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ContributorsDaval, Charles (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-26
Description
Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from

Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsBurton, Charlotte (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-08
ContributorsDruesedow, Elizabeth (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-07
ContributorsKotronakis, Dimitris (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-01
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Description
This project uses fourteen transcriptions of Pete Fountain’s solos as examples to

demonstrate traditional jazz clarinet techniques and language in terms of motives,

patterns, and a variety of articulations. This project also includes guidelines on how to

practice jazz improvisation as well as how to apply Fountain’s techniques and jazz

language to one’s own

This project uses fourteen transcriptions of Pete Fountain’s solos as examples to

demonstrate traditional jazz clarinet techniques and language in terms of motives,

patterns, and a variety of articulations. This project also includes guidelines on how to

practice jazz improvisation as well as how to apply Fountain’s techniques and jazz

language to one’s own improvisation. Though there are countless musicians who have

made remarkable contributions to the development of the jazz language, Pete Fountain’s

unique style is particularly worthy of study due to his massive media presence, effortless

playing techniques, unique tone quality, and showmanship throughout his career.
ContributorsWu, Shengwen (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Carpenter, Ellon (Committee member) / Kocour, Michael (Committee member) / DeMaris, Brian (Committee member) / Arizona State University (Publisher)
Created2019
ContributorsASU Library. Music Library (Publisher)
Created2018-02-26
ContributorsASU Library. Music Library (Publisher)
Created2018-02-15
ContributorsASU Library. Music Library (Publisher)
Created2018-10-02