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Civilian publics at large internalize death and killing in wartime as a given; after all, what is war if not fighting and dying? There exist popularized notions of “rules of war,” as put by a 2014 BBC ethics piece that accepted the notion “that soldiers must be prepared to put

Civilian publics at large internalize death and killing in wartime as a given; after all, what is war if not fighting and dying? There exist popularized notions of “rules of war,” as put by a 2014 BBC ethics piece that accepted the notion “that soldiers must be prepared to put their own lives at risk in order to limit civilian casualties.” Here there is no denial that combatants kill and die in war. Yet in another sense, the public sanitizes the permanent reality of death and killing—it constructs careful euphemisms and erects psychological barriers that allow the perpetuation of violence without emotionally confronting the brutal reality of the battlefield. In spite of such concentrated cultural efforts at reconceptualization of death and killing, however, the soldiers and combatants who actually engage in this behavior irrevocably come face-to-face with the reality of death and killing in wartime. It is the “[i]ntimate acts of killing in war,” such as those “committed by historical subjects imbued with language, emotion, and desire” that necessarily challenge and threaten culturally-constructed sterilized preconceptions of deadly violence; still, as Joanna Bourke argues, “[k]illing in wartime is inseparable from wider social and cultural concerns.”

To this end, a war that involves not only the physical intimacy of killing but also mortal struggles between cultures and ideologies arguably complicates the extent to and manner by which individual combatants engage in such behavior. No war fulfills these criteria so cleanly as World War II—it was a conflict that cost more people their lives than any war before, and as a global conflict, it brought vastly differing perspectives of death and killing to the battlefield. World War II represented not simply a struggle for national-ideological survival (though that it clearly was), but more importantly a struggle for the retention of the self through identity.
ContributorsLondono, Marlon William (Author) / Niebuhr, Robert (Thesis director) / Strand, Daniel (Committee member) / School of International Letters and Cultures (Contributor) / School of Social Transformation (Contributor) / Barrett, The Honors College (Contributor)
Created2018-12
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An anthropological study of Eastern Woodland Native American viewpoints on humans hunting animals, interspecies animal predation, violence between animals of the same species, and violence among humans within tribes, and violence among humans between tribes, and how Native Americans conceptualize the relationships among these beliefs. I do not seek to

An anthropological study of Eastern Woodland Native American viewpoints on humans hunting animals, interspecies animal predation, violence between animals of the same species, and violence among humans within tribes, and violence among humans between tribes, and how Native Americans conceptualize the relationships among these beliefs. I do not seek to provide an explanation as to why their worldview is the way it is, but to explore the relationship between these perspectives in Native American mindsets. Though some of these violent relationships have been extensively studied, an exploration of how Native Americans view all violent interactions and how these viewpoints relate to each other has not been attempted. In each of the five relationship categories outlined above, the acceptability of certain kinds of violence varies greatly. My goal is to find the patterns of behaviors and reasoning behind them \u2014 why is a certain type of violence acceptable in one kind of relationship but not another?
ContributorsMurphy, Sarah Ann (Author) / Carr, Christoper (Thesis director) / Brandt, Elizabeth (Committee member) / Williams, Deborah (Committee member) / Barrett, The Honors College (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor) / School of Human Evolution and Social Change (Contributor)
Created2013-05
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This thesis examines the changes that have occurred in the way the average American regards films carrying the NC-17 rating since 2007, when Dr. Kevin Sandler's book The Naked Truth: Why Hollywood Doesn't Make X-Rated Movies was published. In The Naked Truth, Sandler coins the phrase "responsible entertainment," referring to

