Matching Items (4)
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- All Subjects: perception
- Genre: Academic theses
- Creators: Mcbeath, Michael K
- Member of: Theses and Dissertations
- Status: Published
Description
Knowing that disorder is related to crime, it has become essential for criminologists to understand how and why certain individuals perceive disorder. Using data from the Perceptions of Neighborhood Disorder and Interpersonal Conflict Project, this study uses a fixed photograph of a neighborhood, to assess whether individuals "see" disorder cues. A final sample size of n=815 respondents were asked to indicate if they saw particular disorder cues in the photograph. The results show that certain personal characteristics do predict whether an individual sees disorder. Because of the experimental design, results are a product of the individual's personal characteristics, not of the respondent's neighborhood. These findings suggest that the perception of disorder is not as clear cut as once thought. Future research should explore what about these personal characteristics foster the perception of disorder when it is not present, as well as, how to fight disorder in neighborhoods when perception plays such a substantial role.
ContributorsScott, Christopher (Author) / Wallace, Danielle (Thesis advisor) / Katz, Charles (Committee member) / Ready, Justin (Committee member) / Arizona State University (Publisher)
Created2013
Description
Auditory scene analysis (ASA) is the process through which listeners parse and organize their acoustic environment into relevant auditory objects. ASA functions by exploiting natural regularities in the structure of auditory information. The current study investigates spectral envelope and its contribution to the perception of changes in pitch and loudness. Experiment 1 constructs a perceptual continuum of twelve f0- and intensity-matched vowel phonemes (i.e. a pure timbre manipulation) and reveals spectral envelope as a primary organizational dimension. The extremes of this dimension are i (as in “bee”) and Ʌ (“bun”). Experiment 2 measures the strength of the relationship between produced f0 and the previously observed phonetic-pitch continuum at three different levels of phonemic constraint. Scat performances and, to a lesser extent, recorded interviews were found to exhibit changes in accordance with the natural regularity; specifically, f0 changes were correlated with the phoneme pitch-height continuum. The more constrained case of lyrical singing did not exhibit the natural regularity. Experiment 3 investigates participant ratings of pitch and loudness as stimuli vary in f0, intensity, and the phonetic-pitch continuum. Psychophysical functions derived from the results reveal that moving from i to Ʌ is equivalent to a .38 semitone decrease in f0 and a .75 dB decrease in intensity. Experiment 4 examines the potentially functional aspect of the pitch, loudness, and spectral envelope relationship. Detection thresholds of stimuli in which all three dimensions change congruently (f0 increase, intensity increase, Ʌ to i) or incongruently (no f0 change, intensity increase, i to Ʌ) are compared using an objective version of the method of limits. Congruent changes did not provide a detection benefit over incongruent changes; however, when the contribution of phoneme change was removed, congruent changes did offer a slight detection benefit, as in previous research. While this relationship does not offer a detection benefit at threshold, there is a natural regularity for humans to produce phonemes at higher f0s according to their relative position on the pitch height continuum. Likewise, humans have a bias to detect pitch and loudness changes in phoneme sweeps in accordance with the natural regularity.
ContributorsPatten, K. Jakob (Author) / Mcbeath, Michael K (Thesis advisor) / Amazeen, Eric L (Committee member) / Glenberg, Arthur W (Committee member) / Zhou, Yi (Committee member) / Arizona State University (Publisher)
Created2017
Description
Research has demonstrated observers have a generic bias for top saliency in object identification, such that random shapes appear more similar to ones that share the same tops versus same bottoms (Chambers et al., 1999). These findings are consistent with the idea that in nature, the tops of most important objects and living things tend to be the most informative locations with respect to intentionality and functionality, leading observers to favor attending to top. Yet, such a bias also may imply a generic downward vantage bias, suggesting that unlike natural objects, the more informative aspects of scenes tend to lie below their horizon midpoints. In two experiments, saliency bias was investigated for objects and scenes with both information-balanced and naturalistic stimuli. Experiment 1 replicates and extends the study of the top-saliency effect for information-balanced objects. Here 91 participants made 80 similarity judgments between an information-balanced object and two comparison objects that contain either the same top or the same bottom. Participants also made 80 similarity judgments of information-balanced scenes in which the coordinates of the vertices of the random shapes were replaced with little objects to create a scene. Experiment 2 extends Chambers et al. (1999) by examining top-saliency bias in naturalistic object perception when 91 participants made similarity judgments between a photographed test object and two comparison objects which contain either the same top or the same bottom. Experiment 2 also tests the idea of a downward vantage bias by predicting that naturalistic scenes will be judged more similar when the portions that lie below the horizon are identical versus when the portions above are the same. Results of the two experiments confirm that observers tend to assume a downward vantage when viewing pictures of objects and objects within scenes, which supports that saliency varies as a function of the informative aspect of the visually attended component.
ContributorsLangley, Matthew (Author) / Mcbeath, Michael K (Thesis advisor) / Brewer, Gene A (Committee member) / Lucca, Kelsey (Committee member) / Arizona State University (Publisher)
Created2021
Description
Color perception has been widely studied and well modeled with respect to combining visible electromagnetic frequencies, yet new technology provides the means to better explore and test novel temporal frequency characteristics of color perception. Experiment 1 tests how reliably participants categorize static spectral rainbow colors, which can be a useful tool for efficiently identifying those with functional dichromacy, trichromacy, and tetrachromacy. The findings confirm that all individuals discern the four principal opponent process colors, red, yellow, green, and blue, with normal and potential tetrachromats seeing more distinct colors than color blind individuals. Experiment 2 tests the moving flicker fusion rate of the central electromagnetic frequencies within each color category found in Experiment 1 as a test of the Where system. It then compares this to the maximum temporal processing rate for discriminating direction of hue change with colors displayed serially as a test of the What system. The findings confirm respective processing thresholds of about 20 Hz for Where and 2-7 Hz for What processing systems. Experiment 3 tests conditions that optimize false colors based on the spinning Benham’s Top illusion. Findings indicate the same four principal colors emerge as in Experiment 1, but at low saturation levels for trichromats that diminish further for dichromats. Taken together, the three experiments provide an overview of the common categorical boundaries and temporal processing limits of human color vision.
ContributorsKrynen, Richard Chandler (Author) / Mcbeath, Michael K (Thesis advisor) / Homa, Donald (Committee member) / Newman, Nathan (Committee member) / Stone, Greg (Committee member) / Arizona State University (Publisher)
Created2021