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DescriptionThe purpose of this project is to explore the influence of folk music in guitar compositions by Manuel Ponce from 1923 to 1932. It focuses on his Tres canciones populares mexicanas and Tropico and Rumba.
ContributorsGarcia Santos, Arnoldo (Author) / Koonce, Frank (Thesis advisor) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2014
Description
International organizations are ubiquitous in the international system and often intervene in domestic political affairs. Interventions can occur because states do not have adequate infrastructure to govern, because a political regime seeks international legitimation of its rule, or because an intervention may prevent political crisis. Whatever the reason, there are consequences of such interventions for domestic society. This project asks how interventions sanctioned by international organizations affect individual political involvement, specifically attitudes toward democracy and democratic institutions. I theorize and empirically demonstrate that when an international intervention reinforces existing democratic institutions in a state, individual levels of confidence in democracy and levels of trust in democratic institutions improve. By contrast, when an intervention undermines existing democratic institutions, levels of confidence in democracy and trust in democratic institutions decrease. This research is important because it shows that the determinants of individual political engagement are not only domestic, but also affected by international-level phenomena. This means that international organizations and the interventions they regularly employ in states can meaningfully affect the prospects for democratic consolidation.
ContributorsSwagerty, R. Scott (Author) / Kittilson, Miki C (Thesis advisor) / Siroky, David (Committee member) / Abbott, Kenneth (Committee member) / Arizona State University (Publisher)
Created2015
Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013