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The aim of this thesis is to explore the relationship between architecture and history in Virginia from 1607 to the eve of the American Revolution to create a complete historical narrative. The interdependency of history and architecture creates culturally important pieces and projects the colonist's need to connect to the

The aim of this thesis is to explore the relationship between architecture and history in Virginia from 1607 to the eve of the American Revolution to create a complete historical narrative. The interdependency of history and architecture creates culturally important pieces and projects the colonist's need to connect to the past as well as their innovations in their own cultural exploration. The thesis examines the living conditions of the colonists that formed Jamestown, and describes the architectural achievements and the historical events that were taking place at the time. After Jamestown, the paper moves on to the innovations of early Virginian architecture from Colonial architecture to Georgian architecture found in Williamsburg. Conclusively, the thesis presents a historical narrative on how architecture displays a collection of ideals from the Virginian colonists at the time. The external display of architecture parallels the events as well as the economic conditions of Virginia, creating a social dialogue between the gentry and the common class in the colony of Virginia.
ContributorsChang, Hosu (Author) / Gray, Susan (Thesis director) / O'Donnell, Catherine (Committee member) / Barrett, The Honors College (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor) / School of Social Transformation (Contributor)
Created2015-05
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This paper is composed of six micro-biographies of inspiring female figures from history: Ziniada Portnova, Nancy Wake, Katherine Johnson, Sunitha Krishnan, Huda Shaarawi, and Fe del Mundo. Traditionally, historians have failed to portray the value of ordinary people who have accomplished extraordinary things. In attempting to change this, the purpose

This paper is composed of six micro-biographies of inspiring female figures from history: Ziniada Portnova, Nancy Wake, Katherine Johnson, Sunitha Krishnan, Huda Shaarawi, and Fe del Mundo. Traditionally, historians have failed to portray the value of ordinary people who have accomplished extraordinary things. In attempting to change this, the purpose of this project is to educate the public on the role that one person can play in the course of historical events and inspire others to follow the example of these women. Irrespective of geographic location, time period, or social position, each of these women have individually overcame the prevailing sentiment that their voices did not matter and maintained a desire to make a difference in their worlds in defense of their convictions. They made selfless sacrifices of action in order to advance their causes when the role of women was often overlooked. Despite the existing social boundaries and barriers, their confidence in themselves and the faith that they maintained in their convictions allowed them to successfully make a difference. The biographies will highlight the individual power of women who exercised their historical efficacy in the face of adversity. Beyond this written thesis, I am practicing public history by presenting these women at my defense as live women in costume. Similar to a museum exhibit, this use of visuals will further emphasize the reality of their lives, existence, and accomplishments. In narrating and presenting their stories, I hope to do two things. First, to give these women proper recognition for their courage, achievements, and strength. Second, to encourage you, the reader and audience, to believe in your power as an individual and to exercise your historical efficacy.
Created2019-05