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Description
This thesis builds upon previous research exploring the different factors that influence divorce access attitudes, using data drawn from the General Social Survey in 1991, 1994, and 2008. I examine different social values and economic characteristics and their influence on divorce access attitudes, and explore gender differences within these factors. I examine how information drawn from this analysis supports the argument for Second Demographic Transition Theory as a theoretical framework to explain influential factors in the formation of divorce access attitudes. I conclude that social values variables related to attitudes towards sex behaviors remain significant predictors of divorce access attitudes. I also recognize that socioeconomic context bears influence on the formation of divorce access attitudes. Gender differences lead to the conclusion that behavior and interactions around divorce access attitude formation are dynamic and complex, but are effectively explained using Second Demographic Transition Theory.
ContributorsFrump, Jonathan (Author) / Hayford, Sarah (Thesis advisor) / Glick, Jennifer (Committee member) / Yabiku, Scott (Committee member) / Arizona State University (Publisher)
Created2013
DescriptionThe purpose of this project is to explore the influence of folk music in guitar compositions by Manuel Ponce from 1923 to 1932. It focuses on his Tres canciones populares mexicanas and Tropico and Rumba.
ContributorsGarcia Santos, Arnoldo (Author) / Koonce, Frank (Thesis advisor) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2014
Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013