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Ordination rite concerns the transmission of religious knowledge and authority, and the establishment of religious identity. It is in the relationship between the individual body and the community that Daoists and Buddhists found the form of apprenticeship that led to the embodiment of the community. The mastery of religious knowledge within the community––scriptures, register, mantras, and precepts, etc., was known only through the actual ritual practice. In other words, the ritual body became the locus for coordination of all levels of bodily, social, and cosmological experience via the dialectic of objectification and embodiment in the ordination rites. As the ritualized bodies, those who were ordained coherently comprised the community, which in turn remolded them with dynamically and diversely shaped identities.
Jōjin’s diary in eight fascicles, A Record of a Pilgrimage to Tiantai and Wutai Mountains (San Tendai Godaisan ki), is one of the longest extant travel accounts concerning medieval China. It includes a detailed compendium of anecdotes on material culture, flora and fauna, water travel, and bureaucratic procedures during the Northern Song, as well as the transcription of official documents, inscriptions, Chinese texts, and lists of personal purchases and official procurements. The encyclopedic nature of Jōjin’s diary is highly valued for the insight it provides into the daily life, court policies, and religious institutions of eleventh-century China. This dissertation addresses these aspects of the diary, but does so from the perspective of treating the written text as a material artifact of placemaking.
The introductory chapter first contextualizes Jōjin’s diary within the travel writing genre, and then presents the theoretical framework for approaching Jōjin’s engagement with space and place. Chapter two presents the bustling urban life in Hangzhou in terms of Jōjin’s visual and material consumption of the secular realm as reflected in his highly illustrative descriptions of the night markets and entertainers. Chapter three examines Jōjin’s descriptions of sacred Tendai sites in China, and how he approaches these spaces with a sense of familiarity from the textual milieu that informed his movements across this religious landscape. Chapter four discusses Jōjin’s impressions of Kaifeng and the Grand Interior as a metropolitan space with dynamic functions and meanings. Lastly, chapter five concludes by considering the means by which Jōjin’s performance of place in his diary further contributes to the collective memory of place and his own sense of self across the text.
This paper considers acclaimed American writer Jack Kerouac's Buddhist practice within his life and writing, and its influence on his unique syncretic vision of America, a country that in his eyes is defined by its variability. Particular emphasis is placed on Kerouac's inspiration from Japanese monk D.T Suzuki's theories of Zen Buddhism, and how these theories allow Kerouac to develop a more profound connection to the American wilderness, and the country in its entirety.
It is the marvel of a sunset on the most ordinary day that can change life forever. In this Honors Project, I attempt to explore my innate fascination with beauty and the results of this relationship. This creative project aims to explore the five pillars that are responsible for the book of poems, Why Do We See Beauty?: The Human Event, the Tao Te Ching, Philosophy, Buddhism, and my relationship with God. These pillars have intertwined consistently throughout the past few years and the entire book of poems is a product of my engagement, integration, and synthesis with these components of my life. The creative project, Why Do We See Beauty?, consists of fifty-one poems that center around spirituality, truth, and the mystery of God; whether implicitly or explicitly stated, the poetry serves as a medium to wrestle with the truth in my life. Through a breakdown of these five pillars of my poetry and then the communication of key themes, texts, and ideas that are grounded in it, I hope to share my art from the past few years. What started in The Human Event during my first year at Barrett has evolved into an undergraduate creative project that shows how The Human Event became personal.
The objective of my honors thesis was to implement the mindfulness habit of journaling over the course of six months, then use the journal entries as a means to reflect upon observations of pre-selected metrics (connecting Zen teachings to my daily life, accessing my ability to rest, navigating relationships to others, and developing compassion for myself) in order to track how learning about Zen Buddhist philosophy impacts my life.