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Yannis Constantinidis was the last of the handful of composers referred to collectively as the Greek National School. The members of this group strove to create a distinctive national style for Greece, founded upon a synthesis of Western compositional idioms with melodic, rhyhmic, and modal features of their local folk traditions. Constantinidis particularly looked to the folk melodies of his native Asia Minor and the nearby Dodecanese Islands. His musical output includes operettas, musical comedies, orchestral works, chamber and vocal music, and much piano music, all of which draws upon folk repertories for thematic material. The present essay examines how he incorporates this thematic material in his piano compositions, written between 1943 and 1971, with a special focus on the 22 Songs and Dances from the Dodecanese. In general, Constantinidis's pianistic style is expressed through miniature pieces in which the folk tunes are presented mostly intact, but embedded in accompaniment based in early twentieth-century modal harmony. Following the dictates of the founding members of the Greek National School, Manolis Kalomiris and Georgios Lambelet, the modal basis of his harmonic vocabulary is firmly rooted in the characteristics of the most common modes of Greek folk music. A close study of his 22 Songs and Dances from the Dodecanese not only offers a valuable insight into his harmonic imagination, but also demonstrates how he subtly adapts his source melodies. This work also reveals his care in creating a musical expression of the words of the original folk songs, even in purely instrumental compositon.
ContributorsSavvidou, Dina (Author) / Hamilton, Robert (Thesis advisor) / Little, Bliss (Committee member) / Meir, Baruch (Committee member) / Thompson, Janice M (Committee member) / Arizona State University (Publisher)
Created2011
Description
The purpose of this project was to examine the lives and solo piano works of four members of the early generation of female composers in Taiwan. These four women were born between 1950 and 1960, began to appear on the Taiwanese musical scene after 1980, and were still active as composers at the time of this study. They include Fan-Ling Su (b. 1955), Hwei-Lee Chang (b. 1956), Shyh-Ji Pan-Chew (b. 1957), and Kwang-I Ying (b. 1960). Detailed biographical information on the four composers is presented and discussed. In addition, the musical form and features of all solo piano works at all levels by the four composers are analyzed, and the musical characteristics of each composer's work are discussed. The biography of a fifth composer, Wei-Ho Dai (b. 1950), is also discussed but is placed in the Appendices because her piano music could not be located. This research paper is presented in six chapters: (1) Prologue; the life and music of (2) Fan-Ling Su, (3) Hwei-Lee Chang, (4) Shyh-Ji Pan-Chew, and (5) Kwang-I Ying; and (6) Conclusion. The Prologue provides an overview of the development of Western classical music in Taiwan, a review of extant literature on the selected composers and their music, and the development of piano music in Taiwan. The Conclusion is comprised of comparisons of the four composers' music, including their personal interests and preferences as exhibited in their music. For example, all of the composers have used atonality in their music. Two of the composers, Fan-Ling Su and Kwang-I Ying, openly apply Chinese elements in their piano works, while Hwei-Lee Chang tries to avoid direct use of the Chinese pentatonic scale. The piano works of Hwei-Lee Chang and Shyh-Ji Pan-Chew are chromatic and atonal, and show an economical usage of material. Biographical information on Wei-Ho Dai and an overview of Taiwanese history are presented in the Appendices.
ContributorsWang, Jinding (Author) / Pagano, Caio (Thesis advisor) / Campbell, Andrew (Committee member) / Humphreys, Jere T. (Committee member) / Meyer-Thompson, Janice (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2011
Description
My research aims to determine the effectiveness of meditation and sleep applications (apps) on the reduction of anxiety and stress in college students, with a focus on sedative piano music. Results showed a significant reduction of stress and anxiety levels in college students when listening to sedative piano music versus non-sedative piano music. Music along with other therapy modalities in meditation and sleep apps show promise in reducing students’ anxiety and stress and promoting their successes.
ContributorsPantha, Bidur (Author) / Brian, Jennifer (Thesis director) / Patten, Kristopher (Committee member) / School of Molecular Sciences (Contributor) / School of Life Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description
Quantum computers provide a promising future, where computationally difficult
problems can be executed exponentially faster than the current classical computers we have in use today. While there is tremendous research and development in the creation of quantum computers, there is a fundamental challenge that exists in the quantum world. Due to the fragility of the quantum world, error correction methods have originated since 1995 to tackle the giant problem. Since the birth of the idea that these powerful computers can crunch and process numbers beyond the limit of the current computers, there exist several mathematical error correcting codes that could potentially give the required stability in the fragile and fault tolerant quantum world. While there has been a multitude of possible solutions, there is no one single error correcting code that is the key to solving the problem. Almost every solution presented has shared with it a limiting factor or an issue that prevents it from becoming the breakthrough that is desperately needed.
This paper gives an introductory knowledge of what is the quantum world and why there is a need for error correcting topologies. Finally, it introduces one recent topology that could be added to the list of possible solutions to this central problem. Rather than focusing on the mathematical frameworks, the paper introduces the main concepts so that most readers even outside the major field of computer science can understand what the main problem is and how this topology attempts to solve it.
problems can be executed exponentially faster than the current classical computers we have in use today. While there is tremendous research and development in the creation of quantum computers, there is a fundamental challenge that exists in the quantum world. Due to the fragility of the quantum world, error correction methods have originated since 1995 to tackle the giant problem. Since the birth of the idea that these powerful computers can crunch and process numbers beyond the limit of the current computers, there exist several mathematical error correcting codes that could potentially give the required stability in the fragile and fault tolerant quantum world. While there has been a multitude of possible solutions, there is no one single error correcting code that is the key to solving the problem. Almost every solution presented has shared with it a limiting factor or an issue that prevents it from becoming the breakthrough that is desperately needed.
This paper gives an introductory knowledge of what is the quantum world and why there is a need for error correcting topologies. Finally, it introduces one recent topology that could be added to the list of possible solutions to this central problem. Rather than focusing on the mathematical frameworks, the paper introduces the main concepts so that most readers even outside the major field of computer science can understand what the main problem is and how this topology attempts to solve it.
ContributorsAhmed, Umer (Author) / Colbourn, Charles (Thesis director) / Zhao, Ming (Committee member) / Computer Science and Engineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05