Matching Items (5)
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- All Subjects: perception
- All Subjects: Movement Planning
- Creators: Mcbeath, Michael K
Description
Auditory scene analysis (ASA) is the process through which listeners parse and organize their acoustic environment into relevant auditory objects. ASA functions by exploiting natural regularities in the structure of auditory information. The current study investigates spectral envelope and its contribution to the perception of changes in pitch and loudness. Experiment 1 constructs a perceptual continuum of twelve f0- and intensity-matched vowel phonemes (i.e. a pure timbre manipulation) and reveals spectral envelope as a primary organizational dimension. The extremes of this dimension are i (as in “bee”) and Ʌ (“bun”). Experiment 2 measures the strength of the relationship between produced f0 and the previously observed phonetic-pitch continuum at three different levels of phonemic constraint. Scat performances and, to a lesser extent, recorded interviews were found to exhibit changes in accordance with the natural regularity; specifically, f0 changes were correlated with the phoneme pitch-height continuum. The more constrained case of lyrical singing did not exhibit the natural regularity. Experiment 3 investigates participant ratings of pitch and loudness as stimuli vary in f0, intensity, and the phonetic-pitch continuum. Psychophysical functions derived from the results reveal that moving from i to Ʌ is equivalent to a .38 semitone decrease in f0 and a .75 dB decrease in intensity. Experiment 4 examines the potentially functional aspect of the pitch, loudness, and spectral envelope relationship. Detection thresholds of stimuli in which all three dimensions change congruently (f0 increase, intensity increase, Ʌ to i) or incongruently (no f0 change, intensity increase, i to Ʌ) are compared using an objective version of the method of limits. Congruent changes did not provide a detection benefit over incongruent changes; however, when the contribution of phoneme change was removed, congruent changes did offer a slight detection benefit, as in previous research. While this relationship does not offer a detection benefit at threshold, there is a natural regularity for humans to produce phonemes at higher f0s according to their relative position on the pitch height continuum. Likewise, humans have a bias to detect pitch and loudness changes in phoneme sweeps in accordance with the natural regularity.
ContributorsPatten, K. Jakob (Author) / Mcbeath, Michael K (Thesis advisor) / Amazeen, Eric L (Committee member) / Glenberg, Arthur W (Committee member) / Zhou, Yi (Committee member) / Arizona State University (Publisher)
Created2017
Description
Previous studies have found that the detection of near-threshold stimuli is decreased immediately before movement and throughout movement production. This has been suggested to occur through the use of the internal forward model processing an efferent copy of the motor command and creating a prediction that is used to cancel out the resulting sensory feedback. Currently, there are no published accounts of the perception of tactile signals for motor tasks and contexts related to the lips during both speech planning and production. In this study, we measured the responsiveness of the somatosensory system during speech planning using light electrical stimulation below the lower lip by comparing perception during mixed speaking and silent reading conditions. Participants were asked to judge whether a constant near-threshold electrical stimulation (subject-specific intensity, 85% detected at rest) was present during different time points relative to an initial visual cue. In the speaking condition, participants overtly produced target words shown on a computer monitor. In the reading condition, participants read the same target words silently to themselves without any movement or sound. We found that detection of the stimulus was attenuated during speaking conditions while remaining at a constant level close to the perceptual threshold throughout the silent reading condition. Perceptual modulation was most intense during speech production and showed some attenuation just prior to speech production during the planning period of speech. This demonstrates that there is a significant decrease in the responsiveness of the somatosensory system during speech production as well as milliseconds before speech is even produced which has implications for speech disorders such as stuttering and schizophrenia with pronounced deficits in the somatosensory system.
