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“Anchored Absences: Selected Works by Doris Salcedo and Enrique Ramírez” addresses how the works of these artists link the past to the present and make memories manifest by wielding evocative associations through particular materials and places. In my study of the works Sumando ausencias (Adding Absences, 2016), Fragmentos (Fragments, 2018),

“Anchored Absences: Selected Works by Doris Salcedo and Enrique Ramírez” addresses how the works of these artists link the past to the present and make memories manifest by wielding evocative associations through particular materials and places. In my study of the works Sumando ausencias (Adding Absences, 2016), Fragmentos (Fragments, 2018), and Quebrantos (Shattered, 2019) by Colombian artist Doris Salcedo, I delve into the political context of these works, discuss the different groups with which Salcedo collaborated in their production, and analyze the materials she employed and their associations. Drawing from discussions on the relationship between art and politics, as well as debates about the activity of creating public memorials, I examine how, through these public artworks, Salcedo contributes new images and representations of the cost of Colombia’s civil war (1960s-present) to collective visual culture. In the second part of this study, I analyze the strategies the Chilean artist Enrique Ramírez uses to produce the films Brisas (Breezes, 2008) and Los durmientes (The sleepers, 2014), which assemble layers of antithetical visual and auditory elements and deter a linear construction of history. I engage with writings that deal with the fragmentary and plural nature of memory, the use and repression of images, and the role of architecture and geography in holding and activating memory to discuss how Ramírez unsettles the narratives held by Chile’s dictatorship (1973–1990) in contested spaces. I conclude that by making innovative images of political events, the works by these artists create new frameworks to conceptualize violence. Therein lies the power of image production.
Contributorsvan Zoelen Cortés, Aurora (Author) / Afanador-Pujol, Angélica J. (Thesis advisor) / Tompkins, Cynthia (Committee member) / Hoy, Meredith (Committee member) / Arizona State University (Publisher)
Created2022
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From 1973 to 1984 the people of Uruguay lived under a repressive military dictatorship. During that time, the Uruguayan government violated the Human Rights of its opponents and critics through prolonged imprisonment in inhumane conditions without trial, physical and psychological torture, disappearance, and a negation of freedom of speech, thought

From 1973 to 1984 the people of Uruguay lived under a repressive military dictatorship. During that time, the Uruguayan government violated the Human Rights of its opponents and critics through prolonged imprisonment in inhumane conditions without trial, physical and psychological torture, disappearance, and a negation of freedom of speech, thought and congregation. In this project, I argue that these violations of Human Rights committed by the military dictatorship added urgency to the rethinking by religious individuals of the Uruguayan model of secularism, the laïcité, and the role that their theology required them to play in the "secular" world. Influenced by the Liberation Theology movement, Catholic and Protestant leaders simultaneously made use of and challenged the secularization model in order to carve a space for themselves in the struggle for the protection of Human Rights.

Furthermore, I will argue that due to the Uruguayan system of partitocracy, which privileges political parties as the main voices in public matters, Uruguay still carries this history of Human Rights violations on its back. Had alternative views been heard in the public sphere, this thorny history might have been dealt with in a fairer manner. Thus, I call for further exploration of the "intelligent laïcité" model, which might ensure true democratic participation in the public sphere.
ContributorsCash, Lucía (Author) / Cady, Linell (Thesis advisor) / Duncan, Christopher (Committee member) / Schugurensky, Daniel, 1958- (Committee member) / Warner, Carolyn (Committee member) / Arizona State University (Publisher)
Created2015