Matching Items (5)
Filtering by

Clear all filters

149946-Thumbnail Image.png
Description
Yannis Constantinidis was the last of the handful of composers referred to collectively as the Greek National School. The members of this group strove to create a distinctive national style for Greece, founded upon a synthesis of Western compositional idioms with melodic, rhyhmic, and modal features of their local folk

Yannis Constantinidis was the last of the handful of composers referred to collectively as the Greek National School. The members of this group strove to create a distinctive national style for Greece, founded upon a synthesis of Western compositional idioms with melodic, rhyhmic, and modal features of their local folk traditions. Constantinidis particularly looked to the folk melodies of his native Asia Minor and the nearby Dodecanese Islands. His musical output includes operettas, musical comedies, orchestral works, chamber and vocal music, and much piano music, all of which draws upon folk repertories for thematic material. The present essay examines how he incorporates this thematic material in his piano compositions, written between 1943 and 1971, with a special focus on the 22 Songs and Dances from the Dodecanese. In general, Constantinidis's pianistic style is expressed through miniature pieces in which the folk tunes are presented mostly intact, but embedded in accompaniment based in early twentieth-century modal harmony. Following the dictates of the founding members of the Greek National School, Manolis Kalomiris and Georgios Lambelet, the modal basis of his harmonic vocabulary is firmly rooted in the characteristics of the most common modes of Greek folk music. A close study of his 22 Songs and Dances from the Dodecanese not only offers a valuable insight into his harmonic imagination, but also demonstrates how he subtly adapts his source melodies. This work also reveals his care in creating a musical expression of the words of the original folk songs, even in purely instrumental compositon.
ContributorsSavvidou, Dina (Author) / Hamilton, Robert (Thesis advisor) / Little, Bliss (Committee member) / Meir, Baruch (Committee member) / Thompson, Janice M (Committee member) / Arizona State University (Publisher)
Created2011
150273-Thumbnail Image.png
Description
The purpose of this project was to examine the lives and solo piano works of four members of the early generation of female composers in Taiwan. These four women were born between 1950 and 1960, began to appear on the Taiwanese musical scene after 1980, and were still active as

The purpose of this project was to examine the lives and solo piano works of four members of the early generation of female composers in Taiwan. These four women were born between 1950 and 1960, began to appear on the Taiwanese musical scene after 1980, and were still active as composers at the time of this study. They include Fan-Ling Su (b. 1955), Hwei-Lee Chang (b. 1956), Shyh-Ji Pan-Chew (b. 1957), and Kwang-I Ying (b. 1960). Detailed biographical information on the four composers is presented and discussed. In addition, the musical form and features of all solo piano works at all levels by the four composers are analyzed, and the musical characteristics of each composer's work are discussed. The biography of a fifth composer, Wei-Ho Dai (b. 1950), is also discussed but is placed in the Appendices because her piano music could not be located. This research paper is presented in six chapters: (1) Prologue; the life and music of (2) Fan-Ling Su, (3) Hwei-Lee Chang, (4) Shyh-Ji Pan-Chew, and (5) Kwang-I Ying; and (6) Conclusion. The Prologue provides an overview of the development of Western classical music in Taiwan, a review of extant literature on the selected composers and their music, and the development of piano music in Taiwan. The Conclusion is comprised of comparisons of the four composers' music, including their personal interests and preferences as exhibited in their music. For example, all of the composers have used atonality in their music. Two of the composers, Fan-Ling Su and Kwang-I Ying, openly apply Chinese elements in their piano works, while Hwei-Lee Chang tries to avoid direct use of the Chinese pentatonic scale. The piano works of Hwei-Lee Chang and Shyh-Ji Pan-Chew are chromatic and atonal, and show an economical usage of material. Biographical information on Wei-Ho Dai and an overview of Taiwanese history are presented in the Appendices.
ContributorsWang, Jinding (Author) / Pagano, Caio (Thesis advisor) / Campbell, Andrew (Committee member) / Humphreys, Jere T. (Committee member) / Meyer-Thompson, Janice (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2011
137455-Thumbnail Image.png
Description
This research topic surrounds eating disorders and their growing prevalence in college and college-age students. It focuses on the online resources made available by universities to aid in the treatment of these disorders. College students go to the internet first when looking up health information, and this makes it crucial

