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The hagiographic comedy written by Tirso de Molina Los lagos de San Vicente (1607) presents the journey of Santa Casilda in search of the cure of an illness in her blood that affects her. Casilda rejects the medical assistance offered to her by Muslim doctors and miraculously she finds the

The hagiographic comedy written by Tirso de Molina Los lagos de San Vicente (1607) presents the journey of Santa Casilda in search of the cure of an illness in her blood that affects her. Casilda rejects the medical assistance offered to her by Muslim doctors and miraculously she finds the cure in the Christian world. In this quest, the intellectual and theological evolution of the future saint in defense of the Christian faith is presented. This dissertation will study the resources that Tirso de Molina employs to show the rejection and displacement against the Islamic world represented by a series of erotic behaviors that, in the effort of dramatizing these impertinences they are characterized within a second discourse. Tirso de Molina takes advantage of the hagiographic comedy's discourse nature and the baroque's obscure literary characteristics to express his messages. This dissertation will study in detail how the combination of hagiographic theatrical elements with linguistic expressions are used to convey a subversive discourse that therefore suggests the application of queer theory as a frame of reference. As a result of this investigation it is concluded that Tirso de Molina promotes the hagiographic model and in order to contrast the triumph of the moral Catholic world over the immoral Muslim world the play writer makes references to the nefarious sin.
ContributorsMurphy, Anayanci (Author) / Foster, David William (Thesis advisor) / Sanchez, Angel (Committee member) / Acereda, Alberto (Committee member) / Urioste-Azcorra, Carmen (Committee member) / Volek, Emil (Committee member) / Arizona State University (Publisher)
Created2011
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Antonio López de Santa Anna (1794-1876) is considered as one of the biggest villains of Mexican history. This frequent president in the first decades of Independence of México is the main character portrayed in the novels analyzed in this dissertation: Su alteza serenísima (1895-1896) by Ireneo Paz, Santa Anna, el

Antonio López de Santa Anna (1794-1876) is considered as one of the biggest villains of Mexican history. This frequent president in the first decades of Independence of México is the main character portrayed in the novels analyzed in this dissertation: Su alteza serenísima (1895-1896) by Ireneo Paz, Santa Anna, el dictador resplandeciente (1936) by Rafael F. Muñoz, El seductor de la patria (1999) by Enrique Serna, and México mutilado (2006) by Francisco Martín Moreno. Many Mexican novelists have tackled iconic personalities from Mexican history. However, based upon the historical context that occurred within their lifetime, each author takes a different approach to the story and characters they portray. In the novel Su alteza serenísima, Santa Anna is presented with identical characteristics as in the official history. That was written for other liberals, like Paz, the author. In El dictador resplandeciente an image almost romantic of the leader is presented through the valorization of his role in history. The narrator shows the contradictions of Santa Anna, who was a hero and villain. Santa Anna is presented from different perspectives in El seductor de la patria. The narrator uses Santa Anna's voice projecting a consciousness of the future's judgment of history upon his actions and the voices of "the others" that live around him. In México mutilado Santa Anna is presented from the same perspective as the official history, although other traitors are added to distribute the fault among various important figures. This dissertation works through the analysis of the discursive mechanisms used in these novels, of the configuration of the message that they wish to convey to the reader, of the level of re-writing official history, of the perspective from which each author is reviewing the history, of the recount of what historical aspects and voices were chosen for inclusion in each novel, and through the evaluation of how the authors recover the figure of Santa Anna. This study follows an eclectic model of cultural commentary, taking up critical concepts from Latin American literary scholars such as Perkowska, Pons, Jitrik, Aínsa, among others.
ContributorsSigüenza Ponce, Olga (Author) / Volek, Emil (Thesis advisor) / Acereda, Alberto (Committee member) / Hernández-Gutierrez, Manuel J (Committee member) / Arizona State University (Publisher)
Created2011