Matching Items (11)
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In this essay we will explore how five female characters are defined as "bad" or "good" girls based on their interaction and relationship with the patriarchal figures of their text. We will be looking at Goneril, Regan, and Cordelia in Shakespeare's King Lear and Bellatrix Lestrange and Hermione Granger in

In this essay we will explore how five female characters are defined as "bad" or "good" girls based on their interaction and relationship with the patriarchal figures of their text. We will be looking at Goneril, Regan, and Cordelia in Shakespeare's King Lear and Bellatrix Lestrange and Hermione Granger in the Harry Potter series. In order to analyze these five characters in relation to their texts we must first understand what a patriarchal society looks like. Moreover, how a patriarchal society is in the very foundations of both King Lear and the Harry Potter series, which is a result of the culture that each text was published in. By analyzing the actions and words of all five female characters we will be able to see how a patriarchal system is reflected in each text in determining the female characters' fate at the end of those texts.
ContributorsUphoff, Samantha Diane (Author) / Fazio, Marsha (Thesis director) / Mann, Annika (Committee member) / Barrett, The Honors College (Contributor) / School of Humanities, Arts, and Cultural Studies (Contributor)
Created2014-05
Description

The Women’s National Basketball Association was founded 27 years ago. Since its inception, the WNBA has played the same game as the NBA with only slightly different rules: a slightly smaller basketball, shorter quarters, and a slightly closer three-point line. However, it has not seen the growth and support the

The Women’s National Basketball Association was founded 27 years ago. Since its inception, the WNBA has played the same game as the NBA with only slightly different rules: a slightly smaller basketball, shorter quarters, and a slightly closer three-point line. However, it has not seen the growth and support the NBA received 25 years into its founding. Studies have proven that the WNBA, and women's basketball in general, is undersold and undervalued. Not only this, but a growing body of research has shown that women in sport receive far more harassment than male athletes do. The studies all trace these discrepancies back to deep-rooted patriarchal and misogynistic ideas baked into society, and often seen most explicitly in sport. However, the patriarchy and misogyny that women basketball players receive is varied due to the complex intersection of gender, race, and sexuality. Therefore, previous studies on women’s basketball have examined only one or a few ways that players are hurt or hindered by patriarchy and misogyny. Patriarchy is a system of social structures and practices, in which men govern, oppress, and exploit women. Misogyny is defined as hatred towards women. This paper instead synthesizes previous studies, research, and experiences by women’s basketball players to give an overview of the complex web of prejudice and sexism women basketball players face. For instance, this paper pulls from a study on football fandom in the United Kingdom as well the Kaplan Hecker and Fink Gender Equity Review in order to highlight how abundant misogynistic tropes are across all sports. However, this paper will not give a detailed and comprehensive view into every aspect of this web. Instead, it will provide a general overview of how societal norms, rooted in patriarchy and misogyny, influence people’s views and treatment of women in sport. Specifically, the paper will pull from previous studies and articles to detail how women basketball player’s media coverage, salaries, physical health, mental well-being, race, sexuality, and participation in sports are all interconnected and harmed by oppressive gender norms that are reinforced by society. The sweeping effect has been to stifle and stymy the potential growth and embrace of women's sports.

Created2023-05
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This paper examines the intersections of faith, patriarchy, feminism, and institutional failure in the Church of Jesus Christ of Latter-Day Saints. Members of the faith believe the paternal structure of the organization is God's plan. The paper focuses on home, church, and the public sphere to provide a more complete

This paper examines the intersections of faith, patriarchy, feminism, and institutional failure in the Church of Jesus Christ of Latter-Day Saints. Members of the faith believe the paternal structure of the organization is God's plan. The paper focuses on home, church, and the public sphere to provide a more complete understanding of the ways in which the practices of the Church of Jesus Christ of Latter-Day Saints blur the lines between public and private and asks how women, most centrally the author, navigate contradictions in the doctrine and the institution of the Church of Jesus Christ of Latter-Day Saints. Finally, this paper examines the tension between critical thought from a feminist perspective and being a devout member in the eyes of the church.Data was collected and presented using interpretivist methodology, ethnography and autoethnography. The author draws upon her experience as a member of the Church of Jesus Christ of Latter-Day Saints and examines the ways power is layered and instrumental to the patriarchal teachings which are often contradictory and in tension with women developing full personhood.
ContributorsLunt, Sue (Author) / Colbern, Allan (Thesis advisor) / Goksel, Nisa (Committee member) / Behl, Natasha (Committee member) / Arizona State University (Publisher)
Created2021
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This dissertation explores the relationship between motherhood and power in seventeenth-century England. While historians have traditionally researched the role of mothers within the family unit, this study explores the more public and discursive roles of motherhood. It argues that the various threads of discourse surrounding maternity betray a common desire

