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Description
This dissertation focuses on the connections between childbirth and spirituality in fourteenth- and early fifteenth-century England. It argues that scholastic interest in conception and procreation led to a proliferation of texts mentioning obstetrics and gynecology, and that this attention to women's medicine and birth spread from the universities to the laity. This dissertation contends that there is interdependence between spiritual and physical health in late medieval English religious culture, correlated with and perhaps caused by an increasing fascination with materialism and women's bodies in religious practices and rhetoric. The first chapter provides an analysis of birth in medical and pastoral texts. Pastoral works were heavily influenced by the ecclesiastical emphasis on baptism, as well as by scholastic medicine's simultaneous disdain for and reluctant integration of folk medicine. The second chapter examines birth descriptions in narratives of saints' miracles and collections of exempla; these representations of childbirth were used in religious rhetoric to teach, motivate, and dissuade audiences. The third chapter turns to the cycle play representations of the nativity as depicting the mysteries of human generation and divine incarnation for public consumption. The fourth chapter analyzes the abstract uses of childbirth in visionary and other religious texts, especially in descriptions of spiritual rebirth and the development of vice and virtue in individuals or institutions. By identifying their roles as analogous with the roles of midwives, visionaries authorized themselves as spiritual caretakers, vital for communal health and necessary for collective spiritual growth. These chapters outline a trajectory of increasing male access to the birthing chamber through textual descriptions and prescriptions about birth and midwifery. At the same time, religious texts acknowledged, sought to regulate, and sometimes even utilized the potential authority of mothers and midwives as physical and spiritual caretakers.
ContributorsSwann, Alaya (Author) / Voaden, Rosalynn (Thesis advisor) / Newhauser, Richard (Committee member) / Sturges, Robert (Committee member) / Arizona State University (Publisher)
Created2014
ContributorsChang, Ruihong (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-29
Description
In this dissertation I argue that medieval peoples used a different style of identity from those applied to them by later scholarship and question the relevance of applying modern terms for identity groups (e.g., ethnicity or nationality) to the description of medieval social units. I propose we think of identity as a social construct comprised of three articulating facets, which I call: form, aspect, and definition. The form of identity is its manifestation in behavior and symbolic markers; its aspect is the perception of these forms by people; and its definition is the combination of these perceptions into a social category. Taking an interdisciplinary approach, I examine each facet individually before synthesizing the results. I study the form of identity through an analysis of styles in material culture using a consensus analysis to determine how well objects decorated with the same motif do communicating a shared idea to members of a social group. I explore the aspect of identity through a whole-corpus linguistics approach to Old English, in which I study the co-occurrence of words for "a people" and other semantic fields to refine our understanding of Old English perceptions of social identity. Finally, I investigate the definition of identity by comparing narrations of identity in Old English verse and prose in order to see how authors were able to use vocabulary and imagery to describe the identity of their subjects. In my conclusion I demonstrate that the people of Medieval England had a concept of identity based on the metaphor of a village meeting or a feast, in which smaller, innate groups were thought to aggregate into new heterogeneous wholes. The nature and scale of these groups changed over the course of the Anglo-Saxon period but some of the names used to refer to these units remained constant. Thus, I suggest scholars need to apply a culturally relevant concept of identity when describing the people who lived in Medieval Britain, one that might not match contemporary models, and be cognizant of the fact that medieval groups were not the same as their modern descendants.
ContributorsRoberts, Christopher M (Author) / Hegmon, Michelle (Thesis advisor) / Bjork, Robert (Thesis advisor) / Van Der Leeuw, Sander (Committee member) / Wicker, Nancy (Committee member) / Arizona State University (Publisher)
Created2013
Description
ABSTRACT There are many parts of speech and morphological items in a linguistic lexicon that may be optional in order to have a cohesive language with a complete range of expression. Negation is not one of them. Negation appears to be absolutely essential from a linguistic (and indeed, a psychological) point of view within any human language. Humans need to be able to say in some fashion "No" and to express our not doing things in various ways. During the discussions that appear in this thesis, I expound upon the historical changes that can be seen within three different language branches - North Germanic (with Gothic, Old Saxon, Old Norse, Swedish, and Icelandic), West Germanic (with English), and Celtic (with Welsh) - focusing on negation particles in particular and their position within these languages. I also examine how each of these chosen languages has seen negation shift over time in relation to Jespersen's negation cycle. Finally, I compare and contrast the results I see from these languages, demonstrating that they all three do follow a distinct negation cycle. I also explain how these three negation cycles are chronologically not in sync with one another and obviously all changed at different rates. This appears to be the case even within the different branches of the Germanic family.
