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- All Subjects: Songs (High voice) with piano
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
Description
Contemporary Christian American politicians have diverse identities when integrating their faith with their political ideology and have developed their worldviews and interpretive schemas and have defended, enacted, and given meaning to their positions, knowingly or unknowingly. There are two distinct theoretical clusters which are a result of an already existing dichotomy. This ideological divide happens along the philosophical notions of individualism or communitarianism, libertarianism or egalitarianism, capitalism or collectivism, literalism or hermeneutics, orthodoxy or praxis. One cluster, Institutional Christianity, exerts a dominating influence on the political and cultural landscape in the US, particularly during the last ten years, and could be considered a hegemonic discourse; while the other, Natural Christianity, serves as the counter-hegemony within a political landscape characterized by a two party system. This study explores the relationship of these dichotomous clusters with contemporary Arizona Christian politicians. Using a phenomenological, qualitative study, interviewing sixteen Arizona Christian politicians, this study yielded ten themes, and binary meaning units within each theme, that describe the essence of politicians' faith and political behavior as they intersect. Finally, this study found, as reported by each subject, what political perspectives generally created a sense of dissonance with one's faith and what perspective exhibited a unified sense of congruence with their faith and political behavior.
ContributorsAbleser, Edward (Author) / Gomez, Alan (Thesis advisor) / Oliverio, Annamaria (Committee member) / Herrera, Richard (Committee member) / Arizona State University (Publisher)
Created2014
Description
This work examines the spectrum of Christian attitudes toward yoga as demonstrative of contemporary religious imagination in recent United States history. With the booming commodification of yoga as exercise, the physical and mental elements of yoga practice are made safely secular by disassociation from their ostensible religious roots. Commonly deployed phrases, "Yoga is not a religion," or even, "Yoga is a science," open a broad invitation. But the very need for this clarification illustrates yoga's place in the United States as a borderline signifier for spirituality. Vocal concern by both Christians and Hindus demonstrates the tension between perceptions of yoga as a secular commodity and yoga as religiously beget. Alternatively embracing and rejecting yoga's religious history, Christian yoga practitioners reframe and rejoin yoga postures and breathing into their lives of faith. Some proponents name their practice Christian Yoga.
Christian Yoga flourishes as part of contemporary religious and spiritual discourse and practice in books, instructional DVDs, websites and studios throughout the United States. Christian Yoga proponents, professional and lay theologians alike, highlight the diversity of American attitudes toward and understanding of yoga and the heterogeneity of Christianity. For religious studies scholars, Christian Yoga advocates and detractors provide an opportune focal point for inquiry into the evolution of spiritual practice, the dynamics of tradition, experience and authority, and the dialectic nature of evolving cultural attitudes in a religiously plural and complex secular environment.
Christian Yoga flourishes as part of contemporary religious and spiritual discourse and practice in books, instructional DVDs, websites and studios throughout the United States. Christian Yoga proponents, professional and lay theologians alike, highlight the diversity of American attitudes toward and understanding of yoga and the heterogeneity of Christianity. For religious studies scholars, Christian Yoga advocates and detractors provide an opportune focal point for inquiry into the evolution of spiritual practice, the dynamics of tradition, experience and authority, and the dialectic nature of evolving cultural attitudes in a religiously plural and complex secular environment.
ContributorsWilken, Jennifer (Author) / Fessenden, Tracy (Thesis advisor) / Cady, Linell (Committee member) / Gereboff, Joel (Committee member) / Arizona State University (Publisher)
Created2014
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
Description
This study analyzes competing forms of Protestant Christianity within the Bible Belt of the Upper South (Kentucky, Tennessee, and North Carolina). On one hand, a conservative “culture war” version of Christianity has dominated the South, and deeply influenced national politics, for almost fifty years. This form of Christianity is predicated on white supremacy and heteropatriarchy and regulates religious, as well as sexual, gender, and racial norms. On the other hand, an emerging movement of those once socialized in the culture war version of Protestantism is now reconfiguring the regional traditions. Through ethnographic fieldwork, qualitative interviews, and historical analysis, this study explores the ways these post-culture war Christians are navigating and negotiating relations with family, church, and politics and society more broadly. This work argues that Protestantism in the Upper South is being re-landscaped from the inside by individuals staying within the tradition who seek to reorient regional, national and religious identities. This study goes beyond generalizations about changes in American religion to shed light on the specific motivations, conflicts and dynamics inherent in shifts in lived religion in this particular region. In so doing it also contributes to deeper understanding of processes of religious change more generally.
ContributorsShoemaker, Terry (Author) / Cady, Linell (Thesis advisor) / Gereboff, Joel (Committee member) / Bennett, Gaymon (Committee member) / Arizona State University (Publisher)
Created2018