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- All Subjects: Chamber music
Description
In order to cope with the decreasing availability of symphony jobs and collegiate faculty positions, many musicians are starting to pursue less traditional career paths. Also, to combat declining audiences, musicians are exploring ways to cultivate new and enthusiastic listeners through relevant and engaging performances. Due to these challenges, many community-based chamber music ensembles have been formed throughout the United States. These groups not only focus on performing classical music, but serve the needs of their communities as well. The problem, however, is that many musicians have not learned the business skills necessary to create these career opportunities. In this document I discuss the steps ensembles must take to develop sustainable careers. I first analyze how groups build a strong foundation through getting to know their communities and creating core values. I then discuss branding and marketing so ensembles can develop a public image and learn how to publicize themselves. This is followed by an investigation of how ensembles make and organize their money. I then examine the ways groups ensure long-lasting relationships with their communities and within the ensemble. I end by presenting three case studies of professional ensembles to show how groups create and maintain successful careers. Ensembles must develop entrepreneurship skills in addition to cultivating their artistry. These business concepts are crucial to the longevity of chamber groups. Through interviews of successful ensemble members and my own personal experiences in the Tetra String Quartet, I provide a guide for musicians to use when creating a community-based ensemble.
ContributorsDalbey, Jenna (Author) / Landschoot, Thomas (Thesis advisor) / McLin, Katherine (Committee member) / Ryan, Russell (Committee member) / Solis, Theodore (Committee member) / Spring, Robert (Committee member) / Arizona State University (Publisher)
Created2013
Description
American Primitive is a composition written for wind ensemble with an instrumentation of flute, oboe, clarinet, bass clarinet, alto, tenor, and baritone saxophones, trumpet, horn, trombone, euphonium, tuba, piano, and percussion. The piece is approximately twelve minutes in duration and was written September - December 2013. American Primitive is absolute music (i.e. it does not follow a specific narrative) comprising blocks of distinct, contrasting gestures which bookend a central region of delicate textural layering and minimal gestural contrast. Though three gestures (a descending interval followed by a smaller ascending interval, a dynamic swell, and a chordal "chop") were consciously employed throughout, it is the first gesture of the three that creates a sense of unification and overall coherence to the work. Additionally, the work challenges listeners' expectations of traditional wind ensemble music by featuring the trumpet as a quasi-soloist whose material is predominately inspired by transcriptions of jazz solos. This jazz-inspired material is at times mimicked and further developed by the ensemble, also often in a soloistic manner while the trumpet maintains its role throughout. This interplay of dialogue between the "soloists" and the "ensemble" further skews listeners' conceptions of traditional wind ensemble music by featuring almost every instrument in the ensemble. Though the term "American Primitive" is usually associated with the "naïve art" movement, it bears no association to the music presented in this work. Instead, the term refers to the author's own compositional attitudes, education, and aesthetic interests.
ContributorsJandreau, Joshua (Composer) / Rockmaker, Jody D (Thesis advisor) / Rogers, Rodney I (Committee member) / Demars, James R (Committee member) / Arizona State University (Publisher)
Created2014
Description
This project is a practical annotated bibliography of original works for oboe trio with the specific instrumentation of two oboes and English horn. Presenting descriptions of 116 readily available oboe trios, this project is intended to promote awareness, accessibility, and performance of compositions within this genre.
The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included.
Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work.
In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer's last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.
The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included.
Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work.
In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer's last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.
ContributorsSassaman, Melissa Ann (Author) / Schuring, Martin (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Hill, Gary (Committee member) / Arizona State University (Publisher)
Created2014
ContributorsPagano, Caio, 1940- (Performer) / Mechetti, Fabio (Conductor) / Buck, Elizabeth (Performer) / Schuring, Martin (Performer) / Spring, Robert (Performer) / Rodrigues, Christiano (Performer) / Landschoot, Thomas (Performer) / Rotaru, Catalin (Performer) / Avanti Festival Orchestra (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
Description
The Cosmic Microwave Background (CMB) has provided precise information on the evolution of the Universe and the current cosmological paradigm. The CMB has not yet provided definitive information on the origin and strength of any primordial magnetic fields or how they affect the presence of magnetic fields observed throughout the cosmos. This work outlines an alternative method to investigating and identifying the presence of cosmic magnetic fields. This method searches for Faraday Rotation (FR) and specifically uses polarized CMB photons as back-light. I find that current generation CMB experiments may be not sensitive enough to detect FR but next generation experiments should be able to make highly significant detections. Identifying FR with the CMB will provide information on the component of magnetic fields along the line of sight of observation.