ContributorsLoewenhagen, Angela C (Author) / Gelderen, Elly van (Committee member) / Bjork, Robert (Committee member) / Gillon, Carrie (Committee member) / Arizona State University (Publisher)
Created2014
Description
This dissertation analyzes the fourteenth-century English and nineteenth-century Hopi experiences with the unwelcomed traveler of disease, specifically the Black Death and the smallpox outbreak of 1898-1899. By placing both peoples and events beside one another, it becomes possible to move past the death toll inflected by disease and see the role of diseases as a catalyst of historical change. Furthermore, this study places the Hopi experience with smallpox, and disease in general, in context with the human story of disease. The central methodical approach is ethnohistory, using firsthand accounts to reconstruct the cultural frameworks of the Hopi and the English. In analyzing the English and Hopi experiences this study uses the Medicine Way approach of three dimensions. Placing the first dimension approach (the English and the bubonic plague) alongside the third dimension approach (the Hopi and smallpox) demonstrates, not only the common ground of both approaches (second dimension), but the commonalities in the interactions of humans and disease. As my dissertation demonstrates, culture provides the framework, a system for living, for how individuals will interpret and react to events and experiences. This framework provides a means, a measure, to identify and strive for normalcy. There is a universal human drive to restore normalcy after one's world turns upside down, and in seeking to restore what was lost, society undergoes transformation. Disease creates opportunity for change and for balance to be restored. This study concludes disease is a catalyst of change because of how humans respond to it.
ContributorsSweet, Kathryn (Author) / Fixico, Donald L (Thesis advisor) / Osburn, Katherine (Committee member) / Wright, Johnson K (Committee member) / Arizona State University (Publisher)
Created2014
Description
Christina of Markyate, a twelfth-century visionary and prioress, has been frequently seen in scholarship as an outsider at her home institution of St Albans, enduring solely under the protection of its abbot, Geoffrey, her spiritual friend and confidant. This characterization appears incorrect when The Life of Christina of Markyate, St Albans' record of Christina's personal history and religious career, is viewed in its original literary environment. The high volume of extant material from twelfth-century St Albans makes it possible to view Christina's depiction in several original ways: as a textual construction (at least in part) influenced by Bede's narratives of holy women in his widely read Ecclesiastical History; as a portrayal of contemporary devotional prayer in the style of Anselm of Canterbury, a major authority on devotional practices of the time; and as a prominent addition to St Albans' own liturgy, the record of its celebrated saints and local patrons, as an object of devotion herself. The strategy of Christina's endorsement in her Life is also notably different from strategies on display in St Albans materials related to Katherine of Alexandria, an important saint for Abbot Geoffrey, which further suggests he was not her sole promoter at the abbey, if he was involved in the process of her textual production at all. Finally, the historical fact that she was employed as a patron of St Albans before none other than Pope Adrian IV, to whom St Albans was appealing for numerous institutional benefits at the time, shows that the prevailing opinion of Christina at the abbey can not have been entirely negative. Placing the Life within the literary and cultural circumstances of its production thus provides a fresh reading of Christina's institutional and devotional roles at St Albans, medieval views of women's spirituality and its place within the western European Christian tradition, and the compositional process of a major work of medieval hagiographical literature.
ContributorsVanGinhoven, Bryan (Author) / Voaden, Rosalynn (Thesis advisor) / Newhauser, Richard (Committee member) / Sturges, Robert (Committee member) / Arizona State University (Publisher)
Created2012
Description
Graffiti at the Arena Chapel and Issogne Castle engage in conversation with the frescoes and the functions of the spaces. These marks produce discussions of cultural issues. The graffiti found in the chapel and castle can be considered ritual and performative acts, visually documenting conversations among diverse audiences in the late medieval and early modern periods. Scholars of the Arena Chapel frescoes have studied the intricate painted iconography. Adding graffiti to the analysis of the chapel allows for a different interpretation of one of the most famous fresco programs. Abundant marks appear on figures in the scene of Hell in the Last Judgment, and are analyzed in terms of the medieval concepts of optics and sight, as well as in respect to class. At Issogne Castle, visitors inscribed graffiti on figures and scenes to represent their responses to key social issues. These included questions of class and occupation, along with political and religious concerns. Contextualizing graffiti in this way enables contemporary scholars to uncover a more complex and subtle understanding of the conversations on the wall in the late medieval and early modern periods through case studies of two monuments of art history.
