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This dissertation analyzes contemporary American literature, which includes novels, graphic novels, film, and television of the last forty years, to deconstruct the critical relationship between lived space, institutional power, and trauma. It examines literary representations of traumatic moments in recent American history--the attacks on the World Trade Center, Hurricane Katrina, the emergence of the Homeland Security state, and the introduction of the "new metropolis"--to demonstrate that collective trauma at the turn of the century is very much a product of the individual's complex relationship to the state and its institutional auxiliaries. As many philosophers and social critics have argued, institutional forces in contemporary America often deprive individuals of active political engagement through processes of narrative production, and this study discusses how literature both represents and simulates the traumatic consequences of this encounter. Looking to theories on urban, domestic, and textual space, this dissertation explores and problematizes the political and psychological dimensions of space, demonstrating how trauma is enacted through space and how individuals may utilize space and exploit narrative to achieve critical distance from institutional power. Literature as a narrative medium presents vital opportunities both for exposing the machinery of institutional power and for generating positions against the narratives produced by the state.
ContributorsPattison, Dale (Author) / Gilfillan, Daniel (Thesis advisor) / Clarke, Deborah (Thesis advisor) / Thompson, Ayanna (Committee member) / Arizona State University (Publisher)
Created2013
Description
The Phoenix CubeSat is a 3U Earth imaging CubeSat which will take infrared (IR) photos of cities in the United Stated to study the Urban Heat Island Effect, (UHI) from low earth orbit (LEO). It has many different components that need to be powered during the life of its mission. The only power source during the mission will be its solar panels. It is difficult to calculate power generation from solar panels by hand because of the different orientations the satellite will be positioned in during orbit; therefore, simulation will be used to produce power generation data. Knowing how much power is generated is integral to balancing the power budget, confirming whether there is enough power for all the components, and knowing whether there will be enough power in the batteries during eclipse. This data will be used to create an optimal design for the Phoenix CubeSat to accomplish its mission.
ContributorsBarakat, Raymond John (Author) / White, Daniel (Thesis director) / Kitchen, Jennifer (Committee member) / Electrical Engineering Program (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
Description
The Metal Semiconductor Field Effect Transistor (MESFET) has high potential to enter analog and RF applications due to their high breakdown voltage and switching frequency characteristics. These MESFET devices could allow for high voltage analog circuits to be integrated with low voltage digital circuits on a single chip in an extremely cost effective way. Higher integration leads to electronics with increased functionality and a smaller finished product. The MESFETs are designed in-house by the research group led by Dr. Trevor Thornton. The layouts are then sent to multi-project wafer (MPW) integrated circuit foundry companies, such as the Metal Oxide Semiconductor Implementation Service (MOSIS) to be fabricated. Once returned, the electrical characteristics of the devices are measured. The MESFET has been implemented in various applications by the research group, including the low dropout linear regulator (LDO) and RF power amplifier. An advantage of the MESFET is that it can function in extreme environments such as space, allowing for complex electrical systems to continue functioning properly where traditional transistors would fail.
ContributorsKam, Jason (Author) / Thornton, Trevor (Thesis director) / Goryll, Michael (Committee member) / Barrett, The Honors College (Contributor) / Electrical Engineering Program (Contributor)
Created2015-05
Description
Jason Bryant Queering Home: Domestic Space and Sexuality in Postmodern American Fiction This dissertation explores narratives of homosexuals and trans men and women occupying domestic spaces, discerning the ways that “home” shapes understandings about sexuality and examining the ways that understandings of sexuality shape how domestic spaces are occupied. Queer artists and intellectuals have deconstructed the legacy of normativity that clings to the metaphor of the domestic realm. Queering Home argues that writers have used the discursive concept of home to cultivate sociopolitical communities (Audre Lorde, Zami) while also insisting upon material spaces of shelter and comfort for individuals queered by gender performance, sexual orientation, and resultant adverse economic conditions (Feinberg, Stone Butch Blues). Two novels, Dorothy Allison's Bastard Out of Carolina and Mike Albo's Hornito, challenge the coming-of-age tradition of narrating childhood/adolescence through the redeeming prism of the confident, queer adult; in particular, these novels trouble the problematic notion of domesticated maturation as a heteronormative condition that continues to cling to much contemporary American lesbian, gay, bisexual, and transgender (LGBT) politics. The third chapter examines Marilyn Hacker's sonnet collection, Love, Death, and the Changing of the Seasons in correspondence with Carl Phillips's collection, Cortège, as they queer the concept of domestic bliss, the goal toward which romantic partners are “supposed” to be committed. Hacker and Phillips revise the same-sex couple as a processing of gay ways of life, which resists positing normative, married futures for lesbians and homosexuals. Finally, the study investigates Terrence McNally's play, Lips Together, Teeth Apart and a series of still life paintings by Joey Terrill for their depiction of narratives of domestic spaces (pools, open-concept design, medicine cabinets), which condition the subjectification and desubjectification of gay male sexuality and domesticity in the era of HIV/AIDS. Throughout, this dissertation draws energy by challenging the “given” and “inevitable” heteronorms that condition domesticity, sexuality, and space, demonstrating how late twentieth century writers and artists have queered the home.
ContributorsBryant, Jason (Author) / Clarke, Deborah (Thesis advisor) / Sturges, Robert (Committee member) / Bebout, Lee (Committee member) / Arizona State University (Publisher)
Created2013