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ContributorsDaval, Charles (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-26
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DescriptionThe purpose of this project is to explore the influence of folk music in guitar compositions by Manuel Ponce from 1923 to 1932. It focuses on his Tres canciones populares mexicanas and Tropico and Rumba.
ContributorsGarcia Santos, Arnoldo (Author) / Koonce, Frank (Thesis advisor) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2014
ContributorsKotronakis, Dimitris (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-01
ContributorsDavin, Colin (Performer) / ASU Library. Music Library (Publisher)
Created2018-10-05
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Description
Nietzsche’s aphoristic style and affinity for rhetorical ‘masks’ raise an acute interpretive problem. The problem is that his fragmented style might be taken to reflect a deeper fragmentation in his thought. For instance, philosopher Raymond Geuss argues that we should not read Nietzsche’s thought as being unified. Against Geuss, I

Nietzsche’s aphoristic style and affinity for rhetorical ‘masks’ raise an acute interpretive problem. The problem is that his fragmented style might be taken to reflect a deeper fragmentation in his thought. For instance, philosopher Raymond Geuss argues that we should not read Nietzsche’s thought as being unified. Against Geuss, I argue that we should. To make my case, I appeal to Nietzsche’s meta-philosophy, which gives us plenty of evidence for attributing unity to his thought. I conclude by reflecting on why this result is important for interpreting different aspects of Nietzsche’s work.
ContributorsMartin, Jacob Samuel (Author) / Suk, Mina (Thesis director) / Ramsey, Ramsey Eric (Committee member) / School of Historical, Philosophical and Religious Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
ContributorsSanchez, Armand (Performer) / Nordstrom, Nathan (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-13
ContributorsMiranda, Diego (Performer)
Created2018-04-06
ContributorsChan, Robbie (Performer) / McCarrel, Kyla (Performer) / Sadownik, Stephanie (Performer) / ASU Library. Music Library (Contributor)
Created2018-04-18
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Description

I will be arguing that, although Kierkegaard is masterful when it comes incorporating rhetorical strategies and poetic elements in his works in an attempt to grasp the reader’s attention, his reliance upon a theistic system contradicts what I believe to be the message of subjectivity. This is why he does

I will be arguing that, although Kierkegaard is masterful when it comes incorporating rhetorical strategies and poetic elements in his works in an attempt to grasp the reader’s attention, his reliance upon a theistic system contradicts what I believe to be the message of subjectivity. This is why he does not affect me in a way that Nietzsche does and I will be objectively showing why I have been influenced more by Nietzsche through the use of their texts. His ideas on the overman, the will to power, and masks and appearances are liberating for the subjective thinker and invoke a sense of nobility in human existence that is not matched by Kierkegaard’s ideas. Perhaps my reader will disagree with my opinion but I hope this provides a dialogue or “loving fight” between these two thinkers for my reader to come to his/her own conclusion about the nature of subjectivity and its role in human existence.

ContributorsSullivan, Jacob Allan (Author) / Johnson, Christopher (Thesis director) / Ostling, Michael (Committee member) / Department of Management and Entrepreneurship (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05