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- Creators: Arizona State University
Description
Achievement of many long-term goals requires sustained practice over long durations. Examples include goals related to areas of high personal and societal benefit, such as physical fitness, which requires a practice of frequent exercise; self-education, which requires a practice of frequent study; or personal productivity, which requires a practice of performing work. Maintaining these practices can be difficult, because even though obvious benefits come with achieving these goals, an individual's willpower may not always be sufficient to sustain the required effort. This dissertation advocates addressing this problem by designing novel interfaces that provide people with new practices that are fun and enjoyable, thereby reducing the need for users to draw upon willpower when pursuing these long-term goals. To draw volitional usage, these practice-oriented interfaces can integrate key characteristics of existing activities, such as music-making and other hobbies, that are already known to draw voluntary participation over long durations. This dissertation makes several key contributions to provide designers with the necessary tools to create practice-oriented interfaces. First, it consolidates and synthesizes key ideas from fields such as activity theory, self-determination theory, HCI design, and serious leisure. It also provides a new conceptual framework consisting of heuristics for designing systems that draw new users, plus heuristics for making systems that will continue drawing usage from existing users over time. These heuristics serve as a collection of useful ideas to consider when analyzing or designing systems, and this dissertation postulates that if designers build these characteristics into their products, the resulting systems will draw more volitional usage. To demonstrate the framework's usefulness as an analytical tool, it is applied as a set of analytical lenses upon three previously-existing experiential media systems. To demonstrate its usefulness as a design tool, the framework is used as a guide in the development of an experiential media system called pdMusic. This system is installed at public events for user studies, and the study results provide qualitative support for many framework heuristics. Lastly, this dissertation makes recommendations to scholars and designers on potential future ways to examine the topic of volitional usage.
ContributorsWallis, Isaac (Author) / Ingalls, Todd (Thesis advisor) / Coleman, Grisha (Committee member) / Sundaram, Hari (Committee member) / Arizona State University (Publisher)
Created2013
DescriptionThe purpose of this project is to explore the influence of folk music in guitar compositions by Manuel Ponce from 1923 to 1932. It focuses on his Tres canciones populares mexicanas and Tropico and Rumba.
ContributorsGarcia Santos, Arnoldo (Author) / Koonce, Frank (Thesis advisor) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2014
Description
Despite the growth of technology in music composition and performance, professional clarinetists maintain that air microphones are superior to piezoelectric pickups. Pickups offer increased mobility, isolation, and reduced feedback, but air microphones are used simply for the perceived sound quality. In this study a ported barrel pickup and a contact transducer pickup placed at various intervals on the clarinet were sampled and compared to a reference recording to determine how the sound differed for each method. In addition, the history of wind instrument pickups, the acoustics of the clarinet, and the basics of piezoelectricity were discussed to help examine the results. The pickups were examined in three ways: overall level in decibels, frequency cutoff, and overtone displacement. Through these results it was determined that the most accurate methods of clarinet pickup are the ported barrel pickup, contact transducers closer to the vibration of the reed such as the ligature or barrel surface, or a transducer placed at the end of the bell. These findings were consistent with the discussions regarding history, clarinet acoustics, and piezoelectricity. This study also produced a reference for the sounds associated with different pickup methods, as well as possible improvements for clarinet pickup design.
ContributorsEnglert, Patrick William (Author) / Spring, Robert S (Thesis advisor) / Gardner, Joshua T (Thesis advisor) / Caslor, Jason (Committee member) / Rogers, Rodney (Committee member) / Arizona State University (Publisher)
Created2018
Description
For the last 10 years, the American Southwest has been experiencing the most persistent drought conditions on record. Based on future climactic predictions, there is a dire need to reduce water usage within Phoenix. An environmentally responsible behavior such as low water use landscaping (xeriscaping), has been shown to reduce household water consumption by 40%-70%. While much is known regarding the relationship between socio-demographics and xeriscaping choices, the influence of other variables remains to be explored. Using data from the 2017 Phoenix Area Social Survey, this study investigates the influence of two additional variables - ecological worldview and place identity on xeriscaping choice. Data was analyzed using two models - Ordinary Least Squares (OLS) and Linear Probability Model (LPM). Ecological worldview and place identity, along with income, ethnicity, and gender, were all found to be positively related to xeriscape preference. Additionally, when compared to the LPM, the traditional OLS was found to still be the most robust and appropriate model when measuring landscape preference. Finally, results suggested that programs to foster identity with the local desert mountain parks may help to increase xeriscaping in the Valley and thus lower residential water use.
