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DescriptionThe purpose of this project is to explore the influence of folk music in guitar compositions by Manuel Ponce from 1923 to 1932. It focuses on his Tres canciones populares mexicanas and Tropico and Rumba.
ContributorsGarcia Santos, Arnoldo (Author) / Koonce, Frank (Thesis advisor) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2014
Description
This study tests if embodied cognition associated with self-movement in skateboarding can provide superior insight in physics problem-solving. Most people are relatively poor at deciphering which of several slopes will produce the faster downhill route for a rolling ball. Here, we replicate work by Rohrer and confirm that participants are poor at this task when making predictions on a pen-and-paper test. Our principle hypothesis is that experience skateboarders should perform better than average when asked the equivalent question in the context of selecting the fastest skateboarding route between two different ramps. Our findings confirm that in a timed race, skateboarders are less prone to select a slower, but seemingly shorter, more constant-sloped route. When self-action is coupled to thinking in this way, it appears easier for participants to tap into a gut-level feeling for the overall speed advantage gained by descending more sharply earlier in time. The finding supports a physics pedagogy in which participants consider the problem from the perspective of the descending ball, which allows utilization of embodied cognitive resources that produce superior physics insight. This is the first study to demonstrate that skateboarding ought not to be viewed merely as a renegade hobby, but rather as an activity that holds promise for improving academic performance.
ContributorsZautra, Nicholas (Author) / Barrett, The Honors College (Contributor)
Created2011-12
Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013