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Canal oriented development (COD) is a placemaking concept that aims to create mixed use developments along canal banks using the image and utility of the waterfront as a natural attraction for social and economic activity. COD has the potential to for landlocked cities, which are lacking a traditional harbor, to

Canal oriented development (COD) is a placemaking concept that aims to create mixed use developments along canal banks using the image and utility of the waterfront as a natural attraction for social and economic activity. COD has the potential to for landlocked cities, which are lacking a traditional harbor, to pursue waterfront development which has become an important economic development source in the post-industrial city. This dissertation examines how COD as a placemaking technique can and has been used in creating urban development. This topic is analyzed via three separate yet interconnecting papers. The first paper explores the historical notion of canals as an urban economic development tool with particular attention paid to the Erie Canal. The second paper explores the feasibility of what it would take for canal development to occur in the Phoenix region. The third and final paper explores the importance of place in urban design and the success or nonsuccess of COD as a place maker through the examination of three different CODs.
ContributorsBuckman, Stephen Thomas (Author) / Talen, Emily (Thesis advisor) / Ellin, Nan (Committee member) / Crewe, Katherine (Committee member) / Arizona State University (Publisher)
Created2013
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Description
This dissertation uses the narrative practice of chorography as a genre for assessing the history of placemaking in the Salt and Gila River region of central Arizona from the late seventeenth century through the mid-nineteenth century. Chorography concerns the descriptive representation of places in the world, usually of regions associated

This dissertation uses the narrative practice of chorography as a genre for assessing the history of placemaking in the Salt and Gila River region of central Arizona from the late seventeenth century through the mid-nineteenth century. Chorography concerns the descriptive representation of places in the world, usually of regions associated with a particular nation. Traditionally, chorography has served as a written method for describing geographical places as they existed historically. By integrating descriptions of natural features with descriptions of built features, such as ancient ruins, chorography infuses the physical landscape with cultural and historical meaning. This dissertation relies on a body of Spanish- and English-language chorographies produced across three centuries to interpret how Euro-American descriptions of Hohokam ruins in the Salt and Gila River valleys shaped local placemaking. Importantly, the disparate chorographic texts produced during the late-seventeenth, eighteenth, and early nineteenth centuries reflect ‘discursive continuity’—a continuity of thought spanning a long and frequently disregarded period in the history of central Arizona, in which ruminations about the ruins of ancient cities and irrigation canals formed the basis for what people knew, or thought they knew, about the little-known region. When settlers arrived in the newly-formed Arizona Territory in the 1860s to establish permanent settlement in the Salt and Gila River valleys, they brought with them a familiarity with these writings, maps, and other chorographical materials. On one hand, Arizonans viewed the ancient ruins as literal evidence for the region’s agricultural possibilities. On the other hand, Aztec and Cíbola myths associated with the ruins, told and retold by Europeans and Americans during the sixteenth through nineteenth centuries, offered an imaginative context for the establishment and promotion of American settlement in central Arizona.
ContributorsCaproni, Linnéa Katherine Elizabeth (Author) / Thompson, Victoria (Thesis advisor) / Vandermeer, Philip (Committee member) / Timothy, Dallen (Committee member) / Arizona State University (Publisher)
Created2017
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Description
“(Dis)Locating the Sensual: Black Queer Placemaking in Brooklyn, New York” investigates the impact that gentrification has on Black queer subject formations and Black queer public culture. My research explores the interplay between social oppressions, the Black quotidian queer body, and lived sensations within two Black queer bars located in the

