Matching Items (7)
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- All Subjects: American History
- Creators: Riding In, James
- Creators: Holbrook, Amy
Description
As an organist, church musician, and educator, Clifford Demarest (1874-1946) was a prominent figure in New York during the first half of the twentieth century. However, prior to this thesis, Demarest's place within the history of American music, like that of many of his contemporaries, was all but neglected. This research reveals Clifford Demarest as an influential figure in American musical history from around 1900 to his retirement in 1937. Led by contemporary accounts, I trace Demarest's musical influence through his three musical careers: professional organist, church musician, and educator. As a prominent figure in the fledgling American Guild of Organists, Demarest was dedicated to the unification of its members and the artistic legitimacy of the organist profession. As the organist and choir director of the Church of the Messiah, later the Community Church of New York (1911-1946, inclusive), Demarest played an integral part in the liberal atmosphere fostered by the congregation's minister, John Haynes Holmes (1879-1964). Together Holmes and Demarest directly influenced the nascent National Association for the Advancement of Colored People and supported luminaries of the Harlem Renaissance. Influential figures such as Langston Hughes (1902-1967), Augustus Granville Dill (1881-1956), Egbert Ethelred Brown (1875-1956), and Countee Cullen (1903-1946) were inspired by the liberal environment in the Church of the Messiah; however, prior to this research, their connections to the church were unexplored. As the music supervisor of Tenafly High School and later, for the state of New Jersey, Demarest influenced countless students through his passion for music. His compositions for student orchestras are among the earliest to elevate the artistic standards of school music ensembles during the first four decades of the twentieth century. Archival sources such as church records, letters, and newspaper editorials, are synthesized with current research to characterize Demarest's place in these three professional orbits of the early twentieth century. His story also represents those of countless other working musicians from his era that have been forgotten. Therefore, this research opens an important new research field – a window into the dynamic world of the American organist.
ContributorsHicks, Glen W (Author) / Saucier, Catherine (Thesis advisor) / Norton, Kay (Thesis advisor) / Holbrook, Amy (Committee member) / Arizona State University (Publisher)
Created2014
Description
There exists a significant overlap between American Indian history and American history, yet historians often treat the two separately. The intersection has grown over time, increasingly so in the 20th and 21st centuries. Over time a process of syncretism has taken place wherein American Indians have been able to take their tribal histories and heritage and merge them with the elements of the dominant culture as they see fit. Many American Indians have found that they are able to use their cultural heritage to educate others using mainstream methods. Brummett Echohawk, a Pawnee Indian from Pawnee, Oklahoma demonstrated the ways in which American Indian history merged with the larger American historical narrative through his knowledge of Pawnee history and heritage, American history, and his active participation in mainstream society throughout the 20th and into the 21st century. As a student in a government run Indian boarding school, a soldier of the famed 45th "Thunderbird" Infantry Division in World War II, and a successful artist, writer and public speaker, he offered a view of how one could employ syncretism to the advantage of all. Using an ethnohistorical approach to the subject allows a consideration of Brummett Echohawk as an individual, a representative of the Pawnee people, American Indians generally, and as an American. The ethnohistorical approach also helps elucidate the connection he made between success in life and truly fulfilling the Pawnee meaning behind their name Chaticks-si-chaticks, Men of men. Personal papers, published writings, as well as published and privately owned art (ranging from fine art in prestigious galleries to comic strips) provide insight as to how Echohawk made clear the connections between the Pawnee (and American Indian) past and American history. Interviews with family members, friends, and Pawnee veterans also demonstrate the significance of his life for the Pawnee people and the United States, particularly in terms of the martial tradition.
ContributorsYoungbull, Kristin M (Author) / Fixico, Donald L. (Thesis advisor) / Iverson, Peter (Thesis advisor) / Riding In, James (Committee member) / Arizona State University (Publisher)
Created2012
Description
This thesis examines literacy development among the Algonquian-speaking Indian peoples of New England from approximately the years 1600-1775. Indians had forms of literacy prior to the coming of European settlers, who introduced them to English literacy for the purpose of proselytization. I describe the process of English-language literacy taking hold during colonization and argue that Indians in the colonial period subverted the colonizing intent of English-language literacy to preserve their mother tongues, their claims to land and affirm their nationhood as a people.
