotope data enrich this analysis by showing that eastern structures were not a burial locale exclusive to individuals who spent their childhood in the Belize Valley. Data from upper-level eastern structures also suggests that within that part of society local birth did not guarantee interment in a local manner; perhaps the social network created during one's life shaped treatment in death more than residential origin. Biological distance analyses were inconclusive due to missing data. Comparison of mortuary practices to nearby regions shows distinct mortuary patterning across space and time. This is consistent with reconstructions of ancient Maya sociopolitical organization as regionally diverse and moderately integrated.
ContributorsNovotny, Anna (Author) / Buikstra, Jane E. (Thesis advisor) / Carr, Christopher (Committee member) / Robin, Cynthia (Committee member) / Astor-Aguilera, Miguel (Committee member) / Tiesler, Vera (Committee member) / Knudson, Kelly J. (Committee member) / Arizona State University (Publisher)
Created2015
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
Description
Unlike traditional frontier studies that treat the frontier as monolithic and focus on core-periphery interactions involving colonialism and acculturation, this dissertation seeks to characterize the internal social dynamics of frontier regions using the collective social identification framework. Concentrating on the intraregional and intrasite scales makes it possible to directly evaluate the bottom-up processes involved in the formation of collective social identities within frontier zones (i.e., sociopolitical development divorced from core-centric actions). Derived from social science research aimed at understanding the development of modern nation-states and social movements, the theoretical framework implemented in this research centers on the idea that sustained collective action depends on the degree to which groups of individuals share networks of social interaction (i.e., relational identification) and recognize membership in the same social categories (i.e. categorical identification). Applying this model to the site of La Quemada, Zacatecas, Mexico, provides a methodology for assessing the potential for collective action through time and across spatial scales based on the degree of categorical commonality or the strength of relational connections among the site’s inhabitants.
Dating to the Epiclassic period (600-900 CE), La Quemada was founded during the cultural florescence of the northern frontier of Mesoamerica, but the site was abandoned ca. 800-900 CE while other polities persisted. Therefore, it is hypothesized that a change in how the occupants of La Quemada identified with one another decreased the potential for collective action over time and contributed to site abandonment. Material proxies in the form of ceramic-style categories (i.e., shared styles expressing categorical affiliation) and fabric classes (i.e., shared pastes indicative of relational networks) are used to assess the temporal and spatial consistency of social identification at multiple socio-spatial scales within the site of La Quemada. The results of this research, however, find that despite fluctuations in the expression of categorical identification among La Quemada residents it was the strength of their relational ties that gave them the capacity to recover. Furthermore, the capacity for collective action was high preceding site abandonment, suggesting that a disruption in the social fabric of La Quemada did not contribute to its decline and abandonment.
Dating to the Epiclassic period (600-900 CE), La Quemada was founded during the cultural florescence of the northern frontier of Mesoamerica, but the site was abandoned ca. 800-900 CE while other polities persisted. Therefore, it is hypothesized that a change in how the occupants of La Quemada identified with one another decreased the potential for collective action over time and contributed to site abandonment. Material proxies in the form of ceramic-style categories (i.e., shared styles expressing categorical affiliation) and fabric classes (i.e., shared pastes indicative of relational networks) are used to assess the temporal and spatial consistency of social identification at multiple socio-spatial scales within the site of La Quemada. The results of this research, however, find that despite fluctuations in the expression of categorical identification among La Quemada residents it was the strength of their relational ties that gave them the capacity to recover. Furthermore, the capacity for collective action was high preceding site abandonment, suggesting that a disruption in the social fabric of La Quemada did not contribute to its decline and abandonment.
ContributorsTorvinen, Andrea (Author) / Nelson, Ben A. (Thesis advisor) / Abbott, David (Committee member) / Michelak, Konstantina-Eleni (Committee member) / Peeples, Matthew (Committee member) / Arizona State University (Publisher)
Created2018