ContributorsLuksenburg, Stephanie (Author) / Schleif, Corine L. (Thesis advisor) / Sweeney, J. Gray (Thesis advisor) / Cruse, Markus (Committee member) / Arizona State University (Publisher)
Created2012
Description
Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The work was commissioned by violinist Lev Polyakin, who specifically requested some short pieces that could be performed in a local jazz establishment named Night Town in Cleveland, Ohio. The result is a work that is approximately fifteen minutes in length. Schoenfeld is a respected composer in the contemporary classical music community, whose Café Music (1986) for piano trio has recently become a staple of the standard chamber music repertoire. Many of his other works, however, remain in relative obscurity. It is the focus of this document to shed light on at least one other notable composition; Four Souvenirs for Violin and Piano. Among the topics to be discussed regarding this piece are a brief history behind the genesis of this composition, a structural summary of the entire work and each of its movements, and an appended practice guide based on interview and coaching sessions with the composer himself. With this project, I hope to provide a better understanding and appreciation of this work.
ContributorsJanczyk, Kristie Annette (Author) / Ryan, Russell (Thesis advisor) / Campbell, Andrew (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2015
Description
In order to illuminate the role written documents played within medieval monastic life, this project takes as a case study the monastery of Cluny and some associated houses during the central Middle Ages. I approach these documents as signs, drawing on anthropological and philosophical work on semiosis, and as media technologies, using history and cultural studies centered on orality and literacy, and conclude that the monastic use of texts was essentially ritual, and as such exerted an important influence on the development of literacy as a tool and a set of practices. Nor did this influence flow in just one direction: as monastic ritual transformed the use of documents, the use of documents also transformed monastic ritual.
To study the relationship between document and ritual, I examine what medieval documents reveal about their production and use. I also read the sources for what they directly report about the nature of monastic life and monastic ritual, and the specific roles various documents played within these contexts. Finally, these accounts of changing monastic scribal and ritual practice are laid alongside a third—that of what the monks themselves actually enunciated, both directly and indirectly, about their own understanding of semiosis and its operation in their lives.
Ultimately, my dissertation connects valuable theoretical and philosophical work on ritual, semiosis, and orality and literacy with manuscript studies and with a wide range of recent historiography on the complex transformations remaking society inside and outside the cloister during the Middle Ages. It thus serves to bring these disparate yet mutually indispensable lines of inquiry into better contact with one another. And in this way, it approaches an understanding of human sign-use, carefully rooted in both material and institutional culture, during a key period in the history of human civilization.
To study the relationship between document and ritual, I examine what medieval documents reveal about their production and use. I also read the sources for what they directly report about the nature of monastic life and monastic ritual, and the specific roles various documents played within these contexts. Finally, these accounts of changing monastic scribal and ritual practice are laid alongside a third—that of what the monks themselves actually enunciated, both directly and indirectly, about their own understanding of semiosis and its operation in their lives.
Ultimately, my dissertation connects valuable theoretical and philosophical work on ritual, semiosis, and orality and literacy with manuscript studies and with a wide range of recent historiography on the complex transformations remaking society inside and outside the cloister during the Middle Ages. It thus serves to bring these disparate yet mutually indispensable lines of inquiry into better contact with one another. And in this way, it approaches an understanding of human sign-use, carefully rooted in both material and institutional culture, during a key period in the history of human civilization.
ContributorsMcCaffray, Edmund McGraw (Author) / Green, Monica H (Thesis advisor) / Clay, Eugene (Committee member) / Henn, Alexander (Committee member) / Arizona State University (Publisher)
Created2015
Description
In this study, I explore to what extent an erotic orientation toward others’ spiritual characteristics, specifically with regard to “clean” souls, was strongly idealized in at least two medieval English locales, the central Midlands and the North Riding of Yorkshire. Where a hetero-genital orientation was pervasively considered proper with regard to erotic attraction then as today, I propose that, additionally, a desire to associate on a spiritual level with not only those of the same religion but also of like spiritual purity governed desire. As I will argue, this orientation to a spiritual sameness stemmed from a meme of preferred association in life with other Christians with clean souls. I refer to this desire for association with Christian sameness as a homo-spiritual orientation. As I will argue, this homospirituality was the primary basis of erotic desire portrayed and prescribed in the evidence considered in this study. In sum, I argue that fifteenth-century English ways of knowing and feeling desire, reflected in models of desire in romance poetry in these two locales, evidences an erotic orientation based on homospiritual lines of attraction. Moreover, in each area, the models of lay homospiritual erotics were preceded by and coincided with religious writings on the subject that contributed to an overall intellectual current.
ContributorsAmbler, B. Joy (Author) / Sturges, Robert S. (Thesis advisor) / Newhauser, Richard G. (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2017