Matching Items (385)
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Description
The end of the nineteenth century was an exhilarating and revolutionary era for the flute. This period is the Second Golden Age of the flute, when players and teachers associated with the Paris Conservatory developed what would be considered the birth of the modern flute school. In addition, the founding

The end of the nineteenth century was an exhilarating and revolutionary era for the flute. This period is the Second Golden Age of the flute, when players and teachers associated with the Paris Conservatory developed what would be considered the birth of the modern flute school. In addition, the founding in 1871 of the Société Nationale de Musique by Camille Saint-Saëns (1835-1921) and Romain Bussine (1830-1899) made possible the promotion of contemporary French composers. The founding of the Société des Instruments à Vent by Paul Taffanel (1844-1908) in 1879 also invigorated a new era of chamber music for wind instruments. Within this groundbreaking environment, Mélanie Hélène Bonis (pen name Mel Bonis) entered the Paris Conservatory in 1876, under the tutelage of César Franck (1822-1890). Many flutists are dismayed by the scarcity of repertoire for the instrument in the Romantic and post-Romantic traditions; they make up for this absence by borrowing the violin sonatas of Gabriel Fauré (1845-1924) and Franck. The flute and piano works of Mel Bonis help to fill this void with music composed originally for flute. Bonis was a prolific composer with over 300 works to her credit, but her works for flute and piano have not been researched or professionally recorded in the United States before the present study. Although virtually unknown today in the American flute community, Bonis's music received much acclaim from her contemporaries and deserves a prominent place in the flutist's repertoire. After a brief biographical introduction, this document examines Mel Bonis's musical style and describes in detail her six works for flute and piano while also offering performance suggestions.
ContributorsDaum, Jenna Elyse (Author) / Buck, Elizabeth (Thesis advisor) / Holbrook, Amy (Committee member) / Micklich, Albie (Committee member) / Schuring, Martin (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsMatthews, Eyona (Performer) / Yoo, Katie Jihye (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-25
ContributorsHoeckley, Stephanie (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-24
ContributorsMcClain, Katelyn (Performer) / Buringrud, Deanna (Contributor) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-31
ContributorsHur, Jiyoun (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-01
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Description
ABSTRACT

Although the US government has been using remotely piloted aircraft (RPA), more commonly referred to as drones, to conduct military strikes against terrorists and insurgents since at least 2001, only around 2011 did media outlets and polling organizations began assessing the attitudes of Americans towards

ABSTRACT

Although the US government has been using remotely piloted aircraft (RPA), more commonly referred to as drones, to conduct military strikes against terrorists and insurgents since at least 2001, only around 2011 did media outlets and polling organizations began assessing the attitudes of Americans towards the use of drones as a weapon of war. Initially, public support for drone strikes was robust with nearly 70 percent of Americans expressing approval. As the discussion of drone strikes intensified however, public support declined over 10 percentage points.

Only a handful of studies have examined public opinion and drone strikes, and all have focused exclusively on explaining support. This study seeks to fill this gap in the literature and explain opposition to drone strikes. The primary argument put forth in this dissertation is that people’s beliefs determine their opinions, and their morality determines their beliefs. Although independent opinion formation is often considered a cognitive process, I argue that, at least in the case of drone strikes, the opinion formation process is largely an affective one.

By examining media coverage and elite discourse surrounding drone strikes, I isolate three narratives which I believe communicate certain messages to the public regarding drone strikes. I argue that the messages produced by elite discourse and disseminated by the media to the public are only influential on opinion formation once they have been converted to beliefs. I further argue that conversion of message to belief is largely dependent on individual moral attitudes.

To test my arguments, I conduct a survey-experiment using subjects recruited from Arizona State University’s School of Politics and Global Studies student subject pool. My research findings lead to two key conclusions. First, opposition to drone strikes is largely the product of the belief(s) that drone strikes are not necessary for protecting the United States from terrorist attack, and that drone strikes kill more civilians than do strikes from conventional aircraft. Second, whether an individual expresses support or opposition to drone strikes, moral attitudes are a relatively good predictor of both beliefs and disposition.
ContributorsDavis, Christopher Todd (Author) / Wood, Reed (Thesis advisor) / Fridkin, Kim (Committee member) / Kubiak, Jeffrey (Committee member) / Wright, Thorin (Committee member) / Arizona State University (Publisher)
Created2019
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Description
The foundations of legacy media, especially the news media, are not as strong as they once were. A digital revolution has changed the operation models for and journalistic organizations are trying to find their place in the new market. This project is intended to analyze the effects of new/emerging technologies

The foundations of legacy media, especially the news media, are not as strong as they once were. A digital revolution has changed the operation models for and journalistic organizations are trying to find their place in the new market. This project is intended to analyze the effects of new/emerging technologies on the journalism industry. Five different categories of technology will be explored. They are as follows: the semantic web, automation software, data analysis and aggregators, virtual reality and drone journalism. The potential of these technologies will be broken up according to four guidelines, ethical implications, effects on the reportorial process, business impacts and changes to the consumer experience. Upon my examination, it is apparent that no single technology will offer the journalism industry the remedy it has been searching for. Some combination of emerging technologies however, may form the basis for the next generation of news. Findings are presented on a website that features video, visuals, linked content, and original graphics. Website found at http://www.explorenewstech.com/
Created2016-05
ContributorsZaleski, Kimberly (Contributor) / Kazarian, Trevor (Performer) / Ryan, Russell (Performer) / IN2ATIVE (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-28
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Description
The goal of this project is to use an open-source solution to implement a drone Cyber-Physical System that can fly autonomously and accurately. The proof-of-concept to analyze the drone's flight capabilities is to fly in a pattern corresponding to the outline of an image, a process that requires both stability

The goal of this project is to use an open-source solution to implement a drone Cyber-Physical System that can fly autonomously and accurately. The proof-of-concept to analyze the drone's flight capabilities is to fly in a pattern corresponding to the outline of an image, a process that requires both stability and precision to accurately depict the image. In this project, we found that building a Cyber-Physical System is difficult because of the tedious and complex nature of designing and testing the hardware and software solutions of this system. Furthermore, we reflect on the difficulties that arose from using open-source hardware and software.
ContributorsDedinsky, Rachel (Co-author) / Lubbers, Harrison James (Co-author) / Shrivastava, Aviral (Thesis director) / Dougherty, Ryan (Committee member) / Computer Science and Engineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
ContributorsDelaney, Erin (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-18