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Protest has been both a practice of citizenship rights as well as a means of social pressure for change in the context of Mexico City's water system. This paper explores the role that citizen protest plays in the city's response to its water challenges. We use media reports of water

Protest has been both a practice of citizenship rights as well as a means of social pressure for change in the context of Mexico City's water system. This paper explores the role that citizen protest plays in the city's response to its water challenges. We use media reports of water protests to examine where protests happen and the causes associated with them. We analyze this information to illuminate socio-political issues associated with the city's water problems, such as political corruption, gentrification, as well as general power dynamics and lack of transparency between citizens, governments, and the private businesses which interact with them. We use text analysis of newspaper reports to analyze protest events in terms of the primary stimuli of water conflict, the areas within the city more prone to conflict, and the ways in which conflict and protest are used to initiate improved water management and to influence decision making to address water inequities. We found that water scarcity is the primary source of conflict, and that water scarcity is tied to new housing and commercial construction. These new constructions often disrupt water supplies and displace of minority or marginalized groups, which we denote as gentrification. The project demonstrates the intimate ties between inequities in housing and water in urban development. Key words: Conflict, protest, Mexico City, scarcity, new construction
ContributorsFlores, Shalae Alena (Author) / Eakin, Hallie C. (Thesis director) / Baeza-Castro, Andres (Committee member) / Lara-Valencia, Francisco (Committee member) / School of Geographical Sciences and Urban Planning (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
The purpose of this text is to research and specify inequities present within three South American cities; Medellin, Columbia, Mexico City, Mexico, and Rio de Janeiro, Brazil. This research then considers specific neighborhoods within these cities that have become underprivileged as a result of the inequities, and analyzes architectural insertions

The purpose of this text is to research and specify inequities present within three South American cities; Medellin, Columbia, Mexico City, Mexico, and Rio de Janeiro, Brazil. This research then considers specific neighborhoods within these cities that have become underprivileged as a result of the inequities, and analyzes architectural insertions that have been placed in these communities in hopes of balancing the inequities secluding the communities from the rest of the city. With the information gathered from the three case study cities, another city, Tijuana, Mexico, is examined and ascertained as to what type of inequities are present. Using the methodology implemented in the case studies, a specific architectural insertion is proposed in relation to the problems at hand, with the intent of balancing the inequalities present in an underprivilege neighborhood in Tijuana. Ultimately, the text strives to demonstrate the power of architectural insertions within a community, while highlighting the importance of the effects upon the daily lives of the inhabitants, as well as the dynamics within the community and greater city.
ContributorsBorie, Isabelle Ethelbah (Author) / Spellman, Catherine (Thesis director) / Vekstein, Claudio (Committee member) / Hejduk, Renata (Committee member) / The Design School (Contributor) / School of Sustainable Engineering and the Built Environment (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description

The monument as a physical object has been ever present throughout human history and as a program it oscillates between architecture and art. The motives, messages, and forms of representation found in historical monumentality are longstanding. With the maturation of the digital age in conjunction with post humanist design conditions

The monument as a physical object has been ever present throughout human history and as a program it oscillates between architecture and art. The motives, messages, and forms of representation found in historical monumentality are longstanding. With the maturation of the digital age in conjunction with post humanist design conditions in the near future, the existing mode of physical monumentality faces an existential crisis. This moment however provides an opportunity for the rebirth of the physical monument. This thesis seeks to explore, develop, and interrogate how new forms of monumentality can be adaptive, flexible, purposeful, and longstanding. Through the use of speculative future narratives, four unique approaches to future monumentality will be developed and followed through five snapshots over a thousand year period. Speculative future narratives will be created using the four future archetypes of Growth, Decline, Discipline, and Transformation as developed by Professor Jim Dator, Director of the Hawaii Research Center for Futures Studies at the University of Hawaii at Manoa. The transitions between these four archetypes will provide societal and tectonic challenges that each monument will have to respond to. Once narratives and visual representations of these new monuments are created, they will be arranged in an analysis matrix using each of the four narratives and their five individual timeline moments which highlight and examine specific trends of spatial use, human interaction, societal relations, etc. From this analysis, an understanding of what the principles of a New Monumentality are can be determined in order to answer the question, how can architecture adapt the physical monument for a digital and post-humanist design future?

ContributorsMoric, Avery (Author) / Underwood, Max (Thesis director) / Hejduk, Renata (Committee member) / Barrett, The Honors College (Contributor) / The Design School (Contributor)
Created2023-05
ContributorsMoric, Avery (Author) / Underwood, Max (Thesis director) / Hejduk, Renata (Committee member) / Barrett, The Honors College (Contributor) / The Design School (Contributor)
Created2023-05
ContributorsMoric, Avery (Author) / Underwood, Max (Thesis director) / Hejduk, Renata (Committee member) / Barrett, The Honors College (Contributor) / The Design School (Contributor)
Created2023-05