ContributorsLangenfeld, Mark (Author) / Riding In, James (Thesis advisor) / Romero-Little, Mary Eunice (Committee member) / Marley, Tennille (Committee member) / Arizona State University (Publisher)
Created2016
Description
Twentieth century California Indians have received muted attention from scholars. The sheer size and diversity of California Indians can be overwhelming. Geographically, California is the third largest state and home to one hundred and ten federally recognized tribes. California Indians created alliances across the state among diverse tribal groups. Indian advocacy and activism of the twentieth century has been a limited discussion focused on four major events: Alcatraz occupation of 1969; Trail of Broken Treaties and subsequent occupation of the Bureau of Indian Affairs building of 1972; Wounded Knee of 1973; and the "Longest Walk" in 1978. These four major developments should not be ignored. However, the discussion should be broader and include diverse forms of advocacy and activism. In 1964 Rupert Costo, Cahuilla, his wife Jeannette Henry-Costo, Eastern Cherokee, and thirteen Indians from diverse tribes, largely from California, founded the American Indian Historical Society (AIHS). Costo served as president of the organization until its dissolution in 1986. The San Francisco based group sought to improve education, communication, and cultural development among Indians. Members of this activist organization challenged textbooks, testified at congressional hearings, created an Indian controlled publishing house, coordinated community meetings, and lobbied for protection of burial grounds. It also circulated, Wassaja, one of the first national Indian newspapers with original content. Through its publications, the AIHS sought to inform and promote mutual understanding between Indians and non-Indians. The AIHS' philosophy centered on the belief that Indians could, through their own initiative and innovation, lead the fight in Indian affairs. Through the years, the AIHS supported Indian issues and efforts of individual tribes to preserve their rights. Thus, the AIHS defended tribal self-determination and rejected pan-indianism. The federal government policy of relocation encouraged non-California Indians to move into California. Relocation caused friction as the focus by many in the mainstream media turned its attention to relocated Indians which increasingly rendered California Indians invisible. However, with conscientious effort the AIHS worked towards informing and educating Indians and non-Indians.
ContributorsSoza War Soldier, Rose Delia (Author) / Iverson, Peter (Thesis advisor) / Fixico, Donald (Thesis advisor) / Reed, Annette (Committee member) / Riding In, James (Committee member) / Whitaker, Matthew (Committee member) / Arizona State University (Publisher)
Created2013
Description
ABSTRACT The Orpheus Male Chorus of Phoenix occupies and maintains an historical place in the musical and civic history of the City of Phoenix and the State of Arizona. Organized in November, 1929, the Orpheus Male Chorus of Phoenix (OMC) is the only performing arts organization in Phoenix that can claim eighty-one years of continuous performance. The chorus gained popularity locally, nationally, and internationally in its first five decades. The breadth of the chorus's recognition began to decline in the latter part of the 20th century, but the chorus still retains a loyal following of audience members. This study focuses on the first fifty years of the OMC, especially the period from 1946 to 1979, the years the chorus was under the direction of Ralph Hess. Through his leadership the group's popularity and recognition reached a peak, thanks largely to his emphasis on civic responsibility, ties to service organizations, and musical ability and showmanship. No scholarly publications exist regarding this organization. Several boxes of memorabilia housed in the Arizona Historical Society Museum in Tempe, Arizona, serve as the primary source of material for this study. Concert programs supply information about concert repertoire, advertising, and chorus history. Newspaper articles from local and international press offer reviews, announcements, and media perceptions of the chorus. Information illustrating the abundant civic engagement of the OMC appears in proclamations and awards from local, state, national, and international personalities. This objective information helps propel the story forward, as do the personal letters and stories contained within the collection. Because many documents from the latter part of the 1970s are missing, the primary source information becomes more anecdotal and subjective. This study illustrates some of the ways in which the OMC went beyond mere survival to occupy a significant place in the musical life of Phoenix. Engagement in civic and social functions and support for non-profit organizations established the chorus as more than just a musical ensemble. Their pursuit under Hess of "Cultural Citizenship" earned them international recognition as civic leaders and ambassadors of goodwill.
