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- Creators: Arizona State University
- Creators: Bellard, Alex
Description
American families have been coming to South Korea accompanying active duty service members or Embassy employees since before the Korean War. While their numbers were originally smaller, they continue to increase as South Korean assignments undergo "tour normalization", a transition from a location intended for service members to come alone for one year to a location where service members come accompanied by their family and stay for longer periods of times. The U.S. maintains a large presence in South Korea as a deterrence against possible threats from North Korea. Despite establishment of an armistice at the conclusion of the Korean War, a constant state of potential threat was created. This paper will examine what affect the recent rise in tension between North Korea and South Korea has on the American children living in South Korea with their active duty service member parent(s).
ContributorsWoodley, Elizabeth Saucedo (Author) / Margolis, Eric (Thesis advisor) / Romero, Mary (Committee member) / Appleton, Nicholas (Committee member) / Arizona State University (Publisher)
Created2012
Description
This dissertation proposes a theory of authoritarian control of the armed forces using the economic theory of the firm. To establish a “master-servant” relationship, an organization structures governance as a long-term contractual agreement to mitigate the vulnerabilities associated with uncertainty and bilateral dependency. The bargaining power for civilian and military actors entering a contractual relationship is assessed by two dimensions: the negotiated political property rights and the credible guarantee of those rights. These dimensions outline four civil-military institutional arrangements or army types (cartel, cadre, entrepreneur, and patron armies) in an authoritarian system. In the cycle of repression, the more the dictator relies on the military for repression to stay in office, the more negotiated political property rights obtained by the military; and the more rights obtained by the military the less civilian control. Thus, the dependence on coercive violence entails a paradox for the dictator—the agents empowered to manage violence are also empowered to act against the regime. To minimize this threat, the dictator may choose to default on the political bargain through coup-proofing strategies at the cost to the regime’s credibility and reputation, later impacting a military’s decision to defend, defect, or coup during times of crisis. The cycle of repression captures the various stages in the life-cycle of the political contract between the regime and the armed forces providing insights into institutional changes governing the relationship. As such, this project furthers our understanding of the complexities of authoritarian civil–military relations and contributes conceptual tools for future studies.
ContributorsZerba, Shaio Hui (Author) / Thies, Cameron (Thesis advisor) / Wood, Reed (Committee member) / Shair-Rosenfield, Sarah (Committee member) / Arizona State University (Publisher)
Created2019
DescriptionDiscusses the reading experience and writing strategies in relation to four prominent novels from the genre
ContributorsO'Malley, Erik Andrew (Author) / Cook, Paul (Thesis director) / Mallot, Edward (Committee member) / Broglio, Ronald (Committee member) / Barrett, The Honors College (Contributor) / School of Mathematical and Statistical Sciences (Contributor) / Department of English (Contributor)
Created2013-05
Description
Music both created and consumed by Soviet soldiers during the war in Afghanistan provides an insight into their opinions and criticisms of the war. Music allowed soldiers to vent, to give voice to their experiences, as well as to rationalize their participation in the conflict, enabling them to inject their personal opinions and perceptions of the war into memorable and poetic forms. Through analyzing the Soviet songs about the of Afghan war, we can create a chronological timeline charting the development of resentment and disillusionment among Soviet soldiers: the initial patriotic songs borrowed from prior conflicts soon declined in popularity, replaced with mournful songs reflecting soldiers’ nostalgia for home and fear of death in their daily lives. Their lyrics reveal feelings of anxiety, disenfranchisement and abandonment, all resulting from the Soviet state’s ineffective handling of the war. In addition to songs produced by soldiers themselves, bands within Soviet borders such as Kino also wrote songs about the conflict, using their star power to draw attention to the conflict in their own fashion. By tracking both the creation and spread of these songs about the Soviet-Afghan war (referred to in this essay as either the “Soviet-Afghan War” or, more simply, the “Afghan War” as it is known in Russian), we can find vital, overlooked expressions of if not protest then discontent - among the many bubbling to the surface during the last decade of the USSR. This thesis therefore presents a chronological analysis of representative songs from the Soviet-Afghan war that also takes their popularity and methods of propagation -- the material technologies that allowed for this music to be spread -- into account, plotted alongside the major turning points of the war. It uncovers an otherwise forgotten form of discourse between soldiers about both the war itself, as well as the Soviet government, exploring the political implications of the war’s musical memorialization.
ContributorsBellard, Alex (Author) / Schmelz, Peter (Thesis director) / Stoff, Laurie (Thesis director, Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05