The 21cm emission from the hyperfine splitting of neutral Hydrogen in the early universe is predicted to provide precise information about the formation and evolution of cosmic structure, complementing the wealth of knowledge gained from the CMB.
21cm cosmology is a relatively new field, and precise measurements of the Epoch of Reionization (EoR) have not yet been achieved. In this work I present 2σ upper limits on the power spectrum of 21cm fluctuations (Δ²(k)) probed at the cosmological wave number k from the Donald C. Backer Precision Array for Probing the Epoch of Reionization (PAPER) 64 element deployment. I find upper limits on Δ²(k) in the range 0.3 < k < 0.6 h/Mpc to be (650 mK)², (450 mK)², (390 mK)², (250 mK)², (280mK)², (250 mK)² at redshifts z = 10.87, 9.93, 8.91, 8.37, 8.13 and 7.48 respectively
Building on the power spectrum analysis, I identify a major limiting factor in detecting the 21cm power spectrum.
This work is concluded by outlining a metric to evaluate the predisposition of redshifted 21cm interferometers to foreground contamination in power spectrum estimation. This will help inform the construction of future arrays and enable high fidelity imaging and
cross-correlation analysis with other high redshift cosmic probes like the CMB and other upcoming all sky surveys. I find future
arrays with uniform (u,v) coverage and small spectral evolution of their response in the (u,v,f) cube can minimize foreground leakage while pursuing 21cm imaging.
The 21cm emission from the hyperfine splitting of neutral Hydrogen in the early universe is predicted to provide precise information about the formation and evolution of cosmic structure, complementing the wealth of knowledge gained from the CMB.
21cm cosmology is a relatively new field, and precise measurements of the Epoch of Reionization (EoR) have not yet been achieved. In this work I present 2σ upper limits on the power spectrum of 21cm fluctuations (Δ²(k)) probed at the cosmological wave number k from the Donald C. Backer Precision Array for Probing the Epoch of Reionization (PAPER) 64 element deployment. I find upper limits on Δ²(k) in the range 0.3 < k < 0.6 h/Mpc to be (650 mK)², (450 mK)², (390 mK)², (250 mK)², (280mK)², (250 mK)² at redshifts z = 10.87, 9.93, 8.91, 8.37, 8.13 and 7.48 respectively
Building on the power spectrum analysis, I identify a major limiting factor in detecting the 21cm power spectrum.
This work is concluded by outlining a metric to evaluate the predisposition of redshifted 21cm interferometers to foreground contamination in power spectrum estimation. This will help inform the construction of future arrays and enable high fidelity imaging and
cross-correlation analysis with other high redshift cosmic probes like the CMB and other upcoming all sky surveys. I find future
arrays with uniform (u,v) coverage and small spectral evolution of their response in the (u,v,f) cube can minimize foreground leakage while pursuing 21cm imaging.
ContributorsKolopanis, Matthew John (Author) / Bowman, Judd (Thesis advisor) / Mauskopf, Philip (Thesis advisor) / Lunardini, Cecilia (Committee member) / Chamberlin, Ralph (Committee member) / Vachaspati, Tanmay (Committee member) / Arizona State University (Publisher)
Created2018
ContributorsSchuring, Martin (Performer) / Stromberg, Eric (Performer) / Campbell, Andrew (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-08-19
ContributorsDe La Cruz, Nathaniel (Performer) / LoGiudice, Rosa (Contributor) / Tallino, Michael (Performer) / McKinch, Riley (Performer) / Li, Yuhui (Performer) / Armenta, Tyler (Contributor) / Gonzalez, David (Performer) / Jones, Tarin (Performer) / Ryall, Blake (Performer) / Senseman, Stephen (Performer)
Created2018-10-10
Description
The LOw Frequency ARray (LOFAR) is a new and innovative radio telescope designed and constructed by the Netherlands Institute for Radio Astronomy (ASTRON). LOFAR unique capable of operating in very low frequencies (10-240 MHz) and consists of an extensive interferometry array of dipole antenna stations distributed throughout the Netherlands and Europe which allows it to achieve superb angular resolution. I investigate a part of the northern sky to search for rare radio objects such as radio haloes and radio relics that may have not been able to have been resolved by other radio telescopes.
