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Description
MOVE was a choreographic project that investigated content in conjunction with the creative process. The yearlong collaborative creative process utilized improvisational and compositional experiments to research the movement potential of the human body, as well as movement's ability to be an emotional catalyst. Multiple showings were held to receive feedback

MOVE was a choreographic project that investigated content in conjunction with the creative process. The yearlong collaborative creative process utilized improvisational and compositional experiments to research the movement potential of the human body, as well as movement's ability to be an emotional catalyst. Multiple showings were held to receive feedback from a variety of viewers. Production elements were designed in conjunction with the development of the evening-length dance work. As a result of discussion and research, several process-revealing sections were created to provide clear relationships between pedestrian/daily functional movement and technical movement. Each section within MOVE addressed movement as an emotional catalyst, resulting in a variety of emotional textures. The sections were placed in a non-linear structure in order for the audience to have the space to create their own connections between concepts. Community was developed in rehearsal via touch/weight sharing, and translated to the performance of MOVE via a communal, instinctive approach to the performance of the work. Community was also created between the movers and the audience via the design of the performance space. The production elements all revolved around the human body, and offered different viewpoints into various body parts. The choreographer, designers, and movers all participated in the creation of the production elements, resulting in a clear understanding of MOVE by the entire community involved. The overall creation, presentation, and reflection of MOVE was a view into the choreographer's growth as a dance artist, and her values of people and movement.
ContributorsPeterson, Britta Joy (Author) / Fitzgerald, Mary (Thesis advisor) / Schupp, Karen (Committee member) / Mcneal Hunt, Diane (Committee member) / Arizona State University (Publisher)
Created2013
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Description
The purpose of my creative research was to analyze my choreographic process and answer the research question: how will implementing somatic principles impact my choreographic process? In determining the impact I analyzed the use of choreographic approaches that bring proprioceptive awareness to interdisciplinary somatic themes of bodily systems, sensing, connectivity,

The purpose of my creative research was to analyze my choreographic process and answer the research question: how will implementing somatic principles impact my choreographic process? In determining the impact I analyzed the use of choreographic approaches that bring proprioceptive awareness to interdisciplinary somatic themes of bodily systems, sensing, connectivity, initiation and sequencing. These somatic themes were utilized in movement invention and exploration as well as the structuring and performance of my choreography. Additionally, the research involved clarifying my role as a choreographer and my relationship to the dancers in my work. My creative research occurred in three choreographic phases and resulted in the production of B.O.D.I.E.S performed in three consecutive sections titled Discovery, Exploration, and Identity November 5-7, 2010. B.O.D.I.E.S demonstrates how somatics will lead to greater movement possibilities and dynamic range to explore in the craft of dance making.
ContributorsHillerby, Rebecca Blair (Author) / Schupp, Karen (Thesis advisor) / Roses-Thema, Cynthia (Thesis advisor) / Coleman, Grisha (Committee member) / Arizona State University (Publisher)
Created2011
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Description
The Mormon Plan of Salvation explains that people originate in a heavenly state and are sent to Earth in a physical form, where they aspire to lead good lives and gain wisdom in order to reach glory in the afterlife. The dance piece "From There to Here to There: Whose

The Mormon Plan of Salvation explains that people originate in a heavenly state and are sent to Earth in a physical form, where they aspire to lead good lives and gain wisdom in order to reach glory in the afterlife. The dance piece "From There to Here to There: Whose Journey is it Anyway?" explores each stage in the Plan of Salvation at a different location, requiring dancers and audience to travel both metaphorically and physically. The piece incorporates several kinds of journeys: the collective journey of humankind based on the Plan of Salvation, the dancers' own journeys, and audience's journey as they watch the piece, and my journey as an artist. In the process of making this piece, I refined my identity as a 21st century Mormon artist interested in conveying religious messages through the traditionally secular art form of postmodern dance.
ContributorsFrost, Randi (Author) / Kaplan, Robert (Thesis advisor) / Daughtrey, Doe (Committee member) / Schupp, Karen (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsStover, Chris (Performer) / Berry, David (Performer) / Healey, Biddy (Performer) / Hedquist, Ben (Performer) / Kelly, Keith (Performer) / McClintock, Matt (Performer) / Neff, Megyn (Performer) / Price, Alex (Performer) / Helical Ensemble (Performer) / ASU Library. Music Library (Publisher)
Created2019-02-04
ContributorsWu, Shengwen (Performer) / Novak, Gail (Pianist) (Performer) / Oliverio, Alex (Performer) / Izotov, Aleksey (Performer) / Hedquist, Ben (Performer) / ASU Library. Music Library (Publisher)
Created2013-11-26
ContributorsAcosta, Allan (Performer) / Riddiough, Reid (Performer) / Hedquist, Ben (Performer) / McClintock, Matt (Performer) / Ling, John (Performer) / Messing, Rachel (Performer) / Vazquez, Emilio (Performer) / Knight, Sarah (Performer) / Duke, Alex (Performer) / Pettit, Joey (Performer) / Mines, Kelsey (Performer) / Menefee, Thomas (Performer) / Mumford, Kimberly (Performer) / Lee, Juhyun (Performer) / Fan, Jingjing (Performer) / ASU Library. Music Library (Publisher)
Created2016-04-27
ContributorsMancuso, Simone (Conductor) / Birch, Alexandra (Performer) / Englert, Patrick (Performer) / Bennet, Joshua (Performer) / Nguyen, Karen (Performer) / Lee, Eunhwa (Performer) / Bush, Zachary (Performer) / Costa, Peter (Performer) / Arizona Contemporary Music Ensemble (Performer) / Contemporary Percussion Ensemble (Performer) / ASU Library. Music Library (Publisher)
Created2016-11-19
ContributorsSwoboda, Deanna (Performer) / Caslor, Jason (Conductor) / Creviston, Hannah (Performer) / Hedquist, Ben (Performer) / Moreau, Danielle (Performer) / Spring, Robert (Performer) / Low Frequency Tuba Euphonium Quartet (Performer) / Capitol Quartet (Performer) / ASU Library. Music Library (Publisher)
Created2016-11-12
ContributorsMines, Kelsey (Performer) / Williams, Matt (Performer) / Hedquist, Ben (Performer) / Pettit, Joey (Performer) / Menefee, Thomas (Performer) / Rotaru, Catalin (Performer) / Lemmelin, Olivia (Performer) / Gebe, Vladimir, 1987- (Performer) / Bingham, Joey (Performer) / Duke, Alex (Performer) / ASU Library. Music Library (Publisher)
Created2016-03-27
ContributorsCampbell, Andrew (Pianist) (Performer) / McLin, Katherine (Performer) / Spring, Robert (Performer) / Schupp, Karen (Performer) / FitzPatrick, Carole (Performer) / Cosand, Walter, 1950- (Performer) / ASU Library. Music Library (Publisher)
Created2008-01-19