Hinduism is one of the oldest religions in the world and one of the most practiced today. It is full of fantastical myths and heroic legends, as well as undercurrents of feminism contrasted with misogyny and patriarchy. Hindu myths are contradictory as stories have evolved over time and have been retold with millions of differing perspectives.
In my thesis, I portrayed the 22 archetypes of the Major Arcana of the tarot through the lens of Hindu mythology as well as the broader pan-Indian culture. I include ancient stories and references to modern social issues. I visually communicated the connections between characters of Hindu mythology and the archetypes of the tarot with 22 watercolor paintings. This project was an opportunity to explore both the tarot through Hinduism, vice-versa. It allowed for the development of a deeper connection with spirituality and religion, along with a greater understanding of visual communication.
The guiding research question was: How and with which criteria does the public in the Balkan countries of Croatia and Bosnia & Herzegovina determine which fortune telling methods are or aren’t acceptable in the Catholic community setting? Detailed individual interviews with individuals from Croatia and Bosnia and Herzegovina were used to try developing an answer to the question. The interview question topics ranged from fortune telling to more religious and culturally focused. With 8 female interviewees being willing to answer question, significant insight into the communities revealed the divisions of catholic vs. secular, older vs. younger, and coast vs. inland. Their insight led to the conclusion that Catholic communities in Croatia and Bosnia & Herzegovina determine the acceptability of a fortune telling method based on their familiarity with it from knowledge passed down through elders and their cultural history.