ContributorsNguyen, Dustin Dinh (Author) / Scannapieco, Evan (Thesis director) / Butler, Nathaniel (Committee member) / School of Earth and Space Exploration (Contributor) / Department of Physics (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
I test the hypothesis that galactic magnetic fields originate from regions of dense
star formation (Dahlem et al. 2006) by comparing maps of 120-240 MHz synchrotron emission and hydrogen alpha (Hα) emission of the tidally-interacting, edge-on, barred spiral galaxy UGC 9665. Synchrotron emission traces magnetic field strength to a rough first order, while Hα emission traces recent massive star formation. UGC 9665 was selected because it was included in the LOw Frequency ARray (LOFAR) TwoMetre Sky Survey (LoTSS; Shimwell et al. (2017)) as well as the Calar Alto Legacy Integral Field Area Survey (CALIFA; Sanchez et al. (2012)). I generated vertical intensity profiles at several distances along the disk from the galactic center for synchrotron emission and Hα in order to measure how the intensity of each falls off with distance from the midplane. In addition to correlating the vertical profiles to see if there is a relationship between star formation and magnetic field strength, I fit the LOFAR vertical profiles to characteristic Gaussian and exponential functions given by Dumke et al. (1995). Fitting these equations have been shown to be good indicators of the main mode of cosmic ray transport, whether it is advection (exponential fit) or diffusion (Gaussian fit) (Heesen et al. 2016). Cosmic rays originate from supernova,
and core collapse supernovae occur in star forming regions, which also produce
advective winds, so I test the correlation between star-forming regions and advective regions as predicted by the Heesen et al. (2016) method. Similar studies should be conducted on different galaxies in the future in order to further test these hypotheses and how well LOFAR and CALIFA complement each other, which will be made possible by the full release of the LOFAR Two-Metre Sky Survey (LoTSS) (Shimwell et al. 2017).
star formation (Dahlem et al. 2006) by comparing maps of 120-240 MHz synchrotron emission and hydrogen alpha (Hα) emission of the tidally-interacting, edge-on, barred spiral galaxy UGC 9665. Synchrotron emission traces magnetic field strength to a rough first order, while Hα emission traces recent massive star formation. UGC 9665 was selected because it was included in the LOw Frequency ARray (LOFAR) TwoMetre Sky Survey (LoTSS; Shimwell et al. (2017)) as well as the Calar Alto Legacy Integral Field Area Survey (CALIFA; Sanchez et al. (2012)). I generated vertical intensity profiles at several distances along the disk from the galactic center for synchrotron emission and Hα in order to measure how the intensity of each falls off with distance from the midplane. In addition to correlating the vertical profiles to see if there is a relationship between star formation and magnetic field strength, I fit the LOFAR vertical profiles to characteristic Gaussian and exponential functions given by Dumke et al. (1995). Fitting these equations have been shown to be good indicators of the main mode of cosmic ray transport, whether it is advection (exponential fit) or diffusion (Gaussian fit) (Heesen et al. 2016). Cosmic rays originate from supernova,
and core collapse supernovae occur in star forming regions, which also produce
advective winds, so I test the correlation between star-forming regions and advective regions as predicted by the Heesen et al. (2016) method. Similar studies should be conducted on different galaxies in the future in order to further test these hypotheses and how well LOFAR and CALIFA complement each other, which will be made possible by the full release of the LOFAR Two-Metre Sky Survey (LoTSS) (Shimwell et al. 2017).
ContributorsHuckabee, Gabriela R (Author) / Jansen, Rolf (Thesis director) / Windhorst, Rogier (Committee member) / Bowman, Judd (Committee member) / School of Earth and Space Exploration (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
Description
The Epoch of Reionization (EoR) is the period in the evolution of the universe during which neutral hydrogen was ionized by the first luminous sources, and is closely linked to the formation of structure in the early universe. The Hydrogen Epoch of Reionization Array (HERA) is a radio interferometer currently under construction in South Africa designed to study this era. Specifically, HERA is dedicated to studying the large-scale structure during the EoR and the preceding Cosmic Dawn by measuring the redshifted 21-cm line from neutral hydrogen. However, the 21-cm signal from the EoR is extremely faint relative to galactic and extragalactic radio foregrounds, and instrumental and environmental systematics make measuring the signal all the more difficult. Radio frequency interference (RFI) from terrestrial sources is one such systematic. In this thesis, we explore various methods of removing RFI from early science-grade HERA data and characterize the effects of different removal patterns on the final 21-cm power spectrum. In particular, we focus on the impact of masking narrowband signals, such as those characteristic of FM radio and aircraft or satellite communications, in the context of the algorithms currently used by the HERA collaboration for analysis.
ContributorsWhitler, Lily (Author) / Jacobs, Daniel (Thesis director) / Bowman, Judd (Committee member) / Beardsley, Adam (Committee member) / School of Mathematical and Statistical Sciences (Contributor) / Department of Physics (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05