This dissertation explores the relationship between motherhood and power in seventeenth-century England. While historians have traditionally researched the role of mothers within the family unit, this study explores the more public and discursive roles of motherhood. It argues that the various threads of discourse surrounding maternity betray a common desire to circumscribe and condemn maternal authority, as this authority was threatening to masculinity and patriarchal rule. It finds that maternity was frequently cited as harmful and dangerous; household conduct books condemned the passionate and irrational nature of maternal love and its deleterious effects upon both mother and child. Furthermore, various images of ‘unnatural motherhood’ reveal larger concerns over social disorder. Sensationalistic infanticide and monstrous birth stories in cheap print display contemporary fears of lascivious, scolding, and unregulated women who were subversive to patriarchal authority and thus threatened the social status quo. The female reproductive body similarly threatened masculinity; an analysis of midwifery manuals show that contemporary authors had to reconcile women’s reproductive power with what they believed to be an inferior corporeal body. This study ends with a discussion of the representation of mothers in published funeral sermons as these mothers were textually crafted to serve as examples of ‘good mothering,’ offering a striking comparison to the ‘unnatural mothers’ presented in other sources. Motherhood in seventeenth-century England, then, involved a great deal more than the relationship between mother and child. It was a cultural site in which power was contested, and a site in which authors expressed anxiety over the irrational female mind and the unregulated, sexual female body.
ContributorsWiedenbeck, Ashley Erin (Author) / Warnicke, Retha M. (Thesis advisor) / O'Donnell, Catherine (Committee member) / Wright, Johnson (Committee member) / Arizona State University (Publisher)
Created2015
Description
The central goal of this analysis is to unpack the ways in which the novel, Tender is the Flesh, incorporates themes of patriarchal oppression and applies them to contemporary systems of animal exploitation in the food industry, by firstly utilizing a vegan-feminist lens, and exploring how the novel presents meat-eating

The central goal of this analysis is to unpack the ways in which the novel, Tender is the Flesh, incorporates themes of patriarchal oppression and applies them to contemporary systems of animal exploitation in the food industry, by firstly utilizing a vegan-feminist lens, and exploring how the novel presents meat-eating as a representation of male dominance
ContributorsKnight, Hannah (Author) / Barca, Lisa (Thesis director) / Meloy, Elizabeth (Committee member) / Barrett, The Honors College (Contributor) / School of Politics and Global Studies (Contributor) / Department of English (Contributor)
Created2022-12
ContributorsHott, Sydney (Author) / Carrasco, Clare (Thesis director) / Dove-Viebahn, Aviva (Committee member) / Espaillat Lizardo, Mónica (Committee member) / Barrett, The Honors College (Contributor) / Sanford School of Social and Family Dynamics (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / School of Social Transformation (Contributor)
Created2024-05
ContributorsHott, Sydney (Author) / Carrasco, Clare (Thesis director) / Dove-Viebahn, Aviva (Committee member) / Espaillat Lizardo, Mónica (Committee member) / Barrett, The Honors College (Contributor) / Sanford School of Social and Family Dynamics (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / School of Social Transformation (Contributor)
Created2024-05
Description
My creative thesis project is titled “NOTEworthy HERstory: A Feminist Exploration of Prominent Women in Pop Music.” Specifically, I seek to answer this research question: what is the dynamic, reciprocal relationship between these prominent female artists’ music and careers with feminist theory? In other words, I am exploring how feminist

My creative thesis project is titled “NOTEworthy HERstory: A Feminist Exploration of Prominent Women in Pop Music.” Specifically, I seek to answer this research question: what is the dynamic, reciprocal relationship between these prominent female artists’ music and careers with feminist theory? In other words, I am exploring how feminist theory influenced their work, and also how their work influenced feminist theory and our societal understanding and appreciation of women’s lives. This topic incorporates history, sociology, musicology, and feminist theory. I have presented my findings about specific female artists through a series of four podcast episodes. I selected Carole King, Tina Turner, Beyoncé, and Taylor Swift as the subjects for the episodes because they each jumped out to me as being highly connected to specific feminist themes: waves of feminism, patriarchy, intersectionality, and power, respectively.
ContributorsHott, Sydney (Author) / Carrasco, Clare (Thesis director) / Dove-Viebahn, Aviva (Committee member) / Espaillat Lizardo, Mónica (Committee member) / Barrett, The Honors College (Contributor) / Sanford School of Social and Family Dynamics (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / School of Social Transformation (Contributor)
Created2024-05
ContributorsHott, Sydney (Author) / Carrasco, Clare (Thesis director) / Dove-Viebahn, Aviva (Committee member) / Espaillat Lizardo, Mónica (Committee member) / Barrett, The Honors College (Contributor) / Sanford School of Social and Family Dynamics (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / School of Social Transformation (Contributor)
Created2024-05
ContributorsHott, Sydney (Author) / Carrasco, Clare (Thesis director) / Dove-Viebahn, Aviva (Committee member) / Espaillat Lizardo, Mónica (Committee member) / Barrett, The Honors College (Contributor) / Sanford School of Social and Family Dynamics (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / School of Social Transformation (Contributor)
Created2024-05