ContributorsButler, Robert C (Author) / Schildkret, David (Thesis advisor) / Holbrook, Amy (Committee member) / Doan, Jerry (Committee member) / Arizona State University (Publisher)
Created2010
Description
Located in Southwest Alaska on the Bering Sea, Bristol Bay covers the area of land and water that lies north of the Alaska Peninsula. The Bristol Bay region consists of more than 40 million acres and is home to approximately 7,400 people of mostly Alaska Native descent. Many Natives still maintain a subsistence lifestyle. The region’s Indigenous inhabitants include Aleuts, Eskimos, and Indians. Bristol Bay’s Indigenous cultures developed around the abundant salmon runs. The Bristol Bay watershed, with its extensive lake and river systems, provides the ideal breeding grounds for all five species of Pacific salmon. As a keystone species, salmon directly or indirectly impact many species in the ecosystem. This dissertation focuses on the ecology and environment, culture, and economy in the Bristol Bay salmon fishery from its beginnings in 1884 until the present. The arrival of Euro-Americans altered the human/salmon relationship as Alaska Natives entered the commercial salmon fishery. The commercial fishery largely marginalized Alaska Natives and they struggle to remain relevant in the fishery. Participation in the subsistence fishery remains strong and allows Bristol Bay Natives to continue their cultural traditions. On a global scale, the sustainable Bristol Bay’s salmon harvest provides over half of the world’s wild sockeye salmon. Salmon cultures once existed throughout the Atlantic and Pacific. With the decline of salmon, few viable salmon cultures remain today. I argue that because of the ecological, cultural, and economic factors, salmon in Bristol Bay deserve protection from competing resource development and other factors that threaten the valuable fishery. The unique ecology of Bristol Bay needs clean water to continue its bountiful production. As a member of the Bristol Bay community, I include my own experiences in the salmon fishery, incorporating “writing from home” as one of my primary methodologies. I also include ethnohistory and oral history methodologies. I conducted interviews with elders in the Bristol Bay community to incorporate Indigenous experiences as Natives faced changes brought on by the commercial salmon fishery.
ContributorsGroat, Bridget Lee (Author) / Fixico, Donald L (Thesis advisor) / Bauer, William (Committee member) / Hirt, Paul (Committee member) / Riding In, James (Committee member) / Arizona State University (Publisher)
Created2019
Description
Although one finds much scholarship on nineteenth-century music in America, one finds relatively little about music in the post-Civil-War frontier west. Generalities concerning small frontier towns of regional importance remain to be discovered. This paper aims to contribute to scholarship by chronicling musical life in the early years of two such towns in northern Arizona territory: Prescott and Flagstaff. Prescott, adjacent to Fort Whipple, was founded in 1864 to serve as capital of the new territory. Primarily home to soldiers and miners, the town was subject to many challenges of frontier life. Flagstaff, ninety miles to the north-northwest, was founded about two decades later in 1883 during the building of the Atlantic & Pacific Railroad, which connected the town to Albuquerque, New Mexico in the east and southern California in the west. Although the particular resources of each town provided many different musical opportunities, extant newspaper articles from Prescott's Arizona Miner and Flagstaff's Arizona Champion describe communities in which musical concerts, dances and theatrical performances provided entertainment and socializing for its citizens. Furthermore, music was an important part of developing institutions such as the church, schools, and fraternal lodges, and the newspapers of both towns advertised musical instruments and sheet music. Both towns were home to amateur musicians, and both offered the occasional opportunity to learn to dance or play an instrument. Although territorial Arizona was sometimes harsh and resources were limited, music was valued in these communities and was a consistent presence in frontier life.
ContributorsJohnson, Amber V (Author) / Oldani, Robert W. (Thesis advisor) / Holbrook, Amy (Committee member) / Saucier, Catherine (Committee member) / Arizona State University (Publisher)
Created2011