Matching Items (11)
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- All Subjects: Fine Arts
- Creators: Turchi, Peter
- Creators: Holbrook, Amy
DescriptionThe stories in Backyard Cannibals examine the thin line between connecting with another person and consuming them. They dwell in the intersections of natural and manmade worlds, exploring dislocated bodies, unexpected wildernesses, and the consequences of hunger.
ContributorsDell, Angela (Author) / Turchi, Peter (Thesis advisor) / Pritchard, Melissa (Committee member) / Ison, Tara (Committee member) / Arizona State University (Publisher)
Created2013
Description
In this collection of stories, people find themselves face to face with great trouble: a house lost to flood, a brother lost to the river, a girl on the edge of an adulthood she can't possibly survive. Set in Northern California along the banks of the Sacramento and American Rivers, the stories feature characters who live below the radar of the middle-class. Central to the narratives are notions of loss, lust, pleasure, and struggle.
ContributorsFowler, Courtney (Author) / Mcnally, T.M. (Thesis advisor) / Turchi, Peter (Committee member) / Ison, Tara (Committee member) / Arizona State University (Publisher)
Created2013
DescriptionRest for Machines is a fragmented novel about a woman named Tina Medina
ContributorsFore, Chad (Author) / McNally, Thomas (Thesis advisor) / Turchi, Peter (Committee member) / Ison, Tara (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
DescriptionHolidays. Anniversaries. Cocktail parties. In No One Wants to Be Here and No One Wants to Leave, loneliness surfaces in crowded rooms across America. Having gathered to mark special occasions, the people in these stories instead encounter moments where celebration and sadness intermingle.
ContributorsAlbers, Jeffrey (Author) / Mcnally, T.M. (Thesis advisor) / Pritchard, Melissa (Committee member) / Turchi, Peter (Committee member) / Arizona State University (Publisher)
Created2014
Description
A collection of six stories. Each story features a different cast of characters, ranging from high-school-aged girls to 70-year-old women in retirement communities. Most stories are told in the third-person limited point of view, and adhere to a traditional narrative structure, occasionally utilizing "found" text, such as letters and an entry in the DSM to advance plot and set the tone. This collection explores the lives of characters afraid to articulate their desires and unable to communicate as they grapple with loss, suicide, trauma, illness, and the dissolution of family.
ContributorsReese, Lyndsey (Author) / Turchi, Peter (Thesis advisor) / Mcnally, T.M. (Committee member) / Pritchard, Melissa (Committee member) / Arizona State University (Publisher)
Created2012
Description
This thesis contains stories about loss and the trauma that's felt in its wake. Within all of these stories, characters struggle with the notion of "healing" and "moving on." Whether it be a young boy who deals with his grief by cannibalizing his mother in "A Simple Request", or a teenage girl who wishes her chronically suicidal mother would finally kill herself in "Little Accidents," all stories within this collection explore the very unique, and human ways, in which people deal with grief.
ContributorsAshworth, Laura (Author) / Pritchard, Melissa (Thesis advisor) / Turchi, Peter (Committee member) / Ison, Tara (Committee member) / Arizona State University (Publisher)
Created2012
Description
These five stories present and trouble a question that has been posed in literature from courtly love poetry to Romantic anti-heroes to the writing born of Twentieth Century human and civil rights movements: what if one's individual desires are greater than or different from what she is allowed by her world, or half her conscience? Where should her fidelity lie? Unrepentant transgression and the penance one must endure after such a choice: in one way or another that recognition and impulse, and the aftermath of following it, is the force that moves characters through these stories. The stories are of romantic love, and the love is both literal unto itself and an allegory: the question of fidelity has to do with the self, as the characters' choice to attain the lover, in each case, is also an attainment of the self because it is an assertion of the "rightness" of individual desire against the decrees of a greater system. The "crossing" thus refers to that of boundaries: the characters make choices to push or break through what is sanctioned and what is untried; they transform; they become from one self into another as they resolve to defy, love, and simply be, drawing new lines through and around their worlds.
ContributorsBoyer-White, Branden (Author) / McNally, Thomas (Thesis advisor) / Turchi, Peter (Committee member) / Ison, Tara (Committee member) / Arizona State University (Publisher)
Created2012
Description
Rusalka and Other Stories is a creative thesis composed of short fiction and the first section of a novel. The two stories - entitled "In Deep" and "The Rain" - are concerned with the troubled relationship between childhood and adulthood, and the complicated network of influences that construct us as human beings. Combining the tools of psychological realism, philosophy, and fabulism, these stories explore the boundary between objective reality and the imagination. The novel, entitled Rusalka, traces four generations of women from pre-World War II Poland to contemporary Chicago. The story begins in 1921 with a powerful Polish woman outside Warsaw making a devil's bargain: she must sacrifice her honor to give birth to a daughter, who will be beautiful and musically gifted. Each subsequent daughter born into the family is a refinement of the woman who came before, including the novel's narrator Luscia - an operatic soprano and new mother, raised in Chicago to see herself as the zenith of her family's strange legacy. In this novel Luscia shares the stories - both historical and fantastical - that shaped her childhood as she struggles with the decision of whether to allow her daughter to be tied to the same birthright.
ContributorsCelt, Adrienne (Author) / McNally, Thomas (Thesis advisor) / Turchi, Peter (Committee member) / Pritchard, Melissa (Committee member) / Arizona State University (Publisher)
Created2012
Description
This study focuses on three songs from stage works of Kurt Weill (1900-1950): “September Song” from Knickerbocker Holiday (1938), “Speak Low” from One Touch of Venus (1943), and “Lost in the Stars” from Lost in the Stars (1949). All from Weill’s time in the United States, these songs are adaptable as solos and have become American standards performed in various arrangements and styles of popular music by many different artists.
The first part of this study is a biographical sketch of Weill’s life and music. It is intended to provide context for the three songs by tracing his beginnings as a German composer of stage works with volatile political messages, to his flight to the United States and his emergence as a composer of Broadway successes.
The second part is a commentary on the composition of the three selected songs. The lyrics and musical content are examined to show how Weill’s settings convey the dramatic mood and meaning as well as the specific nuances of the words. Description of the context of these songs explains how they were textually and musically intended to advance the plot and the emotional arc of the dramatic characters. The popularity of these songs endures beyond their original shows, and so there is discussion of how other artists have adapted and performed them, and available recordings are cited.
Weill’s songs, his little masterpieces, have proven to be truly evocative and so attractive to American audiences that they have undergone myriad adaptations. This study seeks to provide the personal and historical background of Kurt Weill’s music and to demonstrate why these three songs in particular have proven to have such lasting appeal.
The first part of this study is a biographical sketch of Weill’s life and music. It is intended to provide context for the three songs by tracing his beginnings as a German composer of stage works with volatile political messages, to his flight to the United States and his emergence as a composer of Broadway successes.
The second part is a commentary on the composition of the three selected songs. The lyrics and musical content are examined to show how Weill’s settings convey the dramatic mood and meaning as well as the specific nuances of the words. Description of the context of these songs explains how they were textually and musically intended to advance the plot and the emotional arc of the dramatic characters. The popularity of these songs endures beyond their original shows, and so there is discussion of how other artists have adapted and performed them, and available recordings are cited.
Weill’s songs, his little masterpieces, have proven to be truly evocative and so attractive to American audiences that they have undergone myriad adaptations. This study seeks to provide the personal and historical background of Kurt Weill’s music and to demonstrate why these three songs in particular have proven to have such lasting appeal.
ContributorsKimball, Abigail S (Author) / May, Judy (Thesis advisor) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Arizona State University (Publisher)
Created2016