This research topic surrounds eating disorders and their growing prevalence in college and college-age students. It focuses on the online resources made available by universities to aid in the treatment of these disorders. College students go to the internet first when looking up health information, and this makes it crucial that universities are up to date with their online health and counseling information. The purpose of this research was to analyze the online presence for eating disorder treatment presented by universities within the Pac-12. Analysis was based on three criteria: content presentation, navigation and information. Of the 12 universities, no university supplied all the information subcategories listed in Table 1. However, six of the 12 universities had at least 50.00% of the information subcategories listed on their websites. Also, 58.33% of the universities identified eating disorders as a reason to seek counseling services. However, with only 33.33% having an eating disorder resource page, more needs to be offered on the universities' websites. Keywords: bulimia, anorexia, treatment, EDNOS, BED, college students, health information, university resources
ContributorsSchenone, Danielle Mari (Author) / Dixon, Kathleen (Thesis director) / Levinson, Simin (Committee member) / Miller, Michelle (Committee member) / Barrett, The Honors College (Contributor) / Walter Cronkite School of Journalism and Mass Communication (Contributor)
Created2013-05
148014-Thumbnail Image.png
Description

My research aims to determine the effectiveness of meditation and sleep applications (apps) on the reduction of anxiety and stress in college students, with a focus on sedative piano music. Results showed a significant reduction of stress and anxiety levels in college students when listening to sedative piano music versus

My research aims to determine the effectiveness of meditation and sleep applications (apps) on the reduction of anxiety and stress in college students, with a focus on sedative piano music. Results showed a significant reduction of stress and anxiety levels in college students when listening to sedative piano music versus non-sedative piano music. Music along with other therapy modalities in meditation and sleep apps show promise in reducing students’ anxiety and stress and promoting their successes.

ContributorsPantha, Bidur (Author) / Brian, Jennifer (Thesis director) / Patten, Kristopher (Committee member) / School of Molecular Sciences (Contributor) / School of Life Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
165775-Thumbnail Image.png
Description

This paper focuses on the relationship between modern beauty ideals in today’s society and its catalyzation and/or effect on perpetuating eating disorders in young females. Further, this paper utilizes a primary case study to propose a more accurate and modernized approach to disordered eating – specifically anorexia-nervosa. A review of

This paper focuses on the relationship between modern beauty ideals in today’s society and its catalyzation and/or effect on perpetuating eating disorders in young females. Further, this paper utilizes a primary case study to propose a more accurate and modernized approach to disordered eating – specifically anorexia-nervosa. A review of the literature on modern beauty in the present day in association with eating disorders was conducted and further utilized in conjunction to conduct research on eating disorder symptomatology, the prevailing gaps surrounding disordered eating, a more renewed way towards recovery, and further recommended insights for external groups. Although much of the long-established research pertaining to eating disorder recovery stands at a general level to advocate traditional recovery methods, what still lacks is the increasing correlation between the vulgarity of modern beauty standards and its role in recovery. As evident through primary and secondary sources of literature, this paper attempts to address the growing gaps in scholarly research pertaining to the lack of recovery recourse and further delineates and analyzes a few research questions. With this being said, the case study in this paper arguably amplifies the strong reproach for a more relatable recovery discourse from an autobiographical point of view and advocates for additional research to be completed regarding diagnostic management. The findings of my research have resulted in a six-step recovery model for individuals struggling with disordered eating and will be further supported by documentary analysis.

ContributorsHeslin, AnnaMarie (Author) / Fontinha de Alcantara, Christiane (Thesis director) / Moxley-Kelly, Sean (Committee member) / Barrett, The Honors College (Contributor) / Dean, W.P. Carey School of Business (Contributor)
Created2022-05