This thesis examines the changes that have occurred in the way the average American regards films carrying the NC-17 rating since 2007, when Dr. Kevin Sandler's book The Naked Truth: Why Hollywood Doesn't Make X-Rated Movies was published. In The Naked Truth, Sandler coins the phrase "responsible entertainment," referring to the Hollywood industry's standard of avoiding making, distributing and exhibiting films that carry the NC-17 rating. The mainstream film industry's commitment to responsible entertainment goes back to the creation of the movie rating system in 1968; since that time, adults-only movies have been stigmatized and ghettoized from the rest of mainstream film. However, since Sandler's analysis of the NC-17 rating in 2007, there have been notable changes in parents' attitudes about what is acceptable for their kids, as well as in the public's attitude about movie ratings; in addition, the general political climate of the country as a whole has evolved. This raises the question, is the era of responsible entertainment coming to an end? This thesis examines the four significant NC-17 films to be theatrically released since the publication of Sandler's work--Lust, Caution (2007), Shame (2011), Killer Joe (2012) and Blue Is the Warmest Color (2013)--in an effort to analyze the cultural and political catalysts that have led to these changes in the perception of the MPAA's most restrictive movie rating. In doing so, it may be possible to determine what the future holds for NC-17 movies, how they are released, and how the public will perceive them.
ContributorsHack, Justin (Author) / Sandler, Kevin (Thesis director) / Baker, Aaron (Committee member) / Barrett, The Honors College (Contributor)
Created2014-05
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Insect Girls is a chapbook-length collection of poems exploring the human inclination toward, and desire for, violence. Using insects and other bugs as motifs to show how people can often be treated like insects, these 25 poems complicate the relationships between violent people and their victims. The collection specifically focuses

Insect Girls is a chapbook-length collection of poems exploring the human inclination toward, and desire for, violence. Using insects and other bugs as motifs to show how people can often be treated like insects, these 25 poems complicate the relationships between violent people and their victims. The collection specifically focuses on women's issues such as domestic violence and female sexuality. The speakers range from a prostitute waiting in the rain, to a submissive girl at a fetish party, to a housewife with a werewolf for a husband. Violence and sex are depicted as inherently intertwined. Because of this, many characters in the book show a connection between desire and violence, how cruelty can have a kind of sex appeal. This is explored in the collection with depictions of sadomasochism and BDSM, where power dynamics can be at certain times problematic, and at others, beautiful. In writing these poems, I was inspired by the fact that upon seeing a harmless bug, so many people's first instinct is to crush it, for no reason at all except because they can. Bug imagery appears throughout the collection, illustrating the dehumanizing aspect of cruelty. The capture of a butterfly serves as a metaphor for sexual assault, and elsewhere bee wings show a desire for escape. Imagery as a whole is important to the collection because it illustrates not only the physical scars that result from violent actions, but also the strength and loveliness within the survivors. In Insect Girls, I didn't want to hide away ugliness, but I didn't want to hide away beauty either.
ContributorsPrice, Emily Kay (Author) / Ball, Sally (Thesis director) / Giner, Oscar (Committee member) / School of International Letters and Cultures (Contributor) / Department of English (Contributor) / School of Film, Dance and Theatre (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
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This project is a critical analysis of the works of 6 American war veterans and how they demonstrate trauma in their narratives. The texts covered here are Philip Red Eagle’s Red Earth (2007), John A. Williams’ Captain Blackman (1972), Roy Scranton’s War Porn (2016), Tim O’Brien’s The Things They

This project is a critical analysis of the works of 6 American war veterans and how they demonstrate trauma in their narratives. The texts covered here are Philip Red Eagle’s Red Earth (2007), John A. Williams’ Captain Blackman (1972), Roy Scranton’s War Porn (2016), Tim O’Brien’s The Things They Carried (1990), Kurt Vonnegut’s Slaughterhouse-Five (1969), and Joseph Heller’s Catch-22 (1961).

ContributorsNovinger, Joshua (Author) / Ellis, Lawrence (Thesis director) / Goodman, Brian (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description

This project focuses on the changes in levels of violence from original fairy tales to their Disney counterparts, specifically Hans Christian Andersen’s “The Little Mermaid” and The Brothers Grimm’s “Cinderella”. It uses Sigmund Freud’s theories on the pleasure and reality principles and the life and death drives to analyze why

