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- Creators: Kosut, Oliver
- Resource Type: Text
Universal F-V coding problem for the class of first-order stationary, irreducible and aperiodic Markov sources is first considered. Third-order coding rate of the TS code for the Markov class is derived. A converse on the third-order coding rate for the general class of F-V codes is presented which shows the optimality of the TS code for such Markov sources.
This type class approach is then generalized for compression of the parametric sources. A natural scheme is to define two sequences to be in the same type class if and only if they are equiprobable under any model in the parametric class. This natural approach, however, is shown to be suboptimal. A variation of the Type Size code is introduced, where type classes are defined based on neighborhoods of minimal sufficient statistics. Asymptotics of the overflow rate of this variation is derived and a converse result establishes its optimality up to the third-order term. These results are derived for parametric families of i.i.d. sources as well as Markov sources.
Finally, universal V-F length coding of the class of parametric sources is considered in the short blocklengths regime. The proposed dictionary which is used to parse the source output stream, consists of sequences in the boundaries of transition from low to high quantized type complexity, hence the name Type Complexity (TC) code. For large enough dictionary, the $\epsilon$-coding rate of the TC code is derived and a converse result is derived showing its optimality up to the third-order term.
Lossy compression is a form of compression that slightly degrades a signal in ways that are ideally not detectable to the human ear. This is opposite to lossless compression, in which the sample is not degraded at all. While lossless compression may seem like the best option, lossy compression, which is used in most audio and video, reduces transmission time and results in much smaller file sizes. However, this compression can affect quality if it goes too far. The more compression there is on a waveform, the more degradation there is, and once a file is lossy compressed, this process is not reversible. This project will observe the degradation of an audio signal after the application of Singular Value Decomposition compression, a lossy compression that eliminates singular values from a signal’s matrix.