“(Dis)Locating the Sensual: Black Queer Placemaking in Brooklyn, New York” investigates the impact that gentrification has on Black queer subject formations and Black queer public culture. My research explores the interplay between social oppressions, the Black quotidian queer body, and lived sensations within two Black queer bars located in the epicenter of white middle class gentrification in Brooklyn, New York: Langston’s Brooklyn and Happiness Lounge. In doing so, my project expands Western conceptions of space while charging feminist and queer theories to explore interpersonal and personal dimensions of lived experiences that are conditioned by modes of normalization set by white supremacy. I use archival research and ethnographic methods to explore the way that Black queer people utilize space and the spatial dimensions that happen in and across the spaces they regularly occupy. I also collect and examine building information, such as the owners’ respective rental agreements, building permits, documented building violation(s), and incurred fees by the owners to understand who owns the land, who manages the properties, and the role of the state in regulating space. Additionally, “(Dis)Locating the Sensual” analyzes three analytic memos from my ethnographic fieldnotes including desire, spatial performance, and sensations to apprehend the implications of performance on a Black queer sense of place. Taken together, this data renders a complex picture of Black queer place-making that both resists and exceeds the structural constraints of racial capitalist expansion. My work both dialogues with and contributes to fields that are rarely drawn into conversation: Urban geography and Black queer studies. By analyzing sensations, nostalgia, and atmosphere within Langston’s and Happiness Lounge, I chart the ways in which gentrification continues to displace physical Black queer social spaces and impact the atmospheres and sensations that are unique to their vanishing social spaces. I introduce Black queer spatiality as a method that is informed by tracing Black LGBT spatial sensations and atmospheres; this analytic enables the linking of physical spatio-historical processes of extraction to the sensual geographic experiences that are emplaced in Black queer social spaces.
ContributorsMillhouse, Ricardo (Author) / Bailey, Marlon M (Thesis advisor) / Shabazz, Gregg R (Committee member) / Fonow, Mary M (Committee member) / McHugh, Kevin (Committee member) / Arizona State University (Publisher)
Created2021
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Description
Exchange is fundamental to the establishment and maintenance of social institutions and political economies in all scales of societies. While today people rapidly exchange goods and information over great distances, in the past, long-distance exchange necessitated the mobilization of vast networks of interaction with substantial transport costs. Objects traded over

Exchange is fundamental to the establishment and maintenance of social institutions and political economies in all scales of societies. While today people rapidly exchange goods and information over great distances, in the past, long-distance exchange necessitated the mobilization of vast networks of interaction with substantial transport costs. Objects traded over long distances were often valuable and challenging to obtain, granting them multifaceted significance that is difficult to understand using traditional archaeological approaches.

This research examines human interactions with scarlet macaws (Ara macao) in the United States (U.S.) Southwest and Mexican Northwest (SW/NW) between 900 and 1450 CE. This period saw large-scale cultural change in the form of migrations, rapid population aggregation, and an expansion of long-distance exchange relations in regional centers at Pueblo Bonito (900-1150 CE) in northwestern New Mexico, Wupatki (1085-1220 CE) in north-central Arizona, and Paquimé (1200-1450 CE) in northern Chihuahua. Despite the distant natural habitat of scarlet macaws, their importation, exchange, and sacrifice appear to have played integral roles in the process of placemaking at these three regional centers. Here, I use an Archaeology of the Human Experience approach and combine radiogenic strontium isotope analysis with detailed contextual analyses using a Material Histories theoretical framework to (1) discern whether macaws discovered in the SW/NW were imported or raised locally, (2) characterize the acquisition, treatment and deposition of macaws at Pueblo Bonito, Wupatki, and Paquimé, and (3) identify patterns of continuity or change in acquisition and deposition of macaws over time and across space in the SW/NW.

Findings from radiogenic strontium isotope analysis indicate that scarlet macaws from all case studies were primarily raised locally in the SW/NW, though at Paquimé, macaws were procured from sites in the Casas Grandes region and extra-regionally. Variation in the treatment and deposition of scarlet macaws suggests that despite their prevalence, macaws were interpreted and interacted with in distinctly local ways. Examination of the human experience of transporting and raising macaws reveals previously unconsidered challenges for keeping macaws. Overall, variation in the acquisition and deposition of scarlet macaws indicates changing strategies for placemaking in the SW/NW between 900 and 1450 CE.
ContributorsSchwartz, Christopher Warren (Author) / Nelson, Ben A. (Thesis advisor) / Knudson, Kelly J. (Committee member) / Hays-Gilpin, Kelley (Committee member) / Arizona State University (Publisher)
Created2020