This project focuses on the changes in levels of violence from original fairy tales to their Disney counterparts, specifically Hans Christian Andersen’s “The Little Mermaid” and The Brothers Grimm’s “Cinderella”. It uses Sigmund Freud’s theories on the pleasure and reality principles and the life and death drives to analyze why the levels of violence in the original fairy tales became less acceptable over time. The analysis concludes that the original stories embodied Freud’s life drive and reality principle, whereas Disney’s counterparts emphasize his death drive and pleasure principle, and ultimately, modern consumers place more value on the latter. Research is provided to support the assertion that the numerous traumatic events that occurred in the first half of the 20th century caused consumers to make this switch in value. Further speculations are made on the impact this project has on the interpretation of Freudian theory, and how this paper interconnects with current research on disability representation in Andersen’s and Grimm’s stories. The project concludes that the shift in valuing the pleasure principle and death drive over the reality principle and life drive indicates that modern consumers would rather be pacified with pleasurable thoughts that taught important but stark morals about life, society, and themselves.

ContributorsGuido, Jessica (Author) / Mack, Robert (Thesis director) / Loebenberg, Abby (Committee member) / Barrett, The Honors College (Contributor) / School of Social and Behavioral Sciences (Contributor) / School of Molecular Sciences (Contributor)
Created2023-05
Description

The Cambodian-Vietnamese War, beginning in the late 1970s, was largely influenced by differing political ideologies among people and organizations in both Cambodia and Vietnam, as well as the United States and China. The war over communism, socialism, and democracy helped give rise to groups such as the Communist Party of

The Cambodian-Vietnamese War, beginning in the late 1970s, was largely influenced by differing political ideologies among people and organizations in both Cambodia and Vietnam, as well as the United States and China. The war over communism, socialism, and democracy helped give rise to groups such as the Communist Party of Kampuchea or Khmer Rouge in Cambodia. In 1977 and 1978, the Khmer Rouge attacked Vietnam, killing thousands of people in the process. In the aftermath of the war, various social implications occurred in Cambodia and Vietnam. Many who lived through the war, whether soldiers or civilians, were left traumatized and suffered from PTSD. Fighting resulted in large refugee communities and conscription by the respective states meant that most people in these countries were directly touched by war. Vietnam’s occupation of Cambodia and the strained relationships in the region caused lasting consequences. These societal implications can still be seen today, and the Cambodian-Vietnamese War can be a reminder of the devastating consequences of war and political conflict.

ContributorsDa Rosa, Alexandra (Author) / Niebuhr, Robert (Thesis director) / Le, Andrew (Committee member) / Barrett, The Honors College (Contributor) / Sanford School of Social and Family Dynamics (Contributor)
Created2023-05
Description

Background: ACEs has been associated with stress and violence in prior research. More research is needed to set up gender differences between males and females displaying violence and stress in response to ACEs. Objectives: This study investigated the effects of ACEs and gender on exhibited frequencies of violence and stress

Background: ACEs has been associated with stress and violence in prior research. More research is needed to set up gender differences between males and females displaying violence and stress in response to ACEs. Objectives: This study investigated the effects of ACEs and gender on exhibited frequencies of violence and stress within youth. Methods: This study used descriptive statistics and regression to examine the relationships between gender and aces on violence and stress using data from the Arizona Youth Survey (AYS). Interactions were included to evaluate if gender moderated the effect of ACEs. Results: Analyses showed that ACEs significantly impacted youths’ engagement in violence and experiences of stress. Additionally, boys engaged in more violence while girls experienced increased stress. Interaction effects were not substantial as compared to the main effects of ACEs and gender. Conclusion: Given the results, youth interventions should focus on the overall impact of ACEs, regardless of gender.

ContributorsPark, Deborah (Author) / Pardini, Dustin (Thesis director) / Fine, Adam (Committee member) / Barrett, The Honors College (Contributor) / School of Criminology and Criminal Justice (Contributor)
Created2023-05
ContributorsPark, Deborah (Author) / Pardini, Dustin (Thesis director) / Fine, Adam (Committee member) / Barrett, The Honors College (Contributor) / School of Criminology and Criminal Justice (Contributor)
Created2023-05
ContributorsPark, Deborah (Author) / Pardini, Dustin (Thesis director) / Fine, Adam (Committee member) / Barrett, The Honors College (Contributor) / School of Criminology and Criminal Justice (Contributor)
Created2023-05