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- All Subjects: Clarinet and piano music
Description
Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsBurton, Charlotte (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-08
Description
Though some scholars have written about place and history, few have pursued the use of place theory in length in relation to the connections between race, religion, and national identity. Using the writings in the United States and Louisiana in the years surrounding the Louisiana Purchase, I explore place-making and othering processes. U.S. leaders influenced by the Second Great Awakening viewed New Orleans as un-American in its religion and seemingly ambiguous race relations. New Orleanian Catholics viewed the U.S. as an aggressively Protestant place that threatened the stability of the Catholic Church in the Louisiana Territory. Both Americans and New Orleanians constructed the place identities of the other in relation to events in Europe and the Caribbean, demonstrating that places are constructed in relation to one another. In order to elucidate these dynamics, I draw on place theory, literary analysis, and historical anthropology in analyzing the letters of W.C.C. Claiborne, the first U.S. governor of the Louisiana Territory, in conjunction with sermons of prominent Protestant ministers Samuel Hopkins and Jedidiah Morse, a letter written by Ursuline nun Sister Marie Therese de St. Xavior Farjon to Thomas Jefferson, and George Washington Cable's Reconstruction era novel The Grandissimes. All of these parties used the notion of place to create social fact that was bound up with debates about race and anti-Catholic sentiments. Furthermore, their treatments of place demonstrate concerns for creating, or resisting absorption by, a New Republic that was white and Protestant. Place theory proves useful in clarifying how Americans and New Orleanians viewed the Louisiana Purchase as well as the legacy of those ideas. It demonstrates the ways in which the U.S. defined itself in contradistinction to religious others. Limitations arise, however, depending on the types of sources historians use. While official government letters reveal much when put into the context of the trends in American religion at the turn of the nineteenth century, they are not as clearly illuminating as journals and novels. In these genres, authors provide richer detail from which historians can try to reconstruct senses of place.
ContributorsBilinsky, Stephanie (Author) / Fessenden, Tracy (Thesis advisor) / Moore, Moses (Committee member) / Feldhaus, Anne (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsDruesedow, Elizabeth (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
Description
This dissertation focuses on the development of two communities of women religious beginning in the early nineteenth century: the Sisters of Charity of Nazareth, founded in 1812, and the Sisters of Charity of Cincinnati, who arrived in Ohio in 1829 and became a diocesan community in 1852. Although administratively separate, these two apostolic communities shared a charism of service to the poor in the tradition of St. Vincent de Paul. The history of these two communities demonstrates the overlapping worlds women religious inhabited: their personal faith, their community life, their place in the Catholic Church, and their place in the regions where they lived. These women were often met with admiration as they formed necessary social institutions such as schools, hospitals, and orphanages that provided services to all religious denominations.
Sisters’ active engagement with their local communities defied anti-Catholic stereotypes at the time and created significant public roles for women. The skills needed to create and maintain successful social institutions demonstrate that these women were well-educated, largely self-sufficient, competent fundraisers, and well-liked by the Catholics and Protestants alike that they served. This dissertation argues for the importance of acknowledging and analyzing this tension: as celibate, educated women who used their skills for lifelong public service, the Sisters of Charity were clearly exceptional figures among nineteenth century women, though they did not challenge the gendered hierarchies of their church or American society.
To further understand this tension, this dissertation utilizes several cases studies of conflicts between sisters and their superiors in each community to examine the extent of their influence in deciding their community’s current priorities and planning for the future. These case studies demonstrate that obedience did not have a fixed definition but is better understood instead as dynamic and situational between multiple locations and circumstances. These findings concerning gender, labor, institution and community building, and the growth of American Catholicism highlight the integral role that women and religion played in the antebellum era.
Sisters’ active engagement with their local communities defied anti-Catholic stereotypes at the time and created significant public roles for women. The skills needed to create and maintain successful social institutions demonstrate that these women were well-educated, largely self-sufficient, competent fundraisers, and well-liked by the Catholics and Protestants alike that they served. This dissertation argues for the importance of acknowledging and analyzing this tension: as celibate, educated women who used their skills for lifelong public service, the Sisters of Charity were clearly exceptional figures among nineteenth century women, though they did not challenge the gendered hierarchies of their church or American society.
To further understand this tension, this dissertation utilizes several cases studies of conflicts between sisters and their superiors in each community to examine the extent of their influence in deciding their community’s current priorities and planning for the future. These case studies demonstrate that obedience did not have a fixed definition but is better understood instead as dynamic and situational between multiple locations and circumstances. These findings concerning gender, labor, institution and community building, and the growth of American Catholicism highlight the integral role that women and religion played in the antebellum era.
ContributorsRomero, Jacqueline Elizabeth (Author) / O'Donnell, Catherine (Thesis advisor) / Gray, Susan (Committee member) / Lim, Julian (Committee member) / Fraser Connolly, Mary Beth (Committee member) / Arizona State University (Publisher)
Created2019
Description
During the time when contemporary feminism was gaining ground in the West, the Magisterium of the Roman Catholic Church promulgated the encyclical Mulieris Dignitatem (1988), articulating the Church's understanding of women to a culture in crisis. More than twenty-five years post-promulgation of the document, complex questions still linger on the international stage in the realm of femininity, motherhood, and the vocations of women in the world today. While several voices compete to answer these questions, the Catholic Church offers her expert understanding of woman \u2014 indeed, of the human person \u2014 rooted in over 2,000 years of Scripture and tradition \u2014 a comprehensive, life-giving anthropology at the service of Jesus Christ and humanity. In the face of a radically relativistic, ever-evolving culture that continuously presents new challenges and questions, we have the responsibility to assimilate St. John Paul II's teaching in Mulieris Dignitatem in order to cross new thresholds, to further a theology of femininity and "feminism" that all persons can embrace. This thesis examines these crucial issues through the lens of the Church's expertise, the example of the Blessed Virgin Mary, as well as the strengths and challenges of the encyclical, arriving at the conclusion that women bear the greater part in redeeming culture through a renewal of authentic femininity.
ContributorsOtlewski, Maggie Elizabeth (Author) / Strafaci, Christina (Thesis director) / Barker, David (Committee member) / Barrett, The Honors College (Contributor) / Department of Psychology (Contributor)
Created2015-05
Description
"On Music Videos" is an exploration of music videos, particularly narrative ones. As such, a brief history of the music video and its genres are examined. Ideas about narrative are also discussed through descriptions of what is meant by "story," based on theories from Pixar animators as well as author J.R.R. Tolkien. The connections between how story fits with music videos is then outlined. From this background research one is able to analyze examples of existing narrative music videos, before applying this knowledge and reflecting on the process of creating a narrative music video.
ContributorsNguyen, Melissa M (Author) / Finn, Ed (Thesis director) / Simeone, Michael (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor) / School of Arts, Media and Engineering (Contributor)
Created2015-05
Description
This thesis is a study of the potential of the contemporary Catholic church building in suburban Phoenix. The project seeks to develop a church that responds to the values of Pope Francis and to typical suburban development issues of modern cities. Through research, case studies, writing, and design, the project makes proposals about how our churches should be designed and built today and in the future.
ContributorsDuplantier, Rene Roy (Author) / Underhill, Michael (Thesis director) / Hejduk, Renata (Committee member) / Debartolo, Jack (Committee member) / The Design School (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016