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Description
Tres Tangos para Duo de Contrabajos (Three Tangos for Double Bass Duet) is a three-movement set written by Andrés Martín and commissioned by Darren Cueva specifically for this document and accompanying performance project. This piece blends tango with Western art music in a style often referred to as “nuevo tango”

Tres Tangos para Duo de Contrabajos (Three Tangos for Double Bass Duet) is a three-movement set written by Andrés Martín and commissioned by Darren Cueva specifically for this document and accompanying performance project. This piece blends tango with Western art music in a style often referred to as “nuevo tango” (new tango) which was popularized by Astor Piazzolla. This research paper will serve as a performance aid for those wishing to present tango idioms on the double bass in addition to a more detailed guide to performing Tres Tangos by Martín.

To give context to performers, this survey begins with a brief history of the tango and the life and stylistic developments of Astor Piazzolla. Various music and dance styles that contributed to early tango include, milonga, habanera, and tango andalúz. The resulting tango was popularized as a music and dance style in the early twentieth century. Astor Piazzolla brought the tango to the concert hall after studying composition with acclaimed professor Nadia Boulanger. His new tango style merged traditional tango, classical composition, and jazz music, which he was exposed to after his family moved from Argentina to New York.

Tres Tangos was modeled after the style of Piazzolla. Characteristic articulation and improvised techniques are a fundamental aspect of the tango sound; a successful performance will depend on the musician’s ability to create these sounds. A detailed description of the most common elements is provided as well as suggestions for creating them on the double bass. Finally, I have compiled a specific performance guide for Tres Tangos. This guide includes rhythmic, articulation, fingering, and notational considerations, to assist in the performance of this piece.
ContributorsCueva, Darren (Author) / Rotaru, Catalin (Thesis advisor) / Koonce, Frank (Committee member) / Rogers, Rodney (Committee member) / Arizona State University (Publisher)
Created2018
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Description
After the passing of the Homestead Act in 1862, a large wave of immigrants arrived in Dakota Territory, most of them during the last quarter of the nineteenth century. Two of the largest immigrant populations in the Dakotas were the Norwegians and Germans who had spent approximately the last

After the passing of the Homestead Act in 1862, a large wave of immigrants arrived in Dakota Territory, most of them during the last quarter of the nineteenth century. Two of the largest immigrant populations in the Dakotas were the Norwegians and Germans who had spent approximately the last hundred years living in isolated rural colonies in Russia, referred to as Germans from Russia or russlanddeutschen. This document examines the role of music in the lives of these ethnic groups from the 1862 to 1930, and includes the discussion of sacred music, especially hymns, secular music such as folk songs and dance music, and music’s place in the rural one-room schools that their children attended.
ContributorsGross, Kelsey (Author) / Norton, Kay (Thesis advisor) / Mills, Robert (Thesis advisor) / Dreyfoos, Dale (Committee member) / Arizona State University (Publisher)
Created2018
ContributorsEvans, Bartlett R. (Conductor) / Schildkret, David (Conductor) / Glenn, Erica (Conductor) / Concert Choir (Performer) / Chamber Singers (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-16
ContributorsEvans, Bartlett R. (Conductor) / Glenn, Erica (Conductor) / Steiner, Kieran (Conductor) / Thompson, Jason D. (Conductor) / Arizona Statesmen (Performer) / Women's Chorus (Performer) / Concert Choir (Performer) / Gospel Choir (Conductor) / ASU Library. Music Library (Publisher)
Created2019-03-15
ContributorsLarson, Brook Carter (Conductor) / Gentry, Gregory R. (Conductor) / Garrison, Ryan D. (Conductor) / Schildkret, David (Conductor) / Men's Chorus (Performer) / Symphonic Chorale (Performer) / Women's Chorus (Performer) / Chamber Singers (Performer) / Choral Union (Performer) / ASU Library. Music Library (Publisher)
Created2007-12-03
ContributorsUmberson, George (Performer) / Kelly, Kathleen (Performer) / Chamber Singers (Performer) / ASU Library. Music Library (Publisher)
Created1985-10-10
ContributorsRussell, Timothy Wells (Conductor) / West, Jayne (Performer) / Bryant, Stephen (Performer) / University Symphony Orchestra (Performer) / Choral Union (Performer) / Concert Choir (Performer) / University Choir (Performer) / Women's Chorus (Performer) / ASU Library. Music Library (Publisher)
Created2003-05-04
ContributorsSchildkret, David (Conductor) / Peterson, Craig C. (Conductor) / Yum, Grace (Performer) / Graham, Dawn (Performer) / Kerwin, Cora (Performer) / Concert Choir (Performer) / Herberger Singers (Performer) / ASU Library. Music Library (Publisher)
Created2003-12-08
ContributorsRussell, Timothy Wells (Conductor) / Stocker, David, 1939- (Conductor) / Chamber Orchestra (Performer) / Concert Choir (Performer) / ASU Library. Music Library (Publisher)
Created1997-04-27
ContributorsRoueche, Michelle (Performer) / Lyne, Gregory K. (Performer) / Concert Choir (Performer) / ASU Library. Music Library (Publisher)
Created1994-11-06