Matching Items (9)
Filtering by

Clear all filters

134028-Thumbnail Image.png
Description
As a writer and reader of young adult (YA) literature, I find it is impossible to ignore the rise of traditional masculinity within new, adolescent heroines. In the 21st century, readers have seen the rise of supposedly strong female characters—heroines who carry assault rifles and avoid their emotions. By relinquishing

As a writer and reader of young adult (YA) literature, I find it is impossible to ignore the rise of traditional masculinity within new, adolescent heroines. In the 21st century, readers have seen the rise of supposedly strong female characters—heroines who carry assault rifles and avoid their emotions. By relinquishing their emotions and their flaws, these heroines have sacrificed the qualities about themselves that initially made them appear so interesting. My desire to see more realistic heroines like myself developed into a creative fiction project that follows and acknowledges the voices of feminine heroines. I call these protagonists “female strong.” My project—a collection of linked short stories—is peopled with the types of heroines that are severely lacking in YA novels and in the film industry. In my own short stories, I have embraced the narratives about young women who are both strong and emotional. I wanted to create memorable female characters that the reader could root for simply because of their feminine strength, even if their flaws were naivety, or lack of confidence, or even if they failed to achieve their resolution in the end. Female-strong characters are vital because they present a view of women who aren’t purely fantasy; they are placed in the real and are feminine, too. In other words, they don’t have to be a gorgeous, knockout model who can kick butt; instead, they can derive strength from their intellect, or their intuition, or perhaps even from their emotion.
ContributorsGoldsmith, Ilyssa Sallie (Author) / Gruber, Diane (Thesis director) / Amparano, Julie (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
My thesis is a creative project. It is a full-length fantasy novel, the first in a trilogy, with the first draft being over 80,000 words. The novel is about a girl named Aster in a world called Aevenora. She is nineteen. Her father just died, giving her a rock-like object

My thesis is a creative project. It is a full-length fantasy novel, the first in a trilogy, with the first draft being over 80,000 words. The novel is about a girl named Aster in a world called Aevenora. She is nineteen. Her father just died, giving her a rock-like object with his last breath and telling her to bring it to her great-grandmother, who lives on the other side of Aevenora. Aster and her friends, who join her on her way to her great-grandmother's, are fighting against the Underground throughout the novel. The Underground is a group of people dedicated to regaining wealth, technology, unity, and power that Aevenora had a millennium ago, in the Golden Age. But they have a sinister side to them: they force all magic users (including Aster) to join their cause or die. A theme throughout the novel is Aster's struggle with death. From her mother's death at a young age, to her father's death, to using self-defense and killing humans herself, Aster wonders what the point of death is and why people she loves have to die. This struggle is one philosophers have long grappled with, and one I hope to provide a philosophical answer to by the end of the trilogy. Because novel-writing is a long and involved process, I am submitting only the first draft as my thesis. It is not yet publishable, but I will spend a year or two revising it, then send it to agents and hopefully publish it. I request the embargo option, so that the first draft of the novel will not be released until I have completed the final draft and sent it to agents.
ContributorsSchaeffer, Ariana Joy (Author) / Amparano, Julie (Thesis director) / Friedrich, Patricia (Committee member) / School of Humanities, Arts, and Cultural Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
143435-Thumbnail Image.jpg
Description
ASU student Bandok Lul (Nuer) rehearses a pitch for Refugee Coding Academy. “Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost

ASU student Bandok Lul (Nuer) rehearses a pitch for Refugee Coding Academy. “Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.
ContributorsLul, Bandok (Actor) / Amparano, Julie (Director) / MacNeill, Harper (Cinematographer)
Created2017-03-29
Description
Ather Arop is bilingual. He is also fluent in Spanish and speaks some French. “Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as

Ather Arop is bilingual. He is also fluent in Spanish and speaks some French. “Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.
ContributorsArop, Ather (Interviewee) / Amparano, Julie (Director) / Garcia, James (Interviewer) / MacNeill, MacNeill (Editor)
Created2017-10-14
Description

Kueth Yul (Nuer) was born in the spring when the nation was in peace talks that very soon collapsed into violence.

“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to

Kueth Yul (Nuer) was born in the spring when the nation was in peace talks that very soon collapsed into violence.

“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book

ContributorsKueth, Yul (Interviewee) / Amparano, Julie (Interviewer) / Soto, Phil (Cinematographer) / MacNeill, Harper (Editor)
Created2017-10-14
Description

Deng Barak (Dinka) was 4 years old in a cattle camp when the war broke out.

“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of

Deng Barak (Dinka) was 4 years old in a cattle camp when the war broke out.

“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book

ContributorsDeng, Barak (Interviewee) / Amparano, Julie (Interviewer) / MacNeill, Harper (Cinematographer)
Created2017-10-14
Description
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future

“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.

Sarah Manyiel is currently an senior at Arizona State University through the New College of Interdisciplinary Arts and Sciences. Sarah is graduating from ASU in the Spring of 2014. She is majoring in English and minoring in non-profit administration.
ContributorsAmparano, Julie (Interviewer) / Manyiel, Sarah (Interviewee) / MacNeill, Harper (Cinematographer)
Description

Maduk walked for days before finding refuge. He says a baby gazelle kept him alive.

ContributorsMacNeill, Harper (Cinematographer) / Amparano, Julie (Interviewer) / Mabil, Maduk (Interviewee)
Description
For the sake of this thesis, two scholarly collections edited by Dr. Robin S. Rosenberg – Our Superheroes, Ourselves (2013) and The Psychology of Superheroes: An Unauthorized Exploration (2008) – were reviewed. From these two collections and the multitude of psychological theories they cite, those most relevant to adolescent character

For the sake of this thesis, two scholarly collections edited by Dr. Robin S. Rosenberg – Our Superheroes, Ourselves (2013) and The Psychology of Superheroes: An Unauthorized Exploration (2008) – were reviewed. From these two collections and the multitude of psychological theories they cite, those most relevant to adolescent character development are considered. Three broad theories are examined first: positive psychology, equity theory, and attachment style. Then, six additional specific theories that define temperament (behavioral activation system and behavioral inhibition system), personality theory, duel identity, media identification, parasocial interaction, and comparison theory are reviewed. After reviewing each theory, Heroes in Crisis (2019) , a recent bestselling DC offering that addresses superhero trauma, is analyzed through the lens of these psychological theories in order to provide insight into the psychology or both superheroes and their adolescent fans.
ContributorsGutierrez, Jairo Gerardo (Author) / Gruber, Diane (Thesis director) / Amparano, Julie (Committee member) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05