ContributorsMcguffin, Brianna Jean (Author) / Daliri, Ayoub (Thesis director) / Liss, Julie (Committee member) / Department of Psychology (Contributor) / School of Life Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05
Description
Previous research has shown that a loud acoustic stimulus can trigger an individual's prepared movement plan. This movement response is referred to as a startle-evoked movement (SEM). SEM has been observed in the stroke survivor population where results have shown that SEM enhances single joint movements that are usually performed with difficulty. While the presence of SEM in the stroke survivor population advances scientific understanding of movement capabilities following a stroke, published studies using the SEM phenomenon only examined one joint. The ability of SEM to generate multi-jointed movements is understudied and consequently limits SEM as a potential therapy tool. In order to apply SEM as a therapy tool however, the biomechanics of the arm in multi-jointed movement planning and execution must be better understood. Thus, the objective of our study was to evaluate if SEM could elicit multi-joint reaching movements that were accurate in an unrestrained, two-dimensional workspace. Data was collected from ten subjects with no previous neck, arm, or brain injury. Each subject performed a reaching task to five Targets that were equally spaced in a semi-circle to create a two-dimensional workspace. The subject reached to each Target following a sequence of two non-startling acoustic stimuli cues: "Get Ready" and "Go". A loud acoustic stimuli was randomly substituted for the "Go" cue. We hypothesized that SEM is accessible and accurate for unrestricted multi-jointed reaching tasks in a functional workspace and is therefore independent of movement direction. Our results found that SEM is possible in all five Target directions. The probability of evoking SEM and the movement kinematics (i.e. total movement time, linear deviation, average velocity) to each Target are not statistically different. Thus, we conclude that SEM is possible in a functional workspace and is not dependent on where arm stability is maximized. Moreover, coordinated preparation and storage of a multi-jointed movement is indeed possible.
ContributorsOssanna, Meilin Ryan (Author) / Honeycutt, Claire (Thesis director) / Schaefer, Sydney (Committee member) / Harrington Bioengineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
Description
Research has demonstrated observers have a generic bias for top saliency in object identification, such that random shapes appear more similar to ones that share the same tops versus same bottoms (Chambers et al., 1999). These findings are consistent with the idea that in nature, the tops of most important objects and living things tend to be the most informative locations with respect to intentionality and functionality, leading observers to favor attending to top. Yet, such a bias also may imply a generic downward vantage bias, suggesting that unlike natural objects, the more informative aspects of scenes tend to lie below their horizon midpoints. In two experiments, saliency bias was investigated for objects and scenes with both information-balanced and naturalistic stimuli. Experiment 1 replicates and extends the study of the top-saliency effect for information-balanced objects. Here 91 participants made 80 similarity judgments between an information-balanced object and two comparison objects that contain either the same top or the same bottom. Participants also made 80 similarity judgments of information-balanced scenes in which the coordinates of the vertices of the random shapes were replaced with little objects to create a scene. Experiment 2 extends Chambers et al. (1999) by examining top-saliency bias in naturalistic object perception when 91 participants made similarity judgments between a photographed test object and two comparison objects which contain either the same top or the same bottom. Experiment 2 also tests the idea of a downward vantage bias by predicting that naturalistic scenes will be judged more similar when the portions that lie below the horizon are identical versus when the portions above are the same. Results of the two experiments confirm that observers tend to assume a downward vantage when viewing pictures of objects and objects within scenes, which supports that saliency varies as a function of the informative aspect of the visually attended component.
ContributorsLangley, Matthew (Author) / Mcbeath, Michael K (Thesis advisor) / Brewer, Gene A (Committee member) / Lucca, Kelsey (Committee member) / Arizona State University (Publisher)
Created2021
Description
Color perception has been widely studied and well modeled with respect to combining visible electromagnetic frequencies, yet new technology provides the means to better explore and test novel temporal frequency characteristics of color perception. Experiment 1 tests how reliably participants categorize static spectral rainbow colors, which can be a useful tool for efficiently identifying those with functional dichromacy, trichromacy, and tetrachromacy. The findings confirm that all individuals discern the four principal opponent process colors, red, yellow, green, and blue, with normal and potential tetrachromats seeing more distinct colors than color blind individuals. Experiment 2 tests the moving flicker fusion rate of the central electromagnetic frequencies within each color category found in Experiment 1 as a test of the Where system. It then compares this to the maximum temporal processing rate for discriminating direction of hue change with colors displayed serially as a test of the What system. The findings confirm respective processing thresholds of about 20 Hz for Where and 2-7 Hz for What processing systems. Experiment 3 tests conditions that optimize false colors based on the spinning Benham’s Top illusion. Findings indicate the same four principal colors emerge as in Experiment 1, but at low saturation levels for trichromats that diminish further for dichromats. Taken together, the three experiments provide an overview of the common categorical boundaries and temporal processing limits of human color vision.
ContributorsKrynen, Richard Chandler (Author) / Mcbeath, Michael K (Thesis advisor) / Homa, Donald (Committee member) / Newman, Nathan (Committee member) / Stone, Greg (Committee member) / Arizona State University (Publisher)
Created2021