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‘why we bend' a Bachelor of Fine Arts honors thesis exhibition by Ximenna Hofsetz and Tiernan Warner brings together installation, digital, sculptural, and printed artwork. The main focus concerns memory; and its vague, formless, and hazy nature. The work also examines what would happen if cognitive space could

‘why we bend' a Bachelor of Fine Arts honors thesis exhibition by Ximenna Hofsetz and Tiernan Warner brings together installation, digital, sculptural, and printed artwork. The main focus concerns memory; and its vague, formless, and hazy nature. The work also examines what would happen if cognitive space could be physically mapped? What would it look like in sculptural form? Memory erodes and distorts with time. We influence our memories as much as they affect us. Thus, just as relationships are ever-changing, and our memories of those we interact with constantly shifting, our relationships with our own memories are malleable and evolve through time. This transient nature of memory is depicted in the various stylistic means of this exhibition by referencing time and space as well as personal memories and ephemera in both concrete and abstract ways. ‘why we bend’ implements a variety of multimedia techniques to examine recollection and its hold on us.
ContributorsHofsetz, Ximenna Cedella (Author) / Gutierrez, Rogelio (Thesis director) / Hood, Mary (Committee member) / Barrett, The Honors College (Contributor) / School of Life Sciences (Contributor) / School of Art (Contributor)
Created2014-12
DescriptionDeus Ex Machina was a group exhibition of works by honors candidate Kenosha Drucker and her Herberger institute colleagues Nicholas Gutierrez and Alyssa Burke. The show was a mixed media installation featuring video, printmaking, sculpture, painting, and drawing.
ContributorsDrucker, Kenosha Quinn (Author) / Pessler, Anthony (Thesis director) / Gutierrez, Rogelio (Committee member) / Pittsley, Janice (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2014-05
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Description
Origins is a creative project that consisted of developing a cohesive body of artwork and mounting an exhibition of that work. My work approaches the question of origins from a scientific point of view, visually investigating stories of microbiological growth decay and evolution. I use color, texture, and shape to

Origins is a creative project that consisted of developing a cohesive body of artwork and mounting an exhibition of that work. My work approaches the question of origins from a scientific point of view, visually investigating stories of microbiological growth decay and evolution. I use color, texture, and shape to describe these narratives while also examining the ways in which humans can see these organisms.
ContributorsMcGinnis, Nora Kristine (Author) / Verstegen, Clare (Thesis director) / Eckert, Tom (Committee member) / Foy, Joseph (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2013-05