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ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
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Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and

Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
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Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility

Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
ContributorsDaval, Charles (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-26
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DescriptionThe purpose of this project is to explore the influence of folk music in guitar compositions by Manuel Ponce from 1923 to 1932. It focuses on his Tres canciones populares mexicanas and Tropico and Rumba.
ContributorsGarcia Santos, Arnoldo (Author) / Koonce, Frank (Thesis advisor) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2014
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Description
This study performs numerical modeling for the climate of semi-arid regions by running a high-resolution atmospheric model constrained by large-scale climatic boundary conditions, a practice commonly called climate downscaling. These investigations focus especially on precipitation and temperature, quantities that are critical to life in semi-arid regions. Using the Weather Research

This study performs numerical modeling for the climate of semi-arid regions by running a high-resolution atmospheric model constrained by large-scale climatic boundary conditions, a practice commonly called climate downscaling. These investigations focus especially on precipitation and temperature, quantities that are critical to life in semi-arid regions. Using the Weather Research and Forecast (WRF) model, a non-hydrostatic geophysical fluid dynamical model with a full suite of physical parameterization, a series of numerical sensitivity experiments are conducted to test how the intensity and spatial/temporal distribution of precipitation change with grid resolution, time step size, the resolution of lower boundary topography and surface characteristics. Two regions, Arizona in U.S. and Aral Sea region in Central Asia, are chosen as the test-beds for the numerical experiments: The former for its complex terrain and the latter for the dramatic man-made changes in its lower boundary conditions (the shrinkage of Aral Sea). Sensitivity tests show that the parameterization schemes for rainfall are not resolution-independent, thus a refinement of resolution is no guarantee of a better result. But, simulations (at all resolutions) do capture the inter-annual variability of rainfall over Arizona. Nevertheless, temperature is simulated more accurately with refinement in resolution. Results show that both seasonal mean rainfall and frequency of extreme rainfall events increase with resolution. For Aral Sea, sensitivity tests indicate that while the shrinkage of Aral Sea has a dramatic impact on the precipitation over the confine of (former) Aral Sea itself, its effect on the precipitation over greater Central Asia is not necessarily greater than the inter-annual variability induced by the lateral boundary conditions in the model and large scale warming in the region. The numerical simulations in the study are cross validated with observations to address the realism of the regional climate model. The findings of this sensitivity study are useful for water resource management in semi-arid regions. Such high spatio-temporal resolution gridded-data can be used as an input for hydrological models for regions such as Arizona with complex terrain and sparse observations. Results from simulations of Aral Sea region are expected to contribute to ecosystems management for Central Asia.
ContributorsSharma, Ashish (Author) / Huang, Huei-Ping (Thesis advisor) / Adrian, Ronald (Committee member) / Herrmann, Marcus (Committee member) / Phelan, Patrick E. (Committee member) / Vivoni, Enrique (Committee member) / Arizona State University (Publisher)
Created2012
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsGoglia, Adrienne (Performer)
Created2018-03-02
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02