ContributorsSampson, Marena (Author) / Budruk, Megha (Thesis advisor) / Larson, Kelli (Committee member) / Gall, Melanie (Committee member) / Arizona State University (Publisher)
Created2018
Description
As a result of growing populations and uncertain resource availability, urban areas are facing pressure from federal and state agencies, as well as residents, to promote conservation programs that provide services for people and mitigate environmental harm. Current strategies in US cities aim to reduce the impact of municipal and household resource use, including programs to promote water conservation. One common conservation program incentivizes the replacement of water-intensive turfgrass lawns with landscapes that use less water consisting of interspersed drought-tolerant shrubs and trees with rock or mulch groundcover (e.g. xeriscapes, rain gardens, water-wise landscapes). A handful of previous studies in experimental landscapes have shown that converting a turfgrass yard to a shrub-dominated landscape has the potential to increase rates of nitrate (NO3-) leaching. However, no studies have examined the drivers or patterns across diverse management practices. In this research, I compared soil nutrient retention and cycling in turfgrass and lawn-alternative xeriscaped yards along a chronosequence of time since land cover change in Tempe, Arizona, in the semi-arid US Southwest. Soil inorganic extractable nitrogen (N) pools were greater in xeriscapes compared to turfgrass lawns. On average xeriscapes contained 2.5±0.4 g NO3--N/m2 in the first 45 cm of soil, compared to 0.6±0.7 g NO3--N/m2 in lawns. Soil NO3--N pools in xeriscaped yards also varied significantly with time: pools were largest 9-13 years after cover change and declined to levels comparable to turfgrass at 18-21 years. Variation in soil extractable NO3--N with landscape age was strongly influenced by management practices that control soil water availability, including shrub cover, the presence of sub-surface plastic sheeting, and the frequency of irrigation. This research is the first to explore the ecological outcomes and temporal dynamics of an increasingly common, ‘sustainable’ land use practice that is universally promoted in US cities. Our findings show that transitioning from turfgrass to water-efficient residential landscaping can lead to an accumulation of NO3--N that may be lost from the soil rooting zone over time, through leaching following irrigation or rainfall. These results have implications for best management practices to optimize the benefits of water-conserving residential yards.
ContributorsHeavenrich, Hannah (Author) / Hall, Sharon J (Thesis advisor) / Larson, Kelli L (Committee member) / Potaki, Diane E (Committee member) / Arizona State University (Publisher)
Created2015
ContributorsSeelye, Todd (Performer) / ASU Library. Music Library (Publisher)
Created1995-03-03
ContributorsCosand, Walter, 1950- (Performer) / Hackbarth, Glenn, 1949- (Performer) / Fulmer, Mimi (Performer) / Gresham, Ann (Performer) / Hunter, Laura (Performer) / Seelye, Todd (Performer) / New Music Ensemble (Performer) / ASU Library. Music Library (Publisher)
Created1989-04-26
Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013
Description
Electronic music, including the subgenre of interactive electronic music, has a century-old history and has established itself as a vital and important element of modern music cultures throughout the world. Acoustic musicians in the twenty-first century will be expected to perform and interact with electronic music. Currently, however, few resources are available to either the student or teacher to help advancing young musicians develop their skills working with electronic musical components. A considerable amount of electronic music is prohibitive due to cost, access to equipment, and degree of difficulty. Therefore, a set of works designed to specifically reduce these prohibitive costs seems necessary. As a performer/composer that plays clarinet and as an electronic musician that regularly utilizes the open-source programming software Pure Data (Pd), I feel my composing, performing, and technical experience uniquely positions me to create educational materials. For this project, I will compose/program a collection of electronic etudes for clarinet and electronics that: (1) utilizes Pd to provide electronic accompaniment, (2) is composed for clarinetists of varying experience levels, (3) and will be commercially available as electronic PDF and Pd files.
ContributorsBennett, Joshua (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Moon, Barry (Committee member) / Arizona State University (Publisher)
Created2020
ContributorsSeelye, Todd (Performer) / ASU Library. Music Library (Publisher)
Created1995-03-04