Matching Items (28)
Description
“Anchored Absences: Selected Works by Doris Salcedo and Enrique Ramírez” addresses how the works of these artists link the past to the present and make memories manifest by wielding evocative associations through particular materials and places. In my study of the works Sumando ausencias (Adding Absences, 2016), Fragmentos (Fragments, 2018), and Quebrantos (Shattered, 2019) by Colombian artist Doris Salcedo, I delve into the political context of these works, discuss the different groups with which Salcedo collaborated in their production, and analyze the materials she employed and their associations. Drawing from discussions on the relationship between art and politics, as well as debates about the activity of creating public memorials, I examine how, through these public artworks, Salcedo contributes new images and representations of the cost of Colombia’s civil war (1960s-present) to collective visual culture. In the second part of this study, I analyze the strategies the Chilean artist Enrique Ramírez uses to produce the films Brisas (Breezes, 2008) and Los durmientes (The sleepers, 2014), which assemble layers of antithetical visual and auditory elements and deter a linear construction of history. I engage with writings that deal with the fragmentary and plural nature of memory, the use and repression of images, and the role of architecture and geography in holding and activating memory to discuss how Ramírez unsettles the narratives held by Chile’s dictatorship (1973–1990) in contested spaces. I conclude that by making innovative images of political events, the works by these artists create new frameworks to conceptualize violence. Therein lies the power of image production.
Contributorsvan Zoelen Cortés, Aurora (Author) / Afanador-Pujol, Angélica J. (Thesis advisor) / Tompkins, Cynthia (Committee member) / Hoy, Meredith (Committee member) / Arizona State University (Publisher)
Created2022
Description
In this dissertation, I explore the possibility of Latin American Futurism/s because Latin American visions of the future are primarily absent from the global conversation of alternative or counter futures. In three chapters, I expose three interrelated yet methodologically different approaches to understanding the emerging phenomenon of Latin American Futurism/s: A exploration of the connections between notions of visions of technology/futures for El Salvador's Bitcoin and South Cone's robots, the experiences and practices of local future-makers and their communities; and artifacts that characterize expressions of regional futuring. To comprehend the region's technological paradigms, I offer these socio-technical accounts of Future-making and Future-knowledge for/from Latin America as a geo-political region. Each element contributes, with its different interdisciplinary perspective, to characterizing "Latin American Futurism/s" as a form of technological rationality and regional futuring as an expression of shared paradigms about science and technology. These characterizations allow for an appreciation of the paradigms, strategies, and artifacts that configure domestic and professional futurity in Latin America, focusing on its objects and visions as mediators and sense-makers of what ought to come. In this manuscript, I offer a characterization of Latin American futurism/s to facilitate its recognition and understanding and to put in value the production of forward-oriented knowledge produced by people thinking and living in Latin America.
ContributorsPérez Comisso, Martín Andrés (Author) / Smith, Lindsay A (Thesis advisor) / Keeler, Lauren W (Thesis advisor) / Bennett, Michael G (Committee member) / Wetmore, Jameson (Committee member) / Arizona State University (Publisher)
Created2023
Description
From 1973 to 1984 the people of Uruguay lived under a repressive military dictatorship. During that time, the Uruguayan government violated the Human Rights of its opponents and critics through prolonged imprisonment in inhumane conditions without trial, physical and psychological torture, disappearance, and a negation of freedom of speech, thought and congregation. In this project, I argue that these violations of Human Rights committed by the military dictatorship added urgency to the rethinking by religious individuals of the Uruguayan model of secularism, the laïcité, and the role that their theology required them to play in the "secular" world. Influenced by the Liberation Theology movement, Catholic and Protestant leaders simultaneously made use of and challenged the secularization model in order to carve a space for themselves in the struggle for the protection of Human Rights.
Furthermore, I will argue that due to the Uruguayan system of partitocracy, which privileges political parties as the main voices in public matters, Uruguay still carries this history of Human Rights violations on its back. Had alternative views been heard in the public sphere, this thorny history might have been dealt with in a fairer manner. Thus, I call for further exploration of the "intelligent laïcité" model, which might ensure true democratic participation in the public sphere.
Furthermore, I will argue that due to the Uruguayan system of partitocracy, which privileges political parties as the main voices in public matters, Uruguay still carries this history of Human Rights violations on its back. Had alternative views been heard in the public sphere, this thorny history might have been dealt with in a fairer manner. Thus, I call for further exploration of the "intelligent laïcité" model, which might ensure true democratic participation in the public sphere.
ContributorsCash, Lucía (Author) / Cady, Linell (Thesis advisor) / Duncan, Christopher (Committee member) / Schugurensky, Daniel, 1958- (Committee member) / Warner, Carolyn (Committee member) / Arizona State University (Publisher)
Created2015
Description
This dissertation proposes a re-evaluation of the films of Caliwood—a close-knit group of film fanatics who produced socially-minded independent cinema in Cali, Colombia—and the group’s contribution towards a national film industry. Focusing primarily on the works of Luis Ospina and Carlos Mayolo during the period ranging between 1971 and 1991, this study analyzes six key films—Oiga vea! (1972), Cali de Película (1973), Agarrando Pueblo (1977), Pura Sangre (1982), Carne de tu carne (1983)—which showcase the evolution of the group’s production from experimental documentaries to pseudo-documentaries and fictional films. Additionally, It All Started at the End (2015) is analyzed because it is the last film produced by Luis Ospina and it showcases the history of the group from his own perspective. In totality, these films represent a political stance derived from the tenets of the Third Cinema movement—a call for a revolutionary cinema which reverberated throughout Latin America—which denounces neocolonialism, the capitalist system, and the Hollywood model of cinema as mere entertainment for profit. Furthermore, this comprehensive analysis of Caliwood’s films covers a representative sample of their film legacy, as well as their critique of socio-political and cultural issues in Colombia. The reflections yielded from this study propose a reframing of Colombian film history and acknowledges the importance of Ospina’s and Mayolo’s contribution to the development of a “national” film tradition in Colombia.
