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- All Subjects: Political Science
- Creators: Historical, Philosophical & Religious Studies
- Member of: Barrett, The Honors College Thesis/Creative Project Collection
- Resource Type: Text
Description
In the sixty-seven years following the end of World War II, West Germany and Japan underwent a remarkable series of economic and social changes that irrevocably altered their respective ways of life. Formerly xenophobic, militaristic and highly socially stratified societies, both emerged from the 20th Century as liberal, prosperous and free. Both made great strides well beyond the expectations of their occupiers, and rebounded from the overwhelming destruction of their national economies within a few short decades. While these changes have yielded dramatic results, the wartime period still looms large in their respective collective memories. Therefore, an ongoing and diverse dialectical process would engage the considerable popular, official, and intellectual energy of their post-war generations. In West Germany, the term Vergangenheitsbewältigung (VGB) emerged to describe a process of coming to terms with the past, while the Japanese chose kako no kokufuku to describe their similar historical sojourns. Although intellectuals of widely varying backgrounds in both nations made great strides toward making Japanese and German citizens cognizant of the roles that their militaries played in gruesome atrocities, popular cinematic productions served to reiterate older, discredited assertions of the fundamental honor and innocence of the average soldier, thereby nurturing a historically revisionist line of reasoning that continues to compete for public attention. All forms of media would play an important role in sustaining this “apologetic narrative,” and cinema, among the most popular and visible of these mediums, was not excluded from this. Indeed, films would play a unique recurring role, like rhetorical time capsules, in offering a sanitized historical image of Japanese and German soldiers that continues to endure in modern times. Nevertheless, even as West Germany and Japan regained their sovereignty and re-examined their pasts with ever greater resolution and insight, their respective film industries continued to “reset” the clock, and accentuated the visibility and relevancy of apologetic forces still in existence within both societies. However, it is important to note that, when speaking of “Germans” and “Japanese,” that they are not meant to be thought of as being uniformly of one mind or another. Rather, the use of these words is meant as convenient shorthand to refer to the dominant forces in Japanese and German civil society at any given time over the course of their respective post- war histories. Furthermore, references to “Germany” during the Cold War period are to be understood to mean the Federal Republic of Germany, rather than their socialist counterpart, the German Democratic Republic, a nation that undertook its own coming to terms with the past in an entirely distinct fashion.
ContributorsPiscopo, Michael (Author) / Benkert, Volker (Thesis director) / Moore, Aaron (Committee member) / Machander, Sina (Committee member) / Barrett, The Honors College (Contributor) / College of Liberal Arts and Sciences (Contributor)
Created2012-12
Description
This paper is an in-depth analysis of the actions and rhetoric of Donald Trump’s presidency from the perspective of Machiavelli’s most famed work, 'The Prince'. Its premise is born from two articles claiming Donald Trump was either the American Machiavelli or the Anti-Machiavelli, and sets out to find out which title is the most accurate. The end findings suggest that President Trump did not follow enough rules in 'The Prince' to be Machiavellian, but that Trumpism as a political doctrine has the potential grow into a modern day Machiavellianism.
ContributorsSandy, Charlotte Rose (Author) / Simhony, Avital (Thesis director) / Lennon, Tara (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of Politics and Global Studies (Contributor, Contributor) / Watts College of Public Service & Community Solut (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description
This thesis examines the recent emergence of populist radical right-wing parties across Western and Eastern Europe. Starting with the insufficiency of current explanations for this rise, I examine micro-, macro-, and meso- scale cross-national analyses to determine which major variables predict the rise of populist right-wing forces across these nation-states. Finally, using the conceptual resources of social identity theory, the paper argues that social status may be a mediating factor by which economic and cultural-identitarian forces influence the populist radical right.
ContributorsFerdowsian, Ryan Sameer (Author) / Hechter, Michael (Thesis director) / Pout, Daniel (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
Alexis de Tocqueville concludes the second volume of his influential political work Democracy in America with a discussion of “What Kind of Despotism Democratic Nations have to Fear.” The phenomenon Tocqueville seeks to capture in his final chapters is often called “democratic” or “soft” despotism, and it is notably distinct from the traditional conception of despotism. The threat soft despotism represents to democracies is new to the world Tocqueville lived in, and as such, Tocqueville chose the word despotism to describe it because he felt no better word existed. So, to accurately describe the phenomenon that Tocqueville feared, he had to re-conceptualize despotism. When Tocqueville discusses soft despotism, he means a democratic state where people are incapable of being truly free. In examining this concretely, I have developed five criteria which capture all the characteristics of soft despotism: 1. The equality of conditions; 2. The destruction of social connection; 3. The creation of a centralized administrative state; 4. The fulfillment of base desires; and 5. The death of the political sphere. In “Defining Soft Despotism,” I offer explanations of what each of these five criteria means, and I discuss both how Tocqueville and later scholars view them. I offer my own understanding of each of these criteria framed in Tocqueville’s thought. Next, in “Understanding Soft Despotism,” I discuss what about soft despotism is so concerning to Tocqueville and focus on his belief that it fundamentally changes the people who live under it, depriving them of their humanity. Then, I discuss why Americans should be concerned today. Lastly, in “Measuring Soft Despotism,” I take data for each of the five criteria and examine them to see if they appear to match what Tocqueville envisioned a soft despotism would be like. In my assessment, I find that America today does not seem to be a soft despotism. America does not meet all five criteria I believe define a soft despotism. Instead, it appears America is only close to experiencing two of the five: the destruction of social connection, and the death of the political sphere. Despite these findings, there is still room for concern that America is heading towards becoming a soft despotism, or is perhaps headed in a different, but equally undesirable direction.
ContributorsBartlemay, Robert Charles (Author) / German, Zachary (Thesis director) / Carrese, Paul (Committee member) / Historical, Philosophical & Religious Studies (Contributor, Contributor) / School of Civic & Economic Thought and Leadership (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05