ContributorsBonilla-Cirocco, Cindy Michelle (Author) / Tompkins, Cynthia (Thesis advisor) / Bezerra, Ligia (Committee member) / García Fernández, Carlos J (Committee member) / Arizona State University (Publisher)
Created2020
Description
Coffee is an important link between the United States and Latin America and an important part of Latin America’s culture and economy. This paper looks at the similarities and differences between coffee organizations in Colombia, Ecuador, Peru, and Guatemala. Colombia has the strongest coffee organizations with the most political power. Guatemala and Peru, to a lesser extent, have well organized and powerful organizations that make up their industry. However, Ecuador has a significantly less organized organization. At their core, each country has a similar structure. There is one organization on the national level that watches out for the industry as a whole. Underneath that, there are smaller, often regional organizations made up of cooperatives pooling their resources for export. They function in similar ways as the national organizations, but have less reach. At the bottom, there are individual cooperatives and independent farmers. These cooperatives do not have much reach or connection to international markets.
ContributorsChabin, James Edward (Author) / Janssen, Marco (Thesis director) / Taylor, Keith (Committee member) / School of Sustainability (Contributor) / School of International Letters and Cultures (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Over the last century, the Latino population in the United States has increased dramatically. Like most ethnic groups, Latinos highly value their culture and bring aspects of it with them when they come to the United States. One such aspect of Latino culture is the use of traditional medicine. As the Latino population in the United States continues to grow, it is important that physicians and future physicians understand how the use of and belief in traditional medicine within different Latino populations can affect the healthcare experience for both provider and patient. Many physicians lack this knowledge and therefore are unsure how to proceed when confronted with these situations; in order to remedy this issue, this project seeks to propose and demonstrate a potential course that would be intended to inform pre-medical and pre-health students about traditional medicine in different Latin American countries so that they will be better prepared.
In this 3-credit course, students will gain awareness and understand the importance of Latino traditional medical practices from the perspective of future medical professionals. Students will learn about concepts such as folk illnesses and traditional religious practices within different Latino populations and will discover how these cultural beliefs can affect a patient’s attitude and cooperation in the medical office.
Through study of the traditional medicines of Puerto Rico, Mexico, and Cuba, students will be exposed to new concepts that will allow them to gain a broader understanding of their future patients, which will allow them to provide the best possible care as a physician. Students will reflect on the importance of having respect for a patient’s cultural beliefs in the medical profession, regardless of their knowledge of Spanish, so that they will be best equipped to handle these situations within the United States and abroad.
In this 3-credit course, students will gain awareness and understand the importance of Latino traditional medical practices from the perspective of future medical professionals. Students will learn about concepts such as folk illnesses and traditional religious practices within different Latino populations and will discover how these cultural beliefs can affect a patient’s attitude and cooperation in the medical office.
Through study of the traditional medicines of Puerto Rico, Mexico, and Cuba, students will be exposed to new concepts that will allow them to gain a broader understanding of their future patients, which will allow them to provide the best possible care as a physician. Students will reflect on the importance of having respect for a patient’s cultural beliefs in the medical profession, regardless of their knowledge of Spanish, so that they will be best equipped to handle these situations within the United States and abroad.
ContributorsIncha, Carmen (Author) / Estévez, Dulce (Thesis director) / Oberstein, Bruce (Committee member) / School of Molecular Sciences (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
In this thesis, I trace the history of the Salvadoran-American gang Mara Salvatrucha, also known as MS-13. I argue that the blame for MS-13 does not lie on immigrants and youth making bad choices, but rather that United States government policy is to blame for the formation and growth of MS-13. In order to argue this point, I analyze US policy including mass incarceration, policing, deportation, and involvement in El Salvador.
ContributorsEscobar, Antonio (Author) / Bynum, Katherine (Thesis director) / Avina, Alexander (Committee member) / Barrett, The Honors College (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor)
Created2022-05
Description
In this dissertation, I grapple with the compelling question: Why have women’s mobilizations in Latin America not only increased but also become increasingly confrontational towards the state and other institutions, even amid a longstanding rise in progressive gender-based legislation and policies? This inquiry unfolds against a backdrop of diverse theoretical perspectives on women’s engagement in contentious politics. This introspection has led to the formulation of a theoretical mechanism, which posits that neither the proliferation of gender-progressive policies, windows of opportunity, nor grievances are sole precipitating factors. Instead, the emergence of the ‘legal facade’ – spawned by this structural political opportunity - incites further contentious actions. These are intertwined with the development of a collective conscience, anchored in a sense of shared destiny, amplified by both fear and hope. To elucidate the activists’ experiences, I employ a methodological blend of case-process tracing and narrative analysis. This ‘legal facade’ embodies the systematic failures of the state and informal institutions to effectively address women’s violence and inequalities, resulting in the superficial enactment of numerous policies and laws that have deep flaws in their design, execution, and evaluation.
ContributorsPaez, Camila (Author) / Hinojosa, Magfa (Thesis advisor) / Kittilson, Miki (Committee member) / Kirkpatrick, Jennet (Committee member) / Kaire, Jose (Committee member) / Arizona